Three struggling room-mates unknowingly become potential prey of a ruthless gangster.Three struggling room-mates unknowingly become potential prey of a ruthless gangster.Three struggling room-mates unknowingly become potential prey of a ruthless gangster.
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I'm reviewing this with an American point of view. First off, most non-Indian Americans might not understand what the big deal is. To us, this is nothing new. We've watched comedy like this for years. However, those of us who have some general knowledge of Indian films and Bollywood will certainly be able to appreciate just how different and important this movie is. It is like no other Indian film previously made (at least, not like any I have seen.) It's dirty, raunchy, explicit, disgusting and crude. It's also extremely witty and hilarious.
While I don't think most Americans will feel this is anything special, I *do* think a lot of them would like it, if they gave it a chance. It's the kind of American Pie like comedy that sells well here, yet I personally think it's a lot more intelligent than our normal crude comedies. Also, I'm a girl and while I may have liked it, I can see how not many other females would be into it. It's really, when it boils down to it, a guy movie, about guys, complete with their toilet habits, dirty clothes, and disgusting apartment. ;) If you don't speak Hindi, that's not a problem, since the movie is about 98% in English and the spoken parts that aren't in English, had subtitles. The only disappointment I had with the language barrier was that, in the version I saw, there were no subtitles for Aamir Khan's absolutely HILARIOUS song number at the end, where he is 'Disco Fighter'. Apparently, the lyrics for "I Hate You (Like I Love You)-In Brackets" is loaded with innuendo and double meanings, but unfortunately, I was unable to understand.
So, if you have shunned Bollywood because you can't speak Hindi, you don't have that excuse with this movie. If you have stayed away from Indian cinema because of the over the top melodramatic love story formula, you also have no excuse with this movie. Go see it. Just not with your parents or on a first date. ;)
While I don't think most Americans will feel this is anything special, I *do* think a lot of them would like it, if they gave it a chance. It's the kind of American Pie like comedy that sells well here, yet I personally think it's a lot more intelligent than our normal crude comedies. Also, I'm a girl and while I may have liked it, I can see how not many other females would be into it. It's really, when it boils down to it, a guy movie, about guys, complete with their toilet habits, dirty clothes, and disgusting apartment. ;) If you don't speak Hindi, that's not a problem, since the movie is about 98% in English and the spoken parts that aren't in English, had subtitles. The only disappointment I had with the language barrier was that, in the version I saw, there were no subtitles for Aamir Khan's absolutely HILARIOUS song number at the end, where he is 'Disco Fighter'. Apparently, the lyrics for "I Hate You (Like I Love You)-In Brackets" is loaded with innuendo and double meanings, but unfortunately, I was unable to understand.
So, if you have shunned Bollywood because you can't speak Hindi, you don't have that excuse with this movie. If you have stayed away from Indian cinema because of the over the top melodramatic love story formula, you also have no excuse with this movie. Go see it. Just not with your parents or on a first date. ;)
Delhi Belly is an action comedy movie directed by Abhinay Deo written by Akshat Verma and stars Imran Khan, Kunaal Roy Kapur, Vir Das Poorna Jagannathan, Vijay Raaz, Shenaz Treasury and Paresh Ganatra.
The movie depicts the life of three strangers who unknowingly becomes the target of a ruthless gangster when they mistakenly misplaces his expensive diamonds.
I have a 'wow' feeling after watching the movie and was thinking that Bollywood should make such more movies. The movie is beautifully written, superbly directed and has a gripping screenplay.
The plot of the movie is interesting and screenplay is fast paced, the movie will keep you engaged throughout and doesn't wastes much time in introduction of plot or the characters. The funny and hilariously made scenes will keep your bone tickling.
Acting is superb and although Imran Khan is being the central character the limelight is been stolen by Kunal Roy Kapur and Vijayawada Raaz with their immaculately perfect comic timings.
Climax of the movie is hilarious and as a movie viewers gives you a satisfaction. There could be some viewers who might have objections on certain languages used in the movie but for me it's high time that we should start accepting these kind of languages in the movie which indeed a common language amongst part of Northern India and specially Delhi NCR where the movie is been shot.
