Two determined mothers, one a teacher, look to transform their children's failing inner city school. Facing a powerful and entrenched bureaucracy, they risk everything to make a difference i... Read allTwo determined mothers, one a teacher, look to transform their children's failing inner city school. Facing a powerful and entrenched bureaucracy, they risk everything to make a difference in the education and future of their children.Two determined mothers, one a teacher, look to transform their children's failing inner city school. Facing a powerful and entrenched bureaucracy, they risk everything to make a difference in the education and future of their children.
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** out of ****
You might hate the supposedly anti-union message, or turn up your nose at the idea that a child is scarred for life by one bad teacher, but neither of these are reasons to disregard this movie. First of all, while the movie does spotlight the downside of teacher's unions, there is plenty of union-love as well. And secondly, one bad teacher certainly can make the difference between a child who loves school and a child who dreads it, even if it's only for one year. And one bad year of school, especially elementary school where every learning experience is a building block for the later years, can be devastating.
I am highly sensitive to movies with a heavy-handed political agenda. I honestly didn't feel that here. I didn't take this movie as a guide to removing unions from schools. What I witnessed was the idea that if parents, teachers and students band together to make their school a better place, they can hope for a brighter future. Student by student, school by school, we can improve education in America. That people want to fight over whether teachers should be protected rather than whether students should be given an opportunity to excel, well that's really the crux of the problem, now, isn't it?
Beyond the controversial topics addressed, I found this film to be very satisfying. The plot was well-developed, Viola Davis and Maggie G played well off of each other, the children were very good in their roles, and the pacing was steady. It's always inspirational to see a group of people with very little in common come together for the greater good, and if nothing else you will definitely get that here. How can we not enjoy watching parents engaged in the school system and rallying to secure the future of their children? Don't watch this to pick apart (or champion) charter schools, watch this to remember just who education is supposed to benefit. Watch this and remember that good teachers could use a little encouragement, bad teachers should be called out, the system needs to be challenged every now and then, and children will respond to their environment, whether it's positive or negative, in ways that will surprise and sometimes amaze you.
The film isn't as bad as the critics' ratings, the dismal box office performance, or the word-of-mouth criticism suggests. It's certainly not great. The predictability, the cloying sentimentality, and desire for perfection make sure it won't reach the great heights that the film seems to have envisioned for itself. But for people who like dramas where a disenfranchised community comes together to fight against a system, the film does hit the right notes.
Overall the acting is great, even though Davis can kiss her award chances goodbye. Gyllenhaal was the only one that attempted to add some comedy to her role. She has always been great at melding together drama and comedy and more comedy always seems to be a good thing. The best role, however, was Oscar Isaac who played both Jamie's love interest and a teacher who was doing his best to not fail the students. He supported the union, respected his fellow teachers, respected his students, fell in love with Jamie and supported her cause even though his multiple stances would frequently be at odds. He also did all of the above with a guitar strapped over his shoulder and made little girls laugh with renditions of Johnny Cash songs. It's too bad he won't be able to garner any Oscar buzz.
I'm assuming one of the major issues with the failing of this film was the timing of the release. Although September marks the beginning of the school year, it is also a time of hope, optimism for the year that could be. Parents and children alike believing that this year they're going to find a teacher that inspires them and see their dreams for the future come true. It's not a time for the reminder that the public school education system sucks. This film would be better left for February, during the ides of winter, when students and parents alike are struggling to learn what they're supposed to know and have lost the optimism they had just six months earlier. At its best, "Won't Back Down" would be able to provide that lost hope; fighting the good fight, as long as that doesn't get too monotonous.
There's no doubt that there is a pedigree of Christian conservative roots in this movie. The big name in production is Walden Media and they have their roots in Christian conservative ownership. So is it propaganda? Probably, but it's still a good movie.
This is a movie where the labor union is made to be complete villains, and disconnected to the teachers on the ground. They lie and bribe to save their own jobs. The teachers are either good or evil. The one bad teacher can't be just incompetent. She's is literally Evil. Having said that. It is a well made film. There is good. There is evil. There are obstacles to overcome. The acting is good. The story is compelling. Other than a couple of hokey moments and some slow spots, the story flowed well. So on the film itself without taking sides, this is a definite 7. sides, this is a definite 7.
Won't Back Down follows two determined mothers whose children are failing in an inner city school, who team up to take back the school and turn it into a place of learning. Before they are able to change the school, they have to battle the parents, school board, and teachers union. While this isn't an actual true story like a lot of these films, it is based on various incidents of its kind. They don't break any molds or do anything that hasn't been done in some way before, but what is refreshing is who is under fire in this story, the education itself as opposed to those struggling to learn. The performances are all great and the movie works fine, but there is just something missing that most of these films have to really suck you in and that's that moment where those fighting the losing battle deliver a memorable moment that turns things around. Most likely trying to shove that into this story would have felt forced and cliché, it just lacked that needed punch to add the extra passion to make the movie step out of just another in a line of inspirational stories.
Make no mistake, this is a great movie, but isn't breaking any ground. If you enjoy these sorts of stories then you should check it out. Thanks to the two leads it takes a film that could have been pretty generic and turned it into something really good. If these two great actresses aren't enough to suck you in, the film also sports a great supporting cast as well including Ving Rhames, Holly Hunter, Rosie Perez and Bill Nunn so there is bound to be someone in there to peak your interest.
Did you know
- Quotes
Michael Perry: When I drink, I ask nosey questions.
Jamie Fitzpatrick: When I drink, I marry losers.
- ConnectionsFeatured in The Big Review: Fall Trailer Park (2012)
- SoundtracksNot Yo
Written and Performed by Shelly Speck
- How long is Won't Back Down?Powered by Alexa
Details
Box office
- Gross US & Canada
- $5,310,554
- Opening weekend US & Canada
- $2,603,370
- Sep 30, 2012
- Gross worldwide
- $5,378,228
- Runtime
- 2h 1m(121 min)
- Sound mix
- Aspect ratio
- 2.35 : 1