A foster kid who lives with her mean foster mom sees her life change when business tycoon and New York City mayoral candidate Will Stacks makes a thinly-veiled campaign move and takes her in... Read allA foster kid who lives with her mean foster mom sees her life change when business tycoon and New York City mayoral candidate Will Stacks makes a thinly-veiled campaign move and takes her in.A foster kid who lives with her mean foster mom sees her life change when business tycoon and New York City mayoral candidate Will Stacks makes a thinly-veiled campaign move and takes her in.
- Awards
- 3 wins & 18 nominations total
Zoe Colletti
- Tessie
- (as Zoe Margaret Colletti)
Featured reviews
Can't believe the negative reviews! This was fun, modern, funny and entertaining. Good for kids and adults and there's a great cast too. Don't let the reviews put you off.
'ANNIE': Two and a Half Stars (Out of Five)
Modern-day adaptation of the 1977 Broadway musical (of the same name), which was based on the 1924 comic strip 'Little Orphan Annie'. It stars Quvenzhane Wallis (of 'BEASTS OF THE SOUTHERN WILD' fame), as Annie, and Jamie Foxx, as billionaire Will Stacks (an update on the Daddy Warbucks character, from the comic and musical). It costars Rose Byrne, Cameron Diaz, Bobby Cannavale, David Zayas and Adewale Akinnuoye-Agbaje. It was directed by Will Gluck (who also directed 'EASY A' and 'FRIENDS WITH BENEFITS') and written by Gluck and Aline Brosh McKenna. I don't think it's nearly as enjoyable as the 1982 film version (which I grew up on) but the music is still good (and there's three new songs).
The story, once again, centers on a ten-year-old orphan named Annie (Wallis). She lives at the home of a mean alcoholic, named Colleen Hannigan (Diaz), with four other foster children. Colleen is very abusive to the kids, constantly making them clean her apartment, and only takes care of them so she can collect money from the state. Annie dreams of being reunited with her parents, who promised they'd come back for her (long ago). She runs into New York City mayoral candidate Will Stacks (Foxx), while running home one day, and falls to the ground in the streets. Stacks saves her from being hit, by a truck, and the incident is caught on video. The video then goes viral and Stacks sees it as an excellent opportunity to save his failing campaign. An odd relationship develops between the two.
The film is filled with corny jokes, and bad acting, and it's even more cheesy than the 1982 movie (which I still love, for nostalgic reasons). The music is great, still though (especially my favorite: 'It's the Hard Knock Life'), and the movie does have a positive and upbeat message for kids (like it's source material). It's other saving grace is Quvenzhane Wallis, who has some really powerful scenes (towards the end of the film). She could have delivered another award worthy performance, if her part had been written a little better (she is nominated for a Golden Globe though, but doesn't quite deserve it). For those reasons the movie isn't horrible but the 1982 version is much better.
Watch our movie review show 'MOVIE TALK' at: http://youtu.be/GmFPW994ONg
Modern-day adaptation of the 1977 Broadway musical (of the same name), which was based on the 1924 comic strip 'Little Orphan Annie'. It stars Quvenzhane Wallis (of 'BEASTS OF THE SOUTHERN WILD' fame), as Annie, and Jamie Foxx, as billionaire Will Stacks (an update on the Daddy Warbucks character, from the comic and musical). It costars Rose Byrne, Cameron Diaz, Bobby Cannavale, David Zayas and Adewale Akinnuoye-Agbaje. It was directed by Will Gluck (who also directed 'EASY A' and 'FRIENDS WITH BENEFITS') and written by Gluck and Aline Brosh McKenna. I don't think it's nearly as enjoyable as the 1982 film version (which I grew up on) but the music is still good (and there's three new songs).
