Rain Dogs

Not sure after 3 amazing episodes how this is floating in the 6-7 range.

I give it 10 out 19 hooked. C'mon episode 4!!!

I hope to see at least 4-5 seasons with this amAzing cast. It keeps you so intrigued you want to know the next move and can't wait for the next episode. I really wish I was able to binge watch it.

There is not a better British show on tv right now and the fact this is on Crave is unreal. Please do at least 5 seasons with this main cast you could go to Hogwarts and it would still be so interesting. We are so in the dark and can't wait for Ruton Rixton or whatever Mate. Keep it up!!! Here in Canada we love it !

I didn't expect much from this series and watched the first two episodes inattentively and without much interest. However, starting with the third episode, I was already much more concerned about the plot. Now I think this series is brilliant in its own way.

First of all, there are few movies where the theme of codependency and toxic relationships is shown realistically: there is neither an ideal and helpless victim, nor a ruthless abuser. There are only people who try, love and try again. And then, what dialogues! My special thanks to the scenarists.

Of course, I would like to see something more holistic in the plot and more aesthetic in terms of framing and directing, but since the author's vision is like that, I accept this product as it is.

And for sure I can't wait to see main characters' new ups and downs.

I was so excited after watching the pilot: it felt like the freshest thing I'd seen in years. A novel and stimulating subject (the relationship between an upper class gay guy and an asbo single mother). It had enough 'trashiness' to keep things interesting despite the underlying sentimentality. The script was tight and punchy, the acting was mostly good (though I must say Daisy Cooper already lacked range).

Ep. 2 was not as good but I still had hopes. By Ep. 3 it was quite clear the writers first came up with the characters, and that the story was an afterthought. I've just watched Ep. 4 and it's only getting worse: or rather, getting nowhere. Bogged down with unnecessary sidekicks, the main characters fail to acquire complexity and are merely pushed further and further in the direction established in the pilot. Their relation is also rather flat and dialogues lack finesse. It's all around disappointing.

The series was marketed as a 'punk-rock romance' and I think it's quite an apposite description. There are two 'punk rock' areas in London: Camden and Hoxton. The first is full of has been tourists and a few crusties, the second is full of bankers and art school hipsters. Rain Dogs is 'punk rock' the Hoxton way: it's filled with intriguing and colourful character, but ultimately it's all navel-gazing passing itself as rebellion.

The show is a dark comedy that does not shy away from the harsh realities of poverty, prejudice and social injustice. It also explores the themes of motherhood, friendship, sexuality and identity with honesty and humor. The show has a punky and energetic style that matches the personality of its protagonist, who is always ready to fight for what she believes in.

The show also benefits from the excellent performances of its cast, especially Cooper, who delivers a charismatic and nuanced portrayal of Costello. She makes us laugh, cry and root for her character, who is flawed but lovable. Tashjian is also impressive as Iris, who has a sharp wit and a big heart. Farthing adds some charm and contrast as Hugo, who has his own struggles with his family and his sexuality.

Rain Dogs is a refreshing and original series that offers a rare glimpse into the lives of people who are often ignored or marginalized by society. It is also a moving and inspiring story of love and survival that will make you laugh out loud one minute and tear up the next.

It's like a jigsaw puzzle where all the emotional pieces don't go together yet somehow fit. Thus the overall picture has uneven, rough edges and a lack of symmetry.

Jack Farthing plays a brilliant but vile version of Hugh Grant complimented by Daisy May hiding her First in English Lit under her pebbledash exterior. Although at times it may seem to be writhing in the dysfunctional and lacking emotional empathy, it is real as a bag of mouldy potatoes. Drugs, gambling, cheating, lying, and glorious food banks are the norm, not romance, candlelit dinners or happy endings.

Take Ade Edmondson as the Lenny the perv. He epitomises disgusting and most would avoid writing his character like the bubonic. No hankies needed, just all be prepared like a good Boy Scout to be shocked.

Not nice but true.