17 Girls

Sometimes I just do not want to live on this planet anymore. A "poetic" movie about girls who want to become mass pregnant, because they are kinda bored? And that did actually happen somewhere? Having a kid in adolescence is probably the totally worst rebellion you can possibly do. It is actually just a "f*k you" shout at your very own parents, then you will return to them and beg for help. You will have no bloody idea what to do and will not be able to survive without their help. You will became even more dependent on them. You will waste your life and theirs as well. There is nothing poetic or charming on such rebellion.

It is just a pure explosion of idiocy, that will very probably lead to wasted life. Young marriage will rarely work and hardly anybody will have interest in 22 years old single mothers with 6 years old kids. Usually the less successful, the old, the divorced, the outsiders, amazing choices here. I have seen this multiple times. You have passed education for parenthood and this leads to inevitable career choices. Poorly paid bartenders, cashiers and such. Then you are in early 30ies, fighting your own teenage rebel at home. Your life is full of badly masked self hate and hate to men. It's easy to spot these people, just walk into bar at late hour and you will meet some of them. I'm really disgusted by this sort of young stupid and feel no pity to them.

I'm so angry by such "poetic" movies that show this bored spoiled youngsters as a "dreamers". Yes, in some sense even the Mason's family were "dreamers". That makes them no less disgusting. "Nothing can stop 17 years old girl that dreams." Oh yes, something can. Your kids, baby. The game is over now, the dream is over. This "rebellion" will make a lifetime slave from you, because you were so so so incredibly stupid. And making advertisements for such decisions is no less stupid.

17 Girls (2011)

Lots of mid-teen girl stuff on French beaches. And yet supposedly a social issue movie about a rash of intentional pregnancies at a high school. There are scenes between the girls that pry into contemporary youth culture but only get the lid off. This is a sensational idea with the depth of a single gasp.

Even stranger, once you get into it, is how the movie makers, the writer/director pair Delphine and Muriel Coulin (both did both), took an American high school news story and adapted it to this small industrial coastal city in France. It doesn't right true. The utter rebellion of the kids to reason, their various trajectories around peer pressure and media hype, and the general glibness of some of the school reactions all seem a bit callous, and without nuance.

There is an attempt at depth (and some of the best acting) though the main character, Camille, played by Louise Grinberg. Here the need for such rebellion seems to have roots in her psyche and her family situation. How this effect "spreads" and becomes an easy viral sense of irresponsibility is not given much thought, however. There are three or four other girls who are given some complexity, but not enough to quite explain their motiviations.

Maybe the project was doomed when the writers faced the central problem—this is both about a large effect (over a dozen girls, en masse) and an individual problem (one by one). How to do both? Especially when it happens pretty much simultaneously.

There is a low budget documentary on the real deal—"The Gloucester 18" which is apparently (from their press kit) a kind of public service piece against teen pregnancy— and there is a TV series in Spanish called "El Pacto" that supposedly expands on the sensational aspects of the story. I'm not sure any of it is worth the trouble more than just reading a new article about the phenomenon. The movie here is curious at first, slow to get going, and has a few interesting moments, but it hardly holds up over an hour and a half.

It just plain and boring, the plot is basically nonexistent and they lost an opportunity to treat such an important theme.

They show this group of teen that decides to get pregnant without giving a valid explanation and without considering the psychology of the characters which is really important in this situations: we barely get any emotional responses from the girls, almost no reaction from the parents and the fathers just seem to not exist.

They even had the chance to evolve the character of florénce but they totally wasted it, she needed attention in almost a pathological way and everybody seemed to hate her and we don't even get a full chance to understand why.

The only good thing is the end where they treat an important theme even if superficially.

I feel like they wasted an opportunity.

Men, women, young, old, when somebody from France makes a movie about coming of age the best word to describe that work is slime.

Slow script. Rigid delivery. The production team is unable to get closer to the chosen issue, but at least they can take the clothes off some young bodies and parade them around for the viewing pleasure of an audience that might creep a lot of people.

Whatever bar I once had to measure boredom while watching a movie, it might have been surpassed by 17 Girls. It's hard for me to even express how little interest I had in this film. I dozed off 3 times, before deciding I had to stop and wait to finish the film the next day. Basically what seems to have happened is that a couple of filmmakers found out the true story of a high school where a bunch of girls all decided to get pregnant and raise their kids together. The problem was that, when writing the screenplay, they didn't take the time in order to make a plot or characters to help engage the audience in the story of these girls, so there's very little movie here. There are barely any defining characteristics to differentiate any of the stars of the film other than their names and faces. A couple times they have very minor personality traits, but most of the way through it's just a mass of pregnant teens. The ending might have been the most anticlimactic thing I've ever seen, and it left me annoyed. There's simply no movie here, I don't even know if there is enough for a short film. Perhaps that's the artistic statement Delphine and Muriel Coulin were trying to make, a film that was just as vapid as the teens featured in it. If you are looking to fall asleep quickly, then a little time with 17 Girls might take care of that for you.