The story, once again, centers on a ten-year-old orphan named Annie (Wallis). She lives at the home of a mean alcoholic, named Colleen Hannigan (Diaz), with four other foster children. Colleen is very abusive to the kids, constantly making them clean her apartment, and only takes care of them so she can collect money from the state. Annie dreams of being reunited with her parents, who promised they'd come back for her (long ago). She runs into New York City mayoral candidate Will Stacks (Foxx), while running home one day, and falls to the ground in the streets. Stacks saves her from being hit, by a truck, and the incident is caught on video. The video then goes viral and Stacks sees it as an excellent opportunity to save his failing campaign. An odd relationship develops between the two.
The film is filled with corny jokes, and bad acting, and it's even more cheesy than the 1982 movie (which I still love, for nostalgic reasons). The music is great, still though (especially my favorite: 'It's the Hard Knock Life'), and the movie does have a positive and upbeat message for kids (like it's source material). It's other saving grace is Quvenzhane Wallis, who has some really powerful scenes (towards the end of the film). She could have delivered another award worthy performance, if her part had been written a little better (she is nominated for a Golden Globe though, but doesn't quite deserve it). For those reasons the movie isn't horrible but the 1982 version is much better.
Watch our movie review show 'MOVIE TALK' at: http://youtu.be/GmFPW994ONg
It is unfortunate so much money (65 million) and so much talent (Quvenzhane Wallis, Jamie Foxx and Cameron Diaz) did not equal a better movie. A musical should have great singers; this did not. Foxx, the orphans and Quvenzhane were fine, but they were not great. Consider Dreamgirls, Hairspray, Fiddler on the Roof and Oklahoma. Along with the actors singing in character, there were powerful voices. No one in Annie was a standout musically.
Rose Byrne did her job in Damages, but not so much in this movie. The remainder of the cast was competent; they had their occasional moments.
This rendition of Annie was okay. But, with a few cast changes and voice lessons, it could have been so much better.
Rose Byrne did her job in Damages, but not so much in this movie. The remainder of the cast was competent; they had their occasional moments.
This rendition of Annie was okay. But, with a few cast changes and voice lessons, it could have been so much better.
I'm in my early 40's so i'm one of the ones that actually remembers the original Annie and honestly, i can't exactly say that i was the biggest fan of the original. Maybe it's just me, but i thought it was 'ok' at best.
We first saw the trailer for this movie over the summer and at first i was thinking, "really?...Annie?"... but the more the trailer played, the more i was able to actually feel that there was a very different VIBE to this movie than the original, so yes - i was sold and wanted to see this based on the trailer.
After actually seeing the movie in its entirety with my seven year old daughter, what i came away with was a BIG smile on my face and such an upbeat and inspirational feeling that still has me gushing today. My daughter can't stop talking about this movie either.
There was definitely an upbeat kinda VIBE throughout this entire movie that never quite leaves your side and should somehow be cast as an extra it's that good. It's also gone through a much needed makeover and is suddenly very up to date and modern (which is a lot of fun to see happen) The acting, i thought, was pretty spot on - keeping in mind that these characters are supposed to have a bit of animation to them (it IS a children's musical for crying out loud).
Jamie Foxx once again shows his flexibility and endless talent in his role as Willie Stacks. The man can do it all.
Quvenzhané is absolutely perfect for this movie and i might actually be more grateful that little Willow Smith 'backed out' of the lead of this movie opening the door for 'Q' than any thing else cause i can't see anyone else nailing this role down as perfectly as she did.
Cameron Diaz, i thought, was a lot of fun and i even enjoyed her singing - not going to win any awards any time soon, but the moments she had were again, spot on for what the moment called for (and that's important to understand for a movie like this).
Rose Byrne was ... 'proper' :-).
Bobby Cannavale reminded me very much of a modern day John Larroquette - the kind of guy that just knows how to be the perfect, lovable D-Bag... you almost feel bad for loving him the way you do - but you still do.
The music, another major highlight to this movie, was also nicely done and scores a big assist to singer/songwriter Sia who did wonders for this movie. With some new songs added (see 'Opportunity' and 'Smiles' to name a couple) and a few changes to the originals, the soundtrack is already on my daughters Christmas list. Don't discount this as this helps change the entire tone of the movie.
