Good Deeds

My first Tyler Perry movie, and far better than some of the reviewers have made out and well worth at least a 6/10.

I have always liked Thandie Newton and Brian White and they do well in their roles and make them believable, Tyler Perry is solid in the leading role, likewise Gabrielle Union was good in her role as Tyler Perry's characters girlfriend.

The story was predictable from very early on, but still interesting and worth watching. A small amount of violence, but not over done.

Nothing amazing or new for me, but definitely worth watching at least once if you like romantic movies.

The ratings are unduly harsh for what is a good movie overall. Some especially good moments all of which included the excellent Thandiwe Newton, always very good in anything she is in. For this film she basically holds it all together and is the stand out performer.

The story is predictable but then it's hard to be totally original when it's all been done many times before.

The story is a simple rediscovery one where the main character has to re-allign values and needs some home truths to help get there. Often people can have so much and yet have no value or worth in life. Stepping back and prioritising a little self over others may be the only way to break free from a rut and achieve true happiness.

If anyone goes to the theater thinking that this film is a romantic comedy they are in for a big surprise because it is a full on drama. The first half hour of this film was almost too depressing to bare, primarily because Lindsey (Thandie Newton) found herself in one bad situation after another. This leads me to my first observation about Tyler Perry movies, which is that his characters are typically so one dimensional. He plays the male lead Wesley Deeds (Tyler Perry) and he is just entirely too predictable and too good to be true, well that is until the elevator scene. His antithesis is his brother Walter Deeds (Brian White) who is too enraged to be true. Then there is their mother Wilhimina (Phylicia Rashad) who is a true piece of work with her disdain for her younger son and complete and utter worship of her eldest. The extreme misfortune time after time that befalls Lindsey, all just became too much. People are just not that one dimensional, the only character that was somewhat rounded was Natalie (Gabrielle Union) who conveyed a whole range of emotions, which is what people do. They are happy, they are sad, they are frustrated, they are thoughtful and they sometimes get inebriated just hanging out with friends. But no one is the same all the time. I understand the approach in film making, it makes it clear what type of person the character is, so you know who to cheer or boo, but it leaves very little to the intellect of a viewer. People are not simply one emotion they are very complex, even in the span of an hour and a half. A very bright light in contrast to most of the adults was Ariel (Jordenn Thompson), what an adorable child. Which leads to my second observation of Tyler Perry movies, he does an amazing job of including exceptionally talented people in his films. I would have liked the story much better if it had focused less on the Lindsey dilemmas and more on the budding romance between Lindsey and Wesley. And I was completely thrown off with the final setting of the story because it failed credibility. I'll just say that down and out people do not typically have a passport to readily leave the country on a moment's notice, and some countries require that you receive a bevy of immunizations before visiting. With that said, I give Good Deeds an amber light.

I am not a Tyler Perry defender, but I have to call foul on the 3.1 rating. Those who reviewed the movie average about a 6 or 7, so I'm led to believe many who have voted on this movie did not in fact see the movie. Considering the assault Perry receives from critics--myself included at times--it would not be hard to believe some would undermine the rating system here and seek to sabotage anything with the name "Perry" in front of it. Moving on...

I will go out on a limb and say this is Perry's highest quality effort to date. It's the first movie I remember seeing of his that did not run with the trite good-guy/bad-guy story line. This movie had more depth than any of his previous. There were no bad guys. Every character was troubled and coping and...human. Many I think missed the real theme of this movie. It has absolutely nothing to do with a man coming to save a woman. It is about having the courage to follow your own path. It is a universal theme, one that hits home for virtually everyone. Sure there may be better movies out there who execute this theme, but this movie does it competently in my opinion, and by Tyler Perry's standards, it is more than competent. It is dare I say, actually "good?"

I liked the acting. Once I got past Thandie's always-strange accent and the little girl's initially poor acting performance, and Brian White's sometimes over-acting, the movie caught its groove and all of the actors delivered. Newton played a particularly touching role. I have to admit her ability to cry on a dime regarding the loss of her child, made me tear up a bit. To say that I was shocked to find myself actually tearing up from a Tyler Perry movie is the understatement of the day. Perry and Gabrielle Union also delivered. Both portrayed their complex characters well and competently showcased the true ambivalence that often accompanies a relationship, especially one that occurs when the couple is past their twenties and have to grapple with all the life expectations that entails. This brings me to the next highlight--the script.

It seems like Perry actually took his time--or at least more time than he usually does, say on the horrible movies like "Madea Goes to Jail" or the like--on this script. There was more character development, more growth, more nuance, and unpredictability. There were plot holes, sure, but in general, you didn't feel short-changed as a viewer, like the writer was just trying to rush something through to meet a deadline so that he could ultimately get your money--ahem--"Why did I get Married 2" looking at you!

Finally, I liked the pace of the movie. Some may think it was slow, I think it was mature...a mature movie about mature matters. I liked this for a change, especially in comparison to the low-IQ slapstick I had previously associated with Tyler Perry. And let me leave this little tidbit: If you, like me, happen to currently be in a similar place in life as these characters--about to make big life decisions but fear you are not making the right ones--you will doubly appreciate the meditative pace. You will appreciate the more introspective tone than is found in Perry's other movies.

The movie is not perfect, but I will give it a relatively high rating simply to combat the unfairly low rating it has as of this writing. We should applaud growth when we see it. "See it" being the operative phrase. See the movie before low-rating it. Have some integrity folks.

I have now seen some Tyler Perry movies that weren't good (like Madea's Big Happy Family) and some that were (his adaptation of For Colored Girls... was the best so far). This one was better than expected since he doesn't play that stereotypical mammy-type character that I just mentioned nor does he put any obvious comedy scenes that makes one groan like in that first movie I just wrote about. In fact, the only character I thought was truly one-dimensional was that of his no-good-brother played by Brian White who has no business being part of their father's company but because he's family...Anyway, Perry plays perhaps the most caring of businessmen one would expect to be depicted in modern cinema as he discovers a female janitor played by Thandie Newton who's on welfare because of some personal troubles. Oh, and Perry's engaged to Gabrielle Union and has a mother played by Phylicia Rashad who's a little uptight though she also knows where she's been. In summation, Good Deeds was a nice surprise for me concerning Mr. Perry's output and on that note, I recommend it.