More drama occurs behind the scenes than on stage, as the team prepares an ambitious Broadway musical on the life of Marilyn Monroe.More drama occurs behind the scenes than on stage, as the team prepares an ambitious Broadway musical on the life of Marilyn Monroe.More drama occurs behind the scenes than on stage, as the team prepares an ambitious Broadway musical on the life of Marilyn Monroe.
- Won 1 Primetime Emmy
- 9 wins & 28 nominations total
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Featured reviews
Adorable, Amazing, and my new favorite show!
I love musicals and grew up loving all the great Broadway hits like Phantom, Les Miserables, Miss Saigon, Jeckyl and Hyde....It is so refreshing to watch a show that provides us with a kind of behind the scenes and making of the next big production! The cast members in this show are outstanding and the music is spectacular! I hope, hope, hope that this gets the ratings to stay on the air! Although I'm a fan of Glee, I feel that it is less story driven and more theme oriented around certain artists or genres. If you are looking for something fresh, if you love a good drama, if you like excellent writing, and if you enjoy listening to people sing songs that make you feel good then you owe it to yourself to check out SMASH!
This Show Was ,Unfortunately Doomed From The Start.
I like it ,but McPhee ,though pleasant enough to look at ,an an adequate singer,doesn't have the pipes for live theatre and has the stage presence of a potted plant. Hilty,who they positioned for the audience not to like,stole the show. But the real problem is they underestimated the stupidity of American audiences. They might have just as well done a show about classical pianists. The American audience has been dumbed down with reality TV ,and a dwindling PBS type presence ,as well as the republican party putting forth a distrust of anyone or anything that is smart ,or intellectual. This show could have succeeded on HBO or Showtime,a few sex scenes and a Sex in the City meets The Great White Way angle. They would have found their audience. But don't compare this to Glee. It resonated because everyone has been in high school,even stupid people, and they use pop music. Few people have ever performed live to a paying audience. This show couldn't draw on the sheer commonality that Glee can. In all,I'm sad to see it go. It could have been wonderful.
This was a wonderful series until Second Season
This was a wonderful series until 2nd Season and the bright bulbs in charge decided to change the cast, change the story line, change the producers and writers and directors and then the show tanked. Second season was ridiculous and made no sense. the songs sucked and the cast had no chemistry and they didn't even finish the storylines. First season was amazing, songs, cast, direction. Why can't the studios leave well enough alone. They get people that thing they can do better and they ruin everything. This show tanked because the bright bulbs at the studio thought they could do better with what was already a fantastic show.
'Smash' just "Wants to be Loved by You...."
NBC takes it head-on in its ongoing battle with the cable channels with Smash, an edgy take on the inner workings of Broadway. With production values you would expect more from AMC or Starz, Smash is sure to light up broadcast television like nothing has in years.
The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.
There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.
Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.
Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.
The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.
There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.
Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.
Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.
A breath of fresh air!
This new show is a breath of fresh air. It has a simple plot with many complicated sub plots. It entertains you with great music and gives you a realistic look at what goes on during the casting, rehearsals and collaboration that is required to produce a Broadway musical. This is a high energy and fast paced piece of entertainment with a few twists to keep you wanting more. The interactions among cast members is so real you don't feel like you are watching television. I hope this show makes it because it is like nothing a regular network has done before. It has brought Broadway to television with a great cast, original music and a break from the many cookie cutter shows on television lately.
Did you know
- TriviaSeveral of the actors on Smash have actually performed in Broadway musicals. Megan Hilty played Glinda in Wicked and originated the role of Doralee in 9 to 5. Christian Borle was in the original casts of Spamalot and Peter and the Starcatcher, and originated the role of Emmett in Legally Blonde. Brian d'Arcy James was in the original casts of Titanic, the revival of The Apple Tree, and played the title role in Shrek. Wesley Taylor was in the original casts of Rock of Ages and The Addams Family. Will Chase has been in Rent, Aida, The Full Monty, and Billy Elliot. Ann Harada (Linda) originated the role of Christmas Eve in the puppet musical "Avenue Q." Anjelica Huston has never been in a Broadway musical, but in 1969 she played Ophelia in a Broadway production of Hamlet, and Leslie Odom Jr. Played Aaron Burr in "Hamilton" which he won the Tony Award for best actor for his performance.Jeremy Jordan played Jay Gatsby in "The Great Gatsby"
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.81 (2012)
- SoundtracksSomewhere Over the Rainbow
(uncredited)
Written by Harold Arlen and E.Y. Harburg
Performed by Katharine McPhee
- How many seasons does Smash have?Powered by Alexa
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