All in all, i thought this movie was a perfect storm. It had a lot of intangibles working seamlessly together. I gave this movie a nine because it was a lot of fun, it was very upbeat and inspirational, had good music, a good message, and a lot of cute laughs.
Normally i would highly suggest seeing this movie if you had kids, especially any little girls - but - I think even as an adult without kids, this movie can still find a way to creep into your heart and make you love it just the same.
Recommended!
We first saw the trailer for this movie over the summer and at first i was thinking, "really?...Annie?"... but the more the trailer played, the more i was able to actually feel that there was a very different VIBE to this movie than the original, so yes - i was sold and wanted to see this based on the trailer.
After actually seeing the movie in its entirety with my seven year old daughter, what i came away with was a BIG smile on my face and such an upbeat and inspirational feeling that still has me gushing today. My daughter can't stop talking about this movie either.
There was definitely an upbeat kinda VIBE throughout this entire movie that never quite leaves your side and should somehow be cast as an extra it's that good. It's also gone through a much needed makeover and is suddenly very up to date and modern (which is a lot of fun to see happen) The acting, i thought, was pretty spot on - keeping in mind that these characters are supposed to have a bit of animation to them (it IS a children's musical for crying out loud).
Jamie Foxx once again shows his flexibility and endless talent in his role as Willie Stacks. The man can do it all.
Quvenzhané is absolutely perfect for this movie and i might actually be more grateful that little Willow Smith 'backed out' of the lead of this movie opening the door for 'Q' than any thing else cause i can't see anyone else nailing this role down as perfectly as she did.
Cameron Diaz, i thought, was a lot of fun and i even enjoyed her singing - not going to win any awards any time soon, but the moments she had were again, spot on for what the moment called for (and that's important to understand for a movie like this).
Rose Byrne was ... 'proper' :-).
Bobby Cannavale reminded me very much of a modern day John Larroquette - the kind of guy that just knows how to be the perfect, lovable D-Bag... you almost feel bad for loving him the way you do - but you still do.
The music, another major highlight to this movie, was also nicely done and scores a big assist to singer/songwriter Sia who did wonders for this movie. With some new songs added (see 'Opportunity' and 'Smiles' to name a couple) and a few changes to the originals, the soundtrack is already on my daughters Christmas list. Don't discount this as this helps change the entire tone of the movie.
All in all, i thought this movie was a perfect storm. It had a lot of intangibles working seamlessly together. I gave this movie a nine because it was a lot of fun, it was very upbeat and inspirational, had good music, a good message, and a lot of cute laughs.
Normally i would highly suggest seeing this movie if you had kids, especially any little girls - but - I think even as an adult without kids, this movie can still find a way to creep into your heart and make you love it just the same.
Recommended!
Regarding the other versions of the classic Broadway hit, the 1982 film was one of my favourite films as a child and is still a personal favourite today while the 1999 film is also good and entertaining if a little short and sugary sweet in places. Annie(2014) certainly should be judged on its own merits and without any comparison as well as with an open mind. Seeing it without any prejudice, I do not think it is quite as bad as people has said but as an updating of the story and as a standalone it didn't work.
There are some good things here. The best thing about it is Quvenzhané Wallis as Annie, her singing is not brilliant but the energy, enthusiasm and feeling she gives to it is. She's consistently winning in the role and performs with much confidence and charisma with twinkling eyes and a bright smile, all this without falling into saccharine camp. Jamie Foxx has the best singing voice of the whole cast and is a likable Will Stacks, playing him with real authority and charm, coming across as appropriately over-serious to someone more relaxed later on. Sandy is also adorable and almost on par with the dog in the 1982 film, and I was charmed by the chemistry between Annie and Grace.
