On V.E. Day in 1945, as peace extends across Europe, Princesses Elizabeth and Margaret are allowed out to join the celebrations. It is a night full of excitement, danger and the first flutte... Read allOn V.E. Day in 1945, as peace extends across Europe, Princesses Elizabeth and Margaret are allowed out to join the celebrations. It is a night full of excitement, danger and the first flutters of romance.On V.E. Day in 1945, as peace extends across Europe, Princesses Elizabeth and Margaret are allowed out to join the celebrations. It is a night full of excitement, danger and the first flutters of romance.
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Featured reviews
Princess Elisabeth and Princess Margert convince the King and Queen to let them celebrate VE day with a night out on the town among the people which turns out to be a crazy ride all over London, or at least that was the point.
But the ride couldn't get too crazy now could it. After all, this might be a fictional tale, but it's about the future Queen.
This movie tries too hard to keep the subject matter upscale. I never seen anything so uppity.
Don't get me wrong, A Royal Night Out definitely has it's charm and fun, but it all moved along to dull to convince me that they really had that good of a time on their night out.
But the ride couldn't get too crazy now could it. After all, this might be a fictional tale, but it's about the future Queen.
This movie tries too hard to keep the subject matter upscale. I never seen anything so uppity.
Don't get me wrong, A Royal Night Out definitely has it's charm and fun, but it all moved along to dull to convince me that they really had that good of a time on their night out.
This is not a documentary so don't expect it to be accurate or even the slightest bit true. It is based very loosely around Princess Elizabeth and Margaret going out into the crowds at Buckingham Palace on the night peace was declared (VE Day)....that's where the similarity stops. Rupert Everett as the King is such a bad choice, but again, it's not meant to be taken seriously. I liked the character portrayed as Princess Margaret and also the Queen Mother... they are likable and funny. The whole story is quite well written and very funny in places...as long as you don't take it too seriously and try to work out fact from fiction. All in all I thought it was very entertaining.....
On 8 May 1945, the official end of War in Europe was celebrated, and London went wild. Spontaneous parties broke out in the streets, celebrations continued long into the night, and the bars, clubs and other areas devoted to pleasure did a roaring trade.
In Buckingham Palace the young Princesses Elizabeth (Sarah Gadon), than aged nineteen, and sister Margaret (Bel Powley) yearn to join the celebrations, but their stuffed-shirt mother Elizabeth (Emily Watson) and King George VI (Rupert Everett) are particularly reluctant to allow their daughters the freedom to do so. Eventually they agree, so long as the girls are accompanied by two chaperons, Lieutenants Pryce and Burridge (Jack Laskey, Jack Gordon), from Chelsea Barracks.
There begins a wild night of partying, celebration, and chasing, as the two Princesses lose their chaperons and end up moving from place to place - from Piccadilly, to Soho, and thence to Chelsea Barracks - being exposed to aspects of London life that they have never previously experienced, including making the tea. During their one night of freedom they learn something about what ordinary people think of the Royal Family and their role in society.
Based on a true story, and with more than a nod towards classics such as William Wyler's ROMAN HOLIDAY (1953), where a princess (Audrey Hepburn) enjoys a similar night off the leash of protocol, A ROYAL NIGHT OUT tells a picaresque tale, as Princess Margaret gets blind drunk and has to be rescued by her sister, who eventually reveals her true identity when things threaten to get a little out of hand. There are some amusing moments, especially when the Princesses try to communicate with ordinary Londoners in their marked RP accents, thereby proving just how sheltered an existence they have hitherto led.
Gadon and Powley give creditable impersonations of the young princesses, although Powley's accent veers towards the Sloane Ranger rather than the upper-class gell of the Forties. Everett's George VI bears more than a passing resemblance, both vocally and facially, to the current Prince Charles, while his spouse comes across as a snob with a perpetual desire to drown her sorrows in a gin and tonic.
