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6.2/10
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A widow falls for a guy who bears a striking resemblance to her late husband.A widow falls for a guy who bears a striking resemblance to her late husband.A widow falls for a guy who bears a striking resemblance to her late husband.
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Stars Annette Bening as a widow who grieves for her dead husband (Ed Harris). We briefly see them as a happy couple vacationing in Mexico and then he dies. Flash forward 5 years and she's settled into her dull life until one day she visits a museum. And there she spies a dead ringer for her dead husband (Harris again). She's jarred from her fugue state and before she knows it she's back at the museum on a daily basis, hoping to catch a glimpse of the look-alike.
The story then takes on a journey not unlike that in VERTIGO, whereby Bening stalks and befriends Harris and tries to re-create him in the manner of her dead husband. As she descends more and more into this fantasy, she gets derailed by her grown daughter and a nosy neighbor. How can she explain this? How can they accept this? She flees to Mexico with Harris but is undone by an old photograph.
The VERTIGO connection is deliberate and even the music echoes Bernard Herrmann's. Had never heard of this film, but it was a good find.
The story then takes on a journey not unlike that in VERTIGO, whereby Bening stalks and befriends Harris and tries to re-create him in the manner of her dead husband. As she descends more and more into this fantasy, she gets derailed by her grown daughter and a nosy neighbor. How can she explain this? How can they accept this? She flees to Mexico with Harris but is undone by an old photograph.
The VERTIGO connection is deliberate and even the music echoes Bernard Herrmann's. Had never heard of this film, but it was a good find.
"Am I a bad person?" Nikki (Benning) is madly in love with her husband. While they are on vacation he unexpectedly and suddenly passes away. A year later she is still trying to get over him. When she goes to a museum she spots Tom (Harris), a man who looks exactly like her dead husband. This begins a complicated romantic relationship. First thing I have to say about this is that the acting is great and the movie is very emotional. The emotion that is invokes though is a mix between sadness and anger. Nikki makes you feel sorry for her and makes you despise her at the same time. You know why she is doing what she is doing but you can't help but see and feel how selfish she is being. The movie is a little slow moving but the anticipation of her coming clean is what keeps you watching. She is a woman who is hard to root for but at the same time you can't really root against her. That is the sign a a beautifully written movie. Overall, a slow moving movie that keeps the anticipation high which keeps you watching. I give this a B-.
The Face of Love (2013)
There is a terrific movie in here somewhere, but it misses on several subtle points here and there and ends up being good, totally watchable, and a nice view on Ed Harris (as Tom) and Annette Bening (as Nikki), the leading actors.
At its best, the movie dug into the nature of mourning and loss, and in love. The two main actors were struggling with losses, each, and ran into each other and some confused sparks flew. But the hook to the movie, and the problem really, is a quirk. Nikki sees Tom and he looks exactly like her dead husband (Garrett). So she has a weird attachment to him, and leads him on (a little like Vertigo in the second half). It's a fun idea, but it doesn't quite fly.
So really the movie follows this couple in their 50s falling in love. With the constant worry that the woman's psychosis will screw things up. You'll have to see. Warm, with perturbations.
Oh, and Robins Williams has one of his last roles here. He's nice and sympathetic, and maybe not quite enough for the role, which is the third leg to the whole thing in theory.
There is a terrific movie in here somewhere, but it misses on several subtle points here and there and ends up being good, totally watchable, and a nice view on Ed Harris (as Tom) and Annette Bening (as Nikki), the leading actors.
At its best, the movie dug into the nature of mourning and loss, and in love. The two main actors were struggling with losses, each, and ran into each other and some confused sparks flew. But the hook to the movie, and the problem really, is a quirk. Nikki sees Tom and he looks exactly like her dead husband (Garrett). So she has a weird attachment to him, and leads him on (a little like Vertigo in the second half). It's a fun idea, but it doesn't quite fly.
So really the movie follows this couple in their 50s falling in love. With the constant worry that the woman's psychosis will screw things up. You'll have to see. Warm, with perturbations.
Oh, and Robins Williams has one of his last roles here. He's nice and sympathetic, and maybe not quite enough for the role, which is the third leg to the whole thing in theory.
Nikki Lostrom (Annette Bening) is devastated by loss of her husband Garret Mathis (Ed Harris). Summer (Jess Weixler) is their daughter. It's 5 years later. She stages open houses. Roger Stillman (Robin Williams) is her neighbor and friend. She starts stalking and then dating college professor Tom Young (Ed Harris) who looks exactly like his dead husband. She hides his resemblance from everyone. He's still friends with his ex Ann (Amy Brenneman).
Arie Posin sets up an interesting premise. I wish he had taken more chances. The movie never really raises the tension. This could be a highly emotional character study. Annette Bening is definitely a good enough actress to carry that out. This could be a case of obsession but it's not really. This could have been a lot of things but it never gets there. I kept thinking she could just tell him the truth. The movie could have moved to an even more compelling emotional landscape after Nikki comes clean with Tom. The movie feels stretched out as we wait for the inevitable reveal.
Arie Posin sets up an interesting premise. I wish he had taken more chances. The movie never really raises the tension. This could be a highly emotional character study. Annette Bening is definitely a good enough actress to carry that out. This could be a case of obsession but it's not really. This could have been a lot of things but it never gets there. I kept thinking she could just tell him the truth. The movie could have moved to an even more compelling emotional landscape after Nikki comes clean with Tom. The movie feels stretched out as we wait for the inevitable reveal.
I found the premise interesting but was quite surprised at just how engaging the film was. Without giving anything away, be prepared to be drawn into the anticipation in this film. Great cast, excellent acting and kudos to the director as he kept Bening right on point with how she looked at Ed Harris...you could really feel the depth of her gaze. Don't be put off by the film warnings as they were so minimal compared with most films online today and that made this film so refreshing to watch.
Did you know
- TriviaInspired by a real life incident when director Arie Posin's mother was convinced she saw her late husband walking down the street.
- GoofsWhen Nikki and Roger are sitting at the kitchen table reminiscing about Nikki's late husband Garret, Nikki puts a vegetable spread on a cracker. She goes to take a bite of it, but in the next camera shot the cracker is gone, and a new one (without any spread on it) is suddenly in her hand.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Reinventando el amor
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $350,006
- Opening weekend US & Canada
- $24,660
- Mar 9, 2014
- Gross worldwide
- $1,806,548
- Runtime1 hour 32 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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