Unfortunately that's it for the things that work. The girls playing the other foster kids try their best but they do come over as over-eager and they don't have much to do, not to do with screen-time but with how they're directed(the only place they shine in some way is Hard Knock Life). Rose Byrne is a mixed bag, she is appropriately kindly and shares a charming chemistry with Wallis but she has very little to do really. Bobby Cannavale underplays the villain role so much that the performance comes across as one-note while Cameron Diaz is rather painful to watch as Miss Hannigan(and this is without any comparison). She's a talented actress but plays the character far too broadly, so over-the-top campy and obnoxiously strident that it makes the rest of the toned-down performances dull in comparison. Regarding the singing, the only one who impresses is Foxx, the rest of the adults can barely carry a tune and the singing in general sounds auto-tuned and in an all-too-obvious way(Easy Street is especially bad in this instance), "auto-tuned disaster" sums it up very aptly. The lip-synching is incredibly amateurish too with the performers' mouths moving at a different tine to the music.
The songs in the Broadway stage show and the 1982 and 1999 films are marvellous, ones with very catchy melodies that are easily hummable and lyrics that you can recite without problem very quickly. The songs that are included here are arranged in a way to make them more "current" but instead they are stripped of their heart and meaning due to the many things added to and taken away from them, some of them changed to the extent they're barely recognisable(like one or two signature lines a song being maintained but the melodies being completely swamped by polyrhythmic harmonies and sounds and even vastly inferior changes in lyrics). Tomorrow just about gets by but Hard Knock Life irritates and Easy Street is completely butchered. And then we have the added ones done especially for this film and while they're "current" they're forgettable at best and largely uninspired in style and writing with lyrics so inane it's enough to make one cringe. For anybody yet to see the film they'd think that there'd be a jarring difference in quality with the original songs and the added ones but you know something is horribly wrong when the originals are changed so much that they're actually on the same level in quality to the added ones, that's how much they've been cheapened by the arrangements. The choreography is both sloppy and chaotic, flailing arms being the most memorable and frequent movement of the lot, and apart from Foxx and to a lesser extent Wallis nobody looks natural dancing it. For example I Think I'm Gonna Like it Here looked like it was completely made up on the spot.
The equally chaotic and music-video-like production values don't help, most of the musical numbers especially Easy Street were very haphazardly edited, and neither does Will Gluck's leaden direction that has inexperience stamped all over it. The script is weak, with crass humour, cloying cutesiness and the once memorable and engaging characters reduced to bland clichés. The film does try hard to make the famous story relevant by today's standards, but by doing that the heart of the original story is lost and Annie's positivity amidst a harsh world doesn't resonate, which is really what the story and Annie's character is all about. Annie and Stacks's relationship never really grows, despite Foxx's best efforts if there was meant to be a character change for Stacks it wasn't believable while Miss Hannigan's back story suffered from some really clumsy and badly placed writing. The message is more cynical in alternative to heart-warming, handling the benefits of materialism idea very heavy-handedly, while the climatic helicopter chase is just ludicrous, completely devoid of tension and completely out of place compared to the rest of the film.
Overall, Annie(2014) is not THAT terrible but while it tries hard the execution for this viewer was awkward and sloppy. 4/10 Bethany Cox
There are some good things here. The best thing about it is Quvenzhané Wallis as Annie, her singing is not brilliant but the energy, enthusiasm and feeling she gives to it is. She's consistently winning in the role and performs with much confidence and charisma with twinkling eyes and a bright smile, all this without falling into saccharine camp. Jamie Foxx has the best singing voice of the whole cast and is a likable Will Stacks, playing him with real authority and charm, coming across as appropriately over-serious to someone more relaxed later on. Sandy is also adorable and almost on par with the dog in the 1982 film, and I was charmed by the chemistry between Annie and Grace.
Unfortunately that's it for the things that work. The girls playing the other foster kids try their best but they do come over as over-eager and they don't have much to do, not to do with screen-time but with how they're directed(the only place they shine in some way is Hard Knock Life). Rose Byrne is a mixed bag, she is appropriately kindly and shares a charming chemistry with Wallis but she has very little to do really. Bobby Cannavale underplays the villain role so much that the performance comes across as one-note while Cameron Diaz is rather painful to watch as Miss Hannigan(and this is without any comparison). She's a talented actress but plays the character far too broadly, so over-the-top campy and obnoxiously strident that it makes the rest of the toned-down performances dull in comparison. Regarding the singing, the only one who impresses is Foxx, the rest of the adults can barely carry a tune and the singing in general sounds auto-tuned and in an all-too-obvious way(Easy Street is especially bad in this instance), "auto-tuned disaster" sums it up very aptly. The lip-synching is incredibly amateurish too with the performers' mouths moving at a different tine to the music.