Director Julian Jarrold makes some important points about the ways in which Princess Elizabeth (especially) learned a lot about her people as a result of this night. What a shame, therefore, that when she acceded to the throne, she should become so remote that she failed to understand Princess Diana's extraordinary popular appeal. But that judgment is made with the benefit of hindsight. As a lighthearted piece of entertainment, A ROYAL NIGHT OUT is definitely worth looking at.
In Buckingham Palace the young Princesses Elizabeth (Sarah Gadon), than aged nineteen, and sister Margaret (Bel Powley) yearn to join the celebrations, but their stuffed-shirt mother Elizabeth (Emily Watson) and King George VI (Rupert Everett) are particularly reluctant to allow their daughters the freedom to do so. Eventually they agree, so long as the girls are accompanied by two chaperons, Lieutenants Pryce and Burridge (Jack Laskey, Jack Gordon), from Chelsea Barracks.
There begins a wild night of partying, celebration, and chasing, as the two Princesses lose their chaperons and end up moving from place to place - from Piccadilly, to Soho, and thence to Chelsea Barracks - being exposed to aspects of London life that they have never previously experienced, including making the tea. During their one night of freedom they learn something about what ordinary people think of the Royal Family and their role in society.
Based on a true story, and with more than a nod towards classics such as William Wyler's ROMAN HOLIDAY (1953), where a princess (Audrey Hepburn) enjoys a similar night off the leash of protocol, A ROYAL NIGHT OUT tells a picaresque tale, as Princess Margaret gets blind drunk and has to be rescued by her sister, who eventually reveals her true identity when things threaten to get a little out of hand. There are some amusing moments, especially when the Princesses try to communicate with ordinary Londoners in their marked RP accents, thereby proving just how sheltered an existence they have hitherto led.
Gadon and Powley give creditable impersonations of the young princesses, although Powley's accent veers towards the Sloane Ranger rather than the upper-class gell of the Forties. Everett's George VI bears more than a passing resemblance, both vocally and facially, to the current Prince Charles, while his spouse comes across as a snob with a perpetual desire to drown her sorrows in a gin and tonic.
Director Julian Jarrold makes some important points about the ways in which Princess Elizabeth (especially) learned a lot about her people as a result of this night. What a shame, therefore, that when she acceded to the throne, she should become so remote that she failed to understand Princess Diana's extraordinary popular appeal. But that judgment is made with the benefit of hindsight. As a lighthearted piece of entertainment, A ROYAL NIGHT OUT is definitely worth looking at.
Was not sure at first about seeing A Royal Night Out, despite having some talented people involved it did seem like it will have slightly tired concept too stretched out. Seeing it with Mum and Dad, this viewer is glad that she gave it a chance, for it is an enjoyable film once you accept that it does play loose with the truth and is almost like a 'what if?' (yes suspension of disbelief is needed here).
There is an awful lot good with A Royal Night Out. The period detail is not just evocative but it looks splendid too, the costumes are so beautifully tailored, the hair and make-up handsomely rendered and the sets and scenery so meticulous that it does feel like one is there in London just after World War II. The film is beautifully shot too. The soundtrack also captures the period brilliantly too, some great period favourites lovingly arranged and it's nicely scored too. On the most part, A Royal Night Out is very nicely scripted, with some poignant drama (like the king preparing and giving the speech) and great lightweight humour with the lion's share of the best lines coming from Margaret.
A Royal Night Out's story moves along at a good pace and is on the most part interesting and entertaining, there is great fun to be had in Margaret's oblivious association with criminals (again once you don't take things seriously and take it as meaning to be totally accurate) and throughout there is a quite believable (if occasionally a little too quaint in the middle act) sense of time and place. It is solidly directed, and very well played by a more than game cast, headed by the very charming and sensitive Sarah Gadon and the scene-stealing Bel Powley.
Jack Reynor is dashing and sympathetic, sharing a lovely rapport with Gadon, while Rupert Everett brings a touching vulnerability that is both surprising and delightful and Emily Watson is firm but compassionate as the Queen Mother. Roger Allam is also fun to spot, but sadly with little screen time.
For all its worthwhile things, A Royal Night Out's script occasionally feels a tad patronising and some of the humour a little awkward. The story does entertain for what it is, but by the last act it does start to feel rather stretched with the pacing getting a bit draggy and the storytelling on the thin side.
