Here

I was excited to see this film at the AFI film festival last night. But after watching it, I was disappointed with the film. Robert Zemeckis of "Back to the Future" fame loves using technology to illustrate his films. In this one, he uses different picture-in-picture panel inserts to show what was happening at various times in the same place (i.e. "Here" - someplace in New England or Pennsylvania). He also uses de-aging techniques to turn Tom Hanks and Robin Wright into teenagers (done much better than Scorsese's "The Irishman"). However, these pluses don't make up for a mediocre and predictable story that concentrates on Tom Hanks (and Robin Wright's) initially exuberant youth that is wrecked by the realities of adult life. Been there, done that. Parallel stories of Benjamin Franklin's son, a Native American, an early aviator, the alleged inventor of Laz-e-boy, and a black family who all occupied the same space at different times eventually serve more as distractions rather than enhancements. The gimmicky use of the panels eventually becomes tiresome as well as the use of AI to create ancient times and animals. The main actors (Hanks, Wright, Bettany, and Reilly) are all excellent but I only wish they were given a better screenplay to work with.

Usually I do not write reviews but I must admit that this movie left an emotional impression on me and so I highly recommend watching it. Although the movie as a movie could be more engaging and exciting, the idea of the movie itself and the impression it leaves on the viewer is powerful. This movie is spiritual in the sense that it conveys to the viewer that life is brief and that love and family are the most important parts of life. It also shows that history repeats itself in different ways and that some things are permanent or at least more permanent than our individual lives. All happens Here.

I have a lot of mixed feelings about 'Here'. There are parts of it I loved, and parts of it I didn't care for. I'm a nostalgic guy and this kind of film should've hit me really hard. And it did, but not until right at the end. I feel like they could've squeezed more juice out of the concept.

All the story arcs in the movie feel very underwhelming and un-film-worthy. And at first I thought that was a strange decision, but thinking about it more I can at least see what they were going for. They wanted it to be more relatable, so that you'd look around the room you're watching the film in and think about all the memories you've had. Chances are no one has had a baby in the room you're sitting in (you never know) but a lot of the other stuff has likely happened.

The film has a hard hitting final scene that I really appreciated. It was a great way to end the film. 6/10 doesn't quite feel like the right rating for this film, but no number really does. It's a funny one like that.

I did not know what to expect from "Here" for two reasons. First, I have not closely followed director Robert Zemeckis' filmography as of late. I have seen all-time classics from him in the "Back to the Future" trilogy, "Who Framed Roger Rabbit," and "Forrest Gump" and underrated gems like "Death Becomes Her," "What Lies Beneath," and "The Polar Express," so I have not been exposed to any disappointments from him yet. Second, I knew beforehand that they used artificial intelligence to de-age Tom Hanks and Robin Wright. In a year with remarkable advancements in AI and almost a year after the SAG-AFTRA strikes, "Here" looks to be the first major Hollywood film to utilize the technology to a large extent. Nevertheless, I was willing to go in with an open mind. After seeing it, one vital element holds it back from being a classic, but it is good.

To start, the actors delivered. Thirty years after their pairing in "Forrest Gump," Tom Hanks and Robin Wright give compelling performances as Richard and Margaret Young, as their story of living through the central home is the bulk of the narrative. For the other standout, Paul Bettany commits as Richard's father, Al.

Robert Zemeckis directs this incredibly ambitious film in a way that feels distinctly Zemeckis. The story is unique, with the movie following a (mostly) unbroken shot of a house through centuries, and it deserves a director who can make it feel special. Every film I have seen from Zemeckis that I described was magical, and "Here" is no exception.

I felt the film's opening scene was beautiful and a flawless way to open it. It showcases what the movie will offer over the following 1 hour and 45-minute runtime, making it one of its defining scenes.

I have mixed-to-positive feelings about the film's AI usage. Aside from a few moments, the de-aging was wildly convincing, and it felt like Hanks and Wright were much younger than they are now. I more or less say mixed because I am not the biggest fan of AI usage in media, and I am one of the many who believe that creativity in Hollywood is only human.

Moving on to the negative worth mentioning: the film's time division and utilization are not great. I liked the main storyline revolving around the Young family. However, they occasionally cut to other periods, which felt like excuses to sell the fixed frame gimmick further. The additional plot lines had emotional moments, but the characters lacked development. Any feelings of sadness worked during the time we spent with the Youngs. It may be a necessary annoyance because the main plot may not have satisfied the 1:45 runtime nearly as well.

Overall, "Here" mainly was a success. It will not be an awards season frontrunner, as "Conclave" and "Anora" are also in theaters. However, as a film fan appreciative of Hanks and Zemeckis and intrigued by the experimental nature of this film, the movie was enjoyable.

Technically, the performances, the charming screenplay, the impressive AI de-aging, and the overall execution make the technical score a 9/10.

For the enjoyment score, its utilization of time is my main complaint. Though it weighs the film down, it can not remove how outstanding and entertaining it is. For those reasons, the enjoyment score is a 7/10. I can not call it a masterpiece, but it was better than it had any right to be.

This film takes a different approach to storytelling. Instead of big, dramatic events, it focuses on the small, quiet moments that make up everyday life. It's set in one house and shows the lives of the families who lived there over different generations, with most of the story following one family as they grow older together, and how time changes everything.

It's a simple and thoughtful movie that reminds us to appreciate the ordinary moments we often overlook. It might not be what people expected, but it leaves a lasting impression if you take the time to really watch and reflect. I think the ending was emotional if you put yourself in their shoes.