Tori and Lokita

The Dardenne brothers' (Luc and Jean-Pierre) latest is another in their generally low key, but precisely well-observed tales. Adolescent Tori (Pablo Schils) and his older sister Lokita (Joely Mbundu) are African immigrants in Belgium who are fighting to remain in their new country together. Immigration officials are dubious of their claims with the elder woman being on particularly shaky ground.

The plot dynamics are, as is almost always the case with the Dardennes, less important than the day to day lives of the main characters. Tori and Lokita must not only deal with the government, but, also the prejudices of local law enforcement and citizenry, but, also an entire underground system which takes abusive advantage of their migrant status. It becomes an acutely painful reality that Tori and Lokita often are put in the position of breaking the law in order to remain "within" the law.

Schils and Mbundu have natural screen presences that transcend the dialogue. Their wills to survive shine through even if their characters may lack the ability to verbalize their struggle. Alban Ukaj is effective as a slimy local businessman who humiliates the immigrants even as he professes to be assisting them.

TORI AND LOKITA is a bit too brief to fully capture the totality of their lives, but, there's a humanity, and, for the Dardennes, even a bit of righteous anger that manages to make its points.

This movie is really worth watching if you like the Dardenne brothers work. I am pleased to see that after all those years they are still efficient, motivated, that they have lost nothing of their talent, their wish to denounce social injustice and human behavior in general. They are genuinely the greatest specialists of this kind of social issues, the equivalent of Ken Loach if you prefer. This story is so compelling, moving, but cruel, painful, to watch, especially after the end. It belongs to their best work, but each of their film belongs to their best too.... I am ready to continue to wait for each of their films.

Tori and Lokita broke my heart. The final minutes of this drama played with my heart so unabashedly I had to resort to crying. Thinking of kids in my family, thinking of a little boy and a girl in my family who are so close to my heart. The Dardenne Brothers do their thing again in building a story that speaks volumes of the current, tried times. In here, they narrate the story of a boy and an elder girl who are hoping for a better life together in Belgium as siblings having left Africa as refugees. Yet in the developed world, they face rampant bureaucracy, corruption, child labour, and abuse. By the end of it all - it's the same story we all know - I was devastated. I may never watch this film again.

(Watched at the 2022 International Film Festival of Kerala (IFFK) in Trivandrum.)

Stories about immigrants is becoming more and more common in the cinema. It's sadly an ever growing topic. But a lot of these films with this premise come from either one story or a series of stories from one particular country.

This particular tale has great authenticity both in its plot and homemade style with its hand-held camerawork.

There are some tough sequences and all of that along with sound character development makes for a tense and dramatic second half. It was almost like watching a documentary.

A lot of it is thanks to the two strong performances of Joely Mbundu and Pablo Schils. Their connection and on-screen friendship felt very believable and natural.

There's a lot they are having to deal and it paints a very interesting picture on how immigrants in this part of the world are treated.

I could be picky and say that the ending does leave a few loose ends and some of the choices felt rushed. But I didn't think it was a major drawback as it still some tense sequences that had me totally gripped.

I was surprised that it's just less than 90 minutes long given the subject matter. But I think what we got gave us enough of a glimpse into this dark and tough world.

Our investment is thanks to the two leads who give off strong natural sympathy and put us on their side early on.

The content is tough at times and the documentary approach gave it the rawness to make it work.

The Dardenne brothers normally pick an acute topic, mainly a social one, then feed it with a story and they have never failed to very accurately reflect the reality we are living in bringing their message to our heads and our hearts and making us ruminate on lots of things.

This time, they opted for the topic of clandestine children smuggled to Europe, desperately trying to survive in the world they believe in. We can see to what extremes they are ready to go in order to stay here and we know this is no game and there is absolutely no way back.

Terrifyingly real, tragic, moving, eye-opening, brilliant.