Overall, however, entertaining and nicely done film if taken for what it is. 7/10 Bethany Cox
There is an awful lot good with A Royal Night Out. The period detail is not just evocative but it looks splendid too, the costumes are so beautifully tailored, the hair and make-up handsomely rendered and the sets and scenery so meticulous that it does feel like one is there in London just after World War II. The film is beautifully shot too. The soundtrack also captures the period brilliantly too, some great period favourites lovingly arranged and it's nicely scored too. On the most part, A Royal Night Out is very nicely scripted, with some poignant drama (like the king preparing and giving the speech) and great lightweight humour with the lion's share of the best lines coming from Margaret.
A Royal Night Out's story moves along at a good pace and is on the most part interesting and entertaining, there is great fun to be had in Margaret's oblivious association with criminals (again once you don't take things seriously and take it as meaning to be totally accurate) and throughout there is a quite believable (if occasionally a little too quaint in the middle act) sense of time and place. It is solidly directed, and very well played by a more than game cast, headed by the very charming and sensitive Sarah Gadon and the scene-stealing Bel Powley.
Jack Reynor is dashing and sympathetic, sharing a lovely rapport with Gadon, while Rupert Everett brings a touching vulnerability that is both surprising and delightful and Emily Watson is firm but compassionate as the Queen Mother. Roger Allam is also fun to spot, but sadly with little screen time.
For all its worthwhile things, A Royal Night Out's script occasionally feels a tad patronising and some of the humour a little awkward. The story does entertain for what it is, but by the last act it does start to feel rather stretched with the pacing getting a bit draggy and the storytelling on the thin side.
Overall, however, entertaining and nicely done film if taken for what it is. 7/10 Bethany Cox
I'd been looking forward to A Royal Night Out's release since first seeing the trailer a few weeks ago. Now, after seeing the film, I'm happy to report that I wasn't disappointed. The action begins slowly, but once the royal sisters become enmeshed in London's VE night revelries I found myself being carried along by events in ways that were at times funny, at times exciting, at times emotionally moving - even at times with feelings of national pride - but always with interest and anticipation. One 'bonus' I hadn't expected was that the story would also feature elements of a very touching love story. This latter, for me, endowed the story with a certain 'fairy tale' quality. (But it is a film of fiction ... so, why not??) The three leads - Elisabeth, Margaret and Jack - are all excellent. Supporting actors and actresses of the cast provide additional variety and entertainment and play their parts with apparent enthusiasm. A lot of work obviously went into recreating the crowd, traffic and London scenes of 1945 and clothing styles seemed authentic to me. All in all a worthwhile undertaking painstakingly and lovingly realised. Go see this film. My bet is you'll be glad you did. Highly recommended. 8/10.
Did you know
- TriviaPrincesses Elizabeth and Margaret, the future Queen Elizabeth II and Margaret, Countess of Snowden respectively, did actually join the crowds in London to celebrate VE Day on May 8, 1945. However, instead of having one officer each as a chaperone, they were joined by a group of Guards officers who were their friends. In her diary, Elizabeth wrote: "Trafalgar Square, Piccadilly, Pall Mall, walked simply miles. Saw parents on balcony at 12.30am - ate, partied, bed 3am!".
- GoofsPrincess Margaret is given her "two bennies" in a Pink Gin shown as a garishly opaque drink in a cocktail glass. A Pink Gin consists of a slug of gin with just a dash of Angostura bitters giving it the slightest blush of pink and is totally transparent.
- Crazy creditsThe opening credits play over clips of stock-footage from the time-period, including a short clip of Winston Churchill giving a speech.
- How long is A Royal Night Out?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Лондонські канікули
- Filming locations
- Kingston upon Hull, East Riding of Yorkshire, England, UK(street scenes)
- Production companies
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Box office
- Gross US & Canada
- $228,136
- Opening weekend US & Canada
- $100,847
- Dec 6, 2015
- Gross worldwide
- $4,779,170
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