Stockholm Bloodbath

... for if this is what hell feels like, and by this, I mean watching this movie, then I'll promise I won't ever sin again.

Watching this from start to finish is pure agony. The movie does not know what it wants to be. Is it a comedy? Is it a drama? Is it gore? Is it historical? Is it fiction? We don't know, be because the movie wants to be all of these things and none of it simultaneously, in a regurgitating blending that makes no sense making it difficult to take it seriously.

The acting doesn't help, which it is very unconvincing and at times upsetting by how bad it is.

What is nice though, with the exception of a few scenes, are the effects and overall cinematography. It is clear they they spend much more time and money on that, than in acting or scripting.

Not reccomeneed, at all!

Please, dear directors and what not, do proper screen testings and quality assurance before producing or releasing your movies and spare us poor viewers the agony of sitting through your self indulging productions!

Mikael Hafstrom shouldn't do movies at all.

I don't know what they were trying to do here.

A side story of revenge could've been so much more but came so short of its goal.

The lines are annoying from start to end, and it almost feels like the actors even realizes themselves how ridiculous their lines are.

The movie tries to be fun and use some Guy Richie influence but it totally just crashes the movie.

The wardrobe also feels over exaggerated and doesn't seem accurate.

The casting isn't very good either, even though some of them are actually good actors.

Kristian II is the only good casted actor but his lines unfortunately destroys his character too.

Really disappointed in what could've been a really great movie.

Mildly entertaining movie, better than many B-grade films. However, the dialogue is modern day, rather than period accurate, which makes it out of place, as is some of the music and dance sequences. There is a lot of strange split screen editing that just doesn't fit. The attempts at humor fall flat, as does the movies attempt to made the female leads into heroic avengers.

This could actually have been great if the aim was a coherent story about one of the most interesting and dramatic events in Nordic history,

Clearly made for a global Generation Z Netflix generation it aims big. It's loud, there's alot of swearing and frequent use of the F-word and the costumes, scale and the vibe is pretty much spot on.

But at the same time it doesn't trust its audience, meaning that danish and swedish actors all speak english, most with an accent. But why? To maximize the potential for it to be a hit when it hits streaming? This is a weird choice for a period piece, Actually it's as cringe as if Hitler spoke english in the epic germanmade movie called 'Der Untergang' ('The Downfall').

But I could forgive all that if I was engaged in the plot. But I wasn't. Imagine that... there's so much they could have done with this. So many directions and opportunites. They just had to stick to one clear narrative. Because one moment it's trying to be Game of Thrones, the next a Shakespearean drama and the next something entirely else.

It was like being served a main course with a steak, a cake and a piece of pineapple on the plate. Each indiviually great tasting it itself, but mixed together....

I had been looking forward to this movie with quite the anticipation and was quite happy to be able to watch it 12/12. However, my excitement was soon squandered.

From the get go we get a Tarantino vibe, the movie resonates Kill-Bill as we get introduced to whom appears to be the protagonist and the antagonists.

Some gallons of blood later the movie turns into a mess between historical, dead serious and embarassing.

I gad such high hopes for this movie but it falls flat because it doesn't know what it wants to be and therefore ends up being the mess that it is.

And the torture drags on. About 150 minutes of where I enjoyed perhaps 20.