The songs in the Broadway stage show and the 1982 and 1999 films are marvellous, ones with very catchy melodies that are easily hummable and lyrics that you can recite without problem very quickly. The songs that are included here are arranged in a way to make them more "current" but instead they are stripped of their heart and meaning due to the many things added to and taken away from them, some of them changed to the extent they're barely recognisable(like one or two signature lines a song being maintained but the melodies being completely swamped by polyrhythmic harmonies and sounds and even vastly inferior changes in lyrics). Tomorrow just about gets by but Hard Knock Life irritates and Easy Street is completely butchered. And then we have the added ones done especially for this film and while they're "current" they're forgettable at best and largely uninspired in style and writing with lyrics so inane it's enough to make one cringe. For anybody yet to see the film they'd think that there'd be a jarring difference in quality with the original songs and the added ones but you know something is horribly wrong when the originals are changed so much that they're actually on the same level in quality to the added ones, that's how much they've been cheapened by the arrangements. The choreography is both sloppy and chaotic, flailing arms being the most memorable and frequent movement of the lot, and apart from Foxx and to a lesser extent Wallis nobody looks natural dancing it. For example I Think I'm Gonna Like it Here looked like it was completely made up on the spot.
The equally chaotic and music-video-like production values don't help, most of the musical numbers especially Easy Street were very haphazardly edited, and neither does Will Gluck's leaden direction that has inexperience stamped all over it. The script is weak, with crass humour, cloying cutesiness and the once memorable and engaging characters reduced to bland clichés. The film does try hard to make the famous story relevant by today's standards, but by doing that the heart of the original story is lost and Annie's positivity amidst a harsh world doesn't resonate, which is really what the story and Annie's character is all about. Annie and Stacks's relationship never really grows, despite Foxx's best efforts if there was meant to be a character change for Stacks it wasn't believable while Miss Hannigan's back story suffered from some really clumsy and badly placed writing. The message is more cynical in alternative to heart-warming, handling the benefits of materialism idea very heavy-handedly, while the climatic helicopter chase is just ludicrous, completely devoid of tension and completely out of place compared to the rest of the film.
Overall, Annie(2014) is not THAT terrible but while it tries hard the execution for this viewer was awkward and sloppy. 4/10 Bethany Cox
Did you know
- TriviaThe Italian restaurant that Annie visits is named "Domani", a translation of "Tomorrow", the title of this musical's best-known song.
- GoofsWhen Annie and Will are riding in the helicopter, they talk to each other without wearing headphones. In many "Executive" interior fitted helicopters, like the Bell 429, the interior noise level is low enough that passengers can talk, watch movies, and listen to music comfortably without using headphones.
- Quotes
Hannigan: Like me on Facebook!
Will Stacks: I don't like you in Harlem; why would I like you on Facebook?
- Crazy creditsThere is a very brief scene after the credits.
- Alternate versionsWhen the movie is aired on BYUTV, the following is cut: All profanity, no matter how mild The "group home" subplot The scenes with Miss Hannigan and the Inspector Miss Hannigan flirting with Will Stacks Miss Hannigan's line about how Guy "got a little handsy".
- SoundtracksMaybe
Music by Charles Strouse
Lyrics by Martin Charnin
Produced by Greg Kurstin
Performed by Quvenzhané Wallis, Zoe Colletti, Nicolette Pierini, Eden Duncan-Smith, and Amanda Troya
- How long is Annie?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- The Black Annie
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $65,000,000 (estimated)
- Gross US & Canada
- $85,911,262
- Opening weekend US & Canada
- $15,861,939
- Dec 21, 2014
- Gross worldwide
- $136,853,506
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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