Incantation

Plot

Six years ago, Li Ronan was cursed after breaking a religious taboo. Now, she must protect her daughter from the consequences of her actions.

Cast

Directed by Kevin Ko who also directed my favourite Taiwanese movie A Choo (2020).

Verdict

From the stylish thought provoking opening scene the film had my attention, after countless poor movies lately this was very exciting.

Part traditional, part found footage style Incantation is a fascinating supernatural tale set across our leading ladies past and present, watching them collide and a very intriguing story.

Suitably creepy and thoroughly putting Hollywood to shame who simply cannot do horror anymore I was positively gripped. Granted the plot does make it up as it goes along and a couple of questions went unanswered, but most were, the ending delivers and this has now become my second favorite Taiwanese movie.

Very much worth your time.

Rants

Once again within the bowels of the IMDB reviews I see a standard type, the "I didn't finish the movie" type. Sorry but if you didn't watch the movie you have absolutely no right to an opinion and the site shouldn't allow such reviews. You're admitting you haven't seen it, watch until the credits roll then talk until then shush!

The Good

Very creepy Wonderfully constructed Oddly stylish Gripping

The Bad

A few questions go unanswered Some found footage moments actually make no logistical sense Casting could have done a better job.

A movie that wanted all the credibility of found footage but didn't want to really put in the work. I know that found footage means you can sort of just wing it with the camera work and not really bother with the music but this would have worked better in a normal format.

It feels very deliberate how EVERYTHING gets filmed and the documentary approach (interviews with characters) doesn't help anything, the #horror scenes are cheesy and unfortunately they do include non-diegetic music.

There are positives though: although not a great example of horror that sears off the screen, there's a more than adequate story of a person trying to rebuilt their life under the ugly, watchful eye of those who would take someone's child away against the latter's will. They play it for a lot of pathos and go quite too for with it to be frank. It's not that I don't feel for these characters and their plight. It's that the whole thing feels like the author is exploiting their misery in lieu of better horroring.

The flashback element, where they are staying with that traditional family...I think maybe that should have been the whole movie. It creeped me out big time to see them painting that poor little girl.

There are other memorable moments that occur as the thing goes on and which I won't spoil. They admirably use a quite feather touch approach as we the audience just helplessly watch something that just might end up bad.

The final act carries a special sense of dread as we hang in the balance and it's fairly effective.

Those optical illusions add nothing.

Incantation's premise is a decent vehicle for a found footage film. The ride to get there is engaging thanks to the efforts of a strong cast, relatable elements that ground the story, and a dreadful atmosphere. Many spells are cast and give goosebumps throughout the film.

If you like horror movies, you might have watched stuff at the end of which you were either 1. Glad it was over 2. Or, glad you watched it because it was fun 3. Or, both but now didn't want to dream about the movie

This film did something that I haven't come across before. Towards the end of the movie, it'll leave you feeling like you are and will continue to be a part of the movie. Get it? I was like "That was a good movie, I'm glad I watched it, but WHY did I watch it?" It's tough to explain this feeling without spoiling it so I'll leave it there.

Incantation is a story about a mother's drive to protect her daughter from a curse, no matter what/who comes in her way.

The movie is shot in found-footage (FF, cinematic technique in which all or a substantial part of the work is presented as if it were discovered film or video recordings); showing a movie in the form of a recording is fine, but the purpose of the recording and the audience's involvement with the recording is what IMO makes or breaks the FF sub-genre and I have to say, they've made really GOOD use of this technique, just by better writing. I so wish I could tell more.

Horror movies that make you feel uneasy/creeped out are so much better than the ones that heavily rely on cheap jump scares. I counted a grand total of ONE jump scare in this movie, so that is a major plus in my books. There's this continued sense of eeriness and the creeps (goosebumps galore) throughout the movie, all well conveyed by the audio-visuals and just plain silence. The acting by everybody involved was good, including the kid.

The movie does have flaws IMO, a couple dumb moments here and there, but you can't expect to make everyone happy as a moviemaker. If I look past that, it's a regular horror movie with a certain twist that makes it a GOOD horror movie, the best of the year so far...?

If you like horror movies, check this out. Watch it especially if you're a fan of the FF sub-genre, they've done something that you may not have seen before.

As a fan of found footage films I have seen them all and I know the difference between a good one and bad one. And this is a good one. First off the lone problem. It's too long at an hour fifty. But Asian horror is often long running and that's that. This is short by those standards.

Otherwise we get a good story, superb acting (so much so that you forget you're reading subtitles) almost constant creepy scares from the start and in general just a damn good found footage environment. Also the emotionally charged story really keeps you rooting for the protagonist the whole way as it centers around a parent's love for her child and what she will face to protect her.

Just a damn good film with plenty of scares, gore and more. Give it a watch.