The Nut Job

Surly, an adjective and a name apparently, embarks on an adventure to obtain food for the approaching winter. He runs across some wacky characters and antics ensue. The Good: Art- The time spent on the animal and human designs was readily apparent throughout the film. I could pick out individual hairs in the animals' coats. I also liked that the artists paid attention to the animals' mouths. They were not just mere flaps of skin covering teeth, but it looked like the mouth region actually had some depth, that the lips were also 3D along with the rest of the animal. The humans had a distinct look and style about them that made me think of 2D cartoons. Big and imposing, shady and dangerous, cute and cuddly, the artwork certainly helped draw a person in. Ambition- The Nut Job tried to draw on several genres of film. It attempts to reshape these stories and form into a family friendly movie. I could spot a crime drama, a voyage of self discovery, a tale of redemption and rejoining society, just to name a few. The film also provided some rudimentary information about the animal species through dialogue, so it did have some educational moments. Whether or not the film succeeded in its ambitions will be covered in the not-so-good section. The Not-So-Good: Pacing- What a colossal mess. The Nut Job is a short 86 minutes and the film tried to show at least three different story arcs. The audience is not shown how the characters will respond to any event because the next event is following hot on the heels of its predecessor. Because of this, any connection or concern for the characters is lost in the fray of action and fart jokes...yes, I'll get there too. Characters- Unfortunately the pacing of the film allows the survival of only the most basic character types. Might as well forget about character development too. And learning. And change for the better. Comedy- I had hoped that the family film genre had grown past this, I really did. Situational and character-based comedy has made significant headway into the family films. Granted it may be a little silly to laugh at Mr. Potato-Head's parts stuck in a flour tortilla, but I found it to be incredibly funny. Or how about when a mermaid becomes a human and, as a result of misguiding information told to her in a previous scene, she puts a fork and a pipe to hilarious use at the dinner table. Fart jokes. Maybe with the compressed story arcs, the only form of comic relief could come from this. The Nut Job tried to meld several different genres and in so doing, did not execute any of them well. You've seen better representatives of the genres attempted here and I'd suggest seeing them instead. 4/10

The Nut Job looks fantastic. Try to ignore the trailer, and if possible, the inconsistent soundtrack, too. Pay attention to the subtle nod to the 50's, present in all the background details: The rooms, the cars, the human characters. It looks great. The attention to visual detail is spot on. So kudos to the people in charge of making this look the way it does.

The story itself has promise: A nut heist that runs concurrently with a bank heist, the squirrel storyline paralleling the human one. As you can imagine, there are cheap jokes and nut puns a plenty, but at least the younger children in the theatre will be entertained. Any flaws present in the Nut Job have nothing to do with the way it looks. And if anything, that's what saves it.

A very positive movie, which, while borrowing heavily on Over the Hedge, is still a worthy standalone sight. Perhaps some characters are a bit naive or predictable... or outright annoying, but the whole composition is alright. The is movie is about crime, friendship and consequences... of both. It's beautifully animated, quality-voiced, has sufficient humor... and doesn't have revolting moments. Well, except for PSY, hehe.

Overall it doesn't have the qualities of an outstanding animated picture. It doesn't have unique plot, or music or some spark... But it does it's best to entertain, and that is already a step up from an average animation. Perhaps a critic less obsessed with animals or cuteness would judge it for less, but compared to many other movies, it at least doesn't have that much bad in it to go below the rating of 5. Six, perhaps seven out of ten - is the reward for entertainment without anything groundbreaking.

7.8 of 10. This has a lot of the 50s-70s style cartoon animal characters along with their seeming invincibility to any sort of explosion or accident. It comes, however, with excellent modern drawing, natural 3D art and animation to add to a distinct story of friends & sharing.

At the base of this is a great, very simple to understand story for kids. Treasure your friends and share with them. It's more complex than that, involving theft both direct and indirect, and some devious political-like characters for adults to enjoy.

The humor in the film alternates from kiddy and tween to puns and some more amusing adult idiosyncrasies and allusions. The soundtrack is extremely limited but works in the few places it's used.

Yes, as most of the professional (and a few of the amateur) reviews pointed out, the political satire in THE NUT JOB is extremely heavy handed if you go in looking for it, and the "cuddly/comfort level" one initially expects when seeing furry creatures this well animated is lower than what we have come to expect from the Disney films which are usually the only ones which approach this level of polish - but when one looks at the actual PLOT these film makers have chosen to tell, a kid-friendly riff on the kind of film noir caper films where different gangs are fighting over access to the same crime scene and ultimately (contrary to a couple earlier reviewers who clearly didn't want a Korean helmed film to succeed) arrived at exactly the "aww," and "we CAN fix any problems" moment any film like this must build toward.

No child over 10 will have any problems distinguishing between the various squirrel characters of varying hew, although an insistent naturalist might be pulling out their hair at the various species populating and co-operating in this "never-never-land" unidentified city park in a city living below a non-threatening dam which may or may not be destroyed by the end of the film (the illogic here - betraying the producers' lack of experience for all their technological finesse) is ultimately the film's greatest weakness - but will bother few of those the film is actually aimed at).

The flaws ultimately fade while the adventure and the over-all successes linger in the memory - which is one reason I'm glad I waited a day to review this film. Probably best of all for parents who actually want to INVOLVE themselves in their children's viewing, the number of sophisticated "teachable moments" in this film are remarkable. Most family groups today will probably not be screening the semi-classic animated version of Orwell's ANIMAL FARM, but its essential points are made much more approachably with possibly greater sophistication (and better animation) here - and the opportunities to see and understand facing complicated issues and even having to change sides and seek forgiveness for errors has seldom been better presented.

I suspect that this film - with initial notices focusing on the flaws (what COULD the releasing company have been thinking with the disco dancing Korean producer - who doesn't appear anywhere else in the film - joining the rest of the animated cast ALL through the final credit crawl testing the bias level of critics!? - It was APPARENTLY an attempted riff on a current pistachio...get it? NUT? commercial) will end its initial U.S. release rather deeply in the red, but when the DVD comes out, and in foreign release, this NUT JOB should do very nicely indeed. There's far more to like here than to "dis." If you watch TV *with* your kids rather than simply using it as a baby sitter, I think it's even highly recommended.

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