When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.
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Cloé Xhauflaire
- Camille
- (as Chloé Xhauflaire)
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This film really should have been a slam dunk, but somehow it manages to be overly long, barely sentimental or emotional, and lacking in any real connection with the characters.
The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.
As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.
It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.
The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.
As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.
It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.
While on vacation in Hollywood (ooh la la) I obviously had to see a movie. Funnily enough, I chose the most "New York" movie out there. THE FRIEND is a drama based on a book by Sigrid Nunez about a writer named Iris (Naomi Watts). Her best friend Walter (Bill Murray) commits suicide, leaving her to deal with the grief of the loss, his many exes, and a Great Dane called Apollo. Living in a tiny apartment building, her landlord is urging her to move out because of Apollo. This dog is a huge scene stealer, very expressive and such a good boy. Yes he is. He reminds us that he's grieving right alongside Iris. They start to bond, even though she's not a dog person. This movie shows how one person can affect the people around them in different ways. There are thought-provoking and fascinating conversations that take place here. Taking control of your life can look like a variety of things, small or big. Apollo could be seen as a metaphor for a few things, depending on who's asking. THE FRIEND will resonate with dog-owners and everyone who has experienced loss, which is probably most people.
A classic definition of a "guy flick" is one in which many people die very rapidly - the corresponding definition of a "chick flick" is one in which one person dies very slowly. "The Friend" is a variation on the latter theme in which a major character (Murray) dies at the outset of the film, and most of two hours is spent depicting how his widow, his ex, his daughter, his dog, and his best friend/protégé/ex lover (Watts) and the dog Apollo (a gigantic Great Dane) slowly come to terms with that death. The production values are excellent. The acting is magnificent. The pacing is tedious. Seeing it once was more than enough.
I went in expecting a sentimental story about a woman and a big dog, and while that element is definitely there, The Friend surprised me with how layered and restrained it was. Naomi Watts gives a really thoughtful performance-quiet, a little distant, but grounded in real emotion. And Bill Murray, though only present in flashbacks and memory, adds a lot of warmth and depth to the story.
What really worked for me was the tone: melancholic without being heavy-handed, and gently funny in places without trying too hard. The relationship between Iris and the dog felt believable-not overly cute, just human and strange and a little awkward, like grief often is.
The trailer made it seem like a straightforward healing-through-pet story, but the film is more reflective than that, and it lingers in your mind afterward. Some scenes felt a little slow, but overall it earned its quiet pace.
Definitely worth seeing if you're into character-driven stories that give you space to feel without telling you how.
What really worked for me was the tone: melancholic without being heavy-handed, and gently funny in places without trying too hard. The relationship between Iris and the dog felt believable-not overly cute, just human and strange and a little awkward, like grief often is.
The trailer made it seem like a straightforward healing-through-pet story, but the film is more reflective than that, and it lingers in your mind afterward. Some scenes felt a little slow, but overall it earned its quiet pace.
Definitely worth seeing if you're into character-driven stories that give you space to feel without telling you how.
Reuniting St Vincent (2014) stars, Bill Murray and Naomi Watts, The Friend is a heavy, emotional tale that deals with death, suicide, and perseverance.
Positives +Naomi Watts knocks it out of the park!
+Apollo the Great Dane is a cute pup actor.
+Scene voiceovers switch between characters +Thorough plot that examines all aspects of the story +A bit of creative fantasy
Negatives -Multiple "False endings" scenes. You think the movie is over, but then another scene appears. Again. And again.
-Felt too long with the above endings.
-A lot of characters thrown in at once, but not explained until later.
This movie had me crying in my seat. The connections of suicide, survivors guilt, regrets, and family were heavy. But your connections to these topics could increase or decrease your enjoyment. Buckle in for a long, but fulfilling journey.
-GremlinLord615 -Full Reviews on my YT.
Positives +Naomi Watts knocks it out of the park!
+Apollo the Great Dane is a cute pup actor.
+Scene voiceovers switch between characters +Thorough plot that examines all aspects of the story +A bit of creative fantasy
Negatives -Multiple "False endings" scenes. You think the movie is over, but then another scene appears. Again. And again.
-Felt too long with the above endings.
-A lot of characters thrown in at once, but not explained until later.
This movie had me crying in my seat. The connections of suicide, survivors guilt, regrets, and family were heavy. But your connections to these topics could increase or decrease your enjoyment. Buckle in for a long, but fulfilling journey.
-GremlinLord615 -Full Reviews on my YT.
Did you know
- TriviaSigrid Nunez has stated that she is pleased with how her book is presented in this film adaptation.
- ConnectionsReferences It's a Wonderful Life (1946)
- SoundtracksDie Zauberflöte, K. 620, Act 2: 'Pa-pa-pa' (Papageno, Papagena)
Written by Wolfgang Amadeus Mozart
Performed by Catherine Pierard
Courtesy of Parlophone Records Limited
By arrangement with Warner Music Group Film & TV Licensing
Details
Box office
- Gross US & Canada
- $3,941,217
- Opening weekend US & Canada
- $67,629
- Mar 30, 2025
- Gross worldwide
- $4,922,132
- Runtime
- 1h 59m(119 min)
- Color
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