Monolith

Monolith maintains more of a single setting and person concept as it uncovers the mystery behind random blocks of black stone that just appear in people's lives.

The main character is a disgraced journalist that has moved to a new home that is more isolated to avoid the public. She is tasked with creating a new "mystery pod cast" and begins with these blocks.

As the film progresses, little details from talking with others who have found these blocks creates more uncertainty regarding what they are, why they are, and what do they do.

Monolith starts with a realistic focus on the main character and her stress from recent events of her problematic journalism. The film unfolds slowly around the bits of information and this leads us wanting to know more, but in this situation, there isn't clearer information.

If you are expecting tradition film plotting, don't watch this. If you want to experience the uncertainty and the mystery without needing an answer to resolve the tension, Monolith creates this atmosphere and suspense. Lily Sullivan as the lead character and only person on screen is captivating and holds this film with a tight grip even as she loses hold on her reality.

This is clearly not going to be for everyone. It's slow, gripping, story telling and it's not a horror film.

The whole film revolves around one central character and her efforts to revitalise her journalism career via a podcast on unsolved mysteries. It's excellently written and beautifully shot, featuring clever moments to draw you in.

If you want gore or adrenaline, this is not for you. It's an intriguing story with a satisfying climax that is another classic for the Aussie film industry.

The whole cinematic scope is thought well through and the screenplay is really tight - the film just works.

If you like a slow burn, a little sci-fi and some good story development, this is worth sitting down and watching.

Monolith borrows the core idea of Tony Burgess's novel Pontypool Changes Everything - as filtered and focused through the film adaptation, Pontypool (which, I would argue is better than the novel, which is needlessly overwritten and self-consciously haphazard) -and takes it in a very different direction. To be more specific about Monolith's story beyond what you've read in Letterboxd or IMDb plot summaries would spoil things. I've read some reviews that don't seem to like the ending, but I think these viewers have missed the point of the movie. It is heavily thematic, rooted in the sins of the past, whether terrible things thought or terrible things done, and the suppression of the related guilt. In one sense, everything in Monolith is overtly symbolic in how it relates to our world outside of the movie; but, within the movie's own world, there is no symbolism and suppressed guilt is literalized, shockingly so in at least one scene, in which a quotation from The Merchant of Venice mentioned at the beginning - "The truth will out" - is physically manifested. In the movie's world each person has their own hidden language - hidden even from the individual them self, or maybe hidden by them.

Well, I am being pretty opaque to avoid spoilers. The movie makes perfect sense within the above context and turns out to be very clever. About 2/3 of the way through I thought the movie was losing itself in a subplot, but no, everything that happens is integral to the story and themes, and essential to where the story ends up. Also impressive is the sustained sense of mystery and suspense, given that there is only one setting and that only one character appears outside of some very brief video snippets, texts, emails, and phone calls. The lead actress has to carry 90% of the movie.

Monolith is an impressive movie. It isn't as opaque or inconclusive has some viewers have said. Being very easy to miss amid the thousands of direct to streaming movies that drop each year, Monolith is worth seeking out for fans of sci-fi drama / suspense. It would make a great double feature with Pontypool.

Again, this goes to show you don't need huge budgets to create good sci-fi. Absolute props to Lily Sullivan who's crushing it carrying the whole thing as a one-woman show. Now you have to know before you go in that it is extremely slow paced sci-fi with little to no special effects, and everything hinges on the atmosphere, closer to a psychological thriller in that way. In fact I find the poster for the movie a tad misleading. While it kept me engaged for the vast majority of the time, there are some pacing problems in certain places so that was unfortunate.

But overall it's definitely something I would recommend for people who can appreciate "non-flashy sci-fi".

Here's The 4K Lowedown on "Monolith" (R - 2022 - VOD)

Genre: Drama/Sci-Fi

My Score: 6.8 Cast=5 Acting=8 Trailer=7 Ending=5 Story=8 Visual=6 Direct=8 Sound=7 Genre=5 Sub-genre=9

A headstrong journalist whose investigative podcast uncovers a strange artifact, an alien conspiracy, and the lies at the heart of her own story.

"You have to stop what you're doing...you are in danger." What starts out slow begins to build...in intensity and suspense. When the sci-fi stuff started to kick in, I was fully on board...I couldn't wait for the ending. I think this just went a little too long and that caused the ending to be a little flat. This is available to rent on Prime for 3.99 and I feel this is worth a watch. I'll leave it up to you if you want to rent it or wait for it to appear on a streaming service.