Kathal: A Jackfruit Mystery

Kathal is one of the finest light-spirited comedy movie with underlying tones of social message that I've seen in a very long time. Despite dealing with a subgenre that is almost a tightrope-balance between becoming a satirical comedy and a meaningless laughter riot it's heart remains at the right place and never attempts be either. It takes a brilliant attempt at humanising every character quite in a way "Panchayat" does . The boldness that lies in its simplistic story-telling that attempts keeps you hooked to your seat for two hours is itself commendable. "Kathal" is a must-watch for all aspiring screenwriters and cinephiles alike.

A really good social and political satire. It was also quite refreshing to see the traditional roles and power dynamics being reversed as well. Usually in an Indian crime movie it is usually a male protagonist in a position of power while the female characters just play second fiddle or at best a good sidekick; but Kathal reverses this whole power dynamic that is traditionally seen in a mainstream Indian movie.

It also provides a commentary on the caste dynamics that is still a major part of rural India.

Kathal is a silly comedy mystery but at the same time it does provide a biting social commentary.

"Kathal" is a satirical comedy that delicately delivers powerful messages, particularly targeting the patriarchal ecosystem and caste-divided Bharat. The story revolves around a lost jackfruit and the police's efforts to solve the crime, highlighting how influential politicians often mock the system. Sanya Malhotra portrays Mahima Basor, a delightful character who is passionate about her job, strong, independent, and tender-hearted, as seen in her romantic moments with a constable from an upper caste. Despite addressing numerous societal issues, the movie maintains a light-hearted tone, which contributes to its overall success. Bijaya Raj and his uncle's Hong breed kathal (jackfruit) serve as the focal point of the story. Rajpal Yadav shines in his role as a journalist, while the other performances are average.

Although the movie follows the template set by "Peepli Live," it fails to deliver the final punch and falls flat during the climax. Overall, the movie is enjoyable, except for the climax, which could have been more impactful.

Sanya Malhotra has never disappointed - since Dangal but this is finally the movie that does her talent justice. She almost caries the movie singularly on her shoulder - save the fact that the support cast is just as solid and the two veterans Vijay Raz and Rajpal Yadav just claim their stake of admiration.

Rajpal Yadav gives the performance of his lifetime. I have never been impressed by him this much. (That skullcap I could have done without).

Story, screenplay and dialogues have that Coen brother feel of blending absurd, whimsical and wit - with dark.

Last 15 minutes are disappoint anticlimax where too many loose ends get neatly tied in a hurry and almost give a feel of 1970s "parivarik" drama where everything suddenly gets tidied up for a happy ending. An imperfect end would have been a perfect for a story like this - where something was left without a closure.

Sanya - her performance alone is enough though to make me watch the movie again.

This movie is so good. It tackles a serious subject with so much ease and laughter. The language, relationship of police with each other and with politicians, whole ambience of this movie was very relatable and felt real. Most of all the comedy and the end scene reminded me of movies like hera pheri or welcome. I commend the writers and director Yashowardhan Mishra and Ashok Mishra for bringing back comedy genre at its finest. I wasn't bored one bit. It handled so many big topics without making you feel heavy yet still nodding your head at the unfortunate reality of our society. Whole cast did an amazing job. I was thoroughly entertained. Congratulations!