A hilariously funny movie.
The movie depicts the life of three strangers who unknowingly becomes the target of a ruthless gangster when they mistakenly misplaces his expensive diamonds.
I have a 'wow' feeling after watching the movie and was thinking that Bollywood should make such more movies. The movie is beautifully written, superbly directed and has a gripping screenplay.
The plot of the movie is interesting and screenplay is fast paced, the movie will keep you engaged throughout and doesn't wastes much time in introduction of plot or the characters. The funny and hilariously made scenes will keep your bone tickling.
Acting is superb and although Imran Khan is being the central character the limelight is been stolen by Kunal Roy Kapur and Vijayawada Raaz with their immaculately perfect comic timings.
Climax of the movie is hilarious and as a movie viewers gives you a satisfaction. There could be some viewers who might have objections on certain languages used in the movie but for me it's high time that we should start accepting these kind of languages in the movie which indeed a common language amongst part of Northern India and specially Delhi NCR where the movie is been shot.
A hilariously funny movie.
10rahul_hr
It's barely half an hour since I left the movie theater, and I'll say this - I could easily buy tickets for the rest of shows for the day and watch this movie over and over.
The whole ensemble of cast has done an awesome job. Right from the extra you see in the background to Imran Khan. Vijay Raaz really defines the term "effortless acting". Right from the start of the movie it is shown just how the real world is. Delhi Belly is unpredictable. You probably won't even try to predict what will happen next because you will be too busy trying to drink in the explosion of humor on screen.
It (the movie) is really bold in some areas. I actually am still wondering how it got through the Censor Board without taking out the stuff that I saw. If this movie has an uncensored version, I would buy it in the blink of an eye.
I am quite ecstatic that Aamir has branched out from the typical movies he produces to invest in something so uncanny. Bollywood really needs more movies like Delhi Belly. Not the pretentious love stories with the ridiculous fantastical songs every ten minutes. If you haven't watched it yet, open a new tab right now and book tickets. Really, open a new tab...NOW!!
I'd rate this movie 11/10 if it were possible.
The whole ensemble of cast has done an awesome job. Right from the extra you see in the background to Imran Khan. Vijay Raaz really defines the term "effortless acting". Right from the start of the movie it is shown just how the real world is. Delhi Belly is unpredictable. You probably won't even try to predict what will happen next because you will be too busy trying to drink in the explosion of humor on screen.
It (the movie) is really bold in some areas. I actually am still wondering how it got through the Censor Board without taking out the stuff that I saw. If this movie has an uncensored version, I would buy it in the blink of an eye.
I am quite ecstatic that Aamir has branched out from the typical movies he produces to invest in something so uncanny. Bollywood really needs more movies like Delhi Belly. Not the pretentious love stories with the ridiculous fantastical songs every ten minutes. If you haven't watched it yet, open a new tab right now and book tickets. Really, open a new tab...NOW!!
I'd rate this movie 11/10 if it were possible.
10saba2115
I had liked Abhinav Deo's GAME too for its style and had not known at that time that he was directing DELHI BELLY or was from the advertising world. I mention this fact about being from the world of advertising because this would factor into the director's understanding of urban realities, most of all the language of real life.
Language is the MAIN character of this movie. The plot, the actors, the music, the songs, the chases-- all lean heavily on language and that's the most unique feature of this film. The language of the by now infamous lyrics, the "heroes" and the "villains" alike reflects the grim, gritty, sometimes squalid reality of urban India and translates it into images that are at once shocking, disgusting, entertaining and creatively ingenious.
Once the director has decided that he is going to use this language (both literally as well as metaphorically) he has complete freedom to depict urban realities-- sexual, emotional, physical, financial, marital, professional et al. The film is funny because beneath all the crudities and cuss words lies the recognition of ourselves in our day to day life, its frustrations, the curve balls that it throws us from time to time and our desperate attempts to keep our sanity in a completely insane world.
In a recent interview, Abhinav Deo thanked Amir Khan for his vision. This vision is possible only in a man who has the creative genius to shed the hypocrisy and double entrendres of Bollywood cinema and move on to a cinematic form that is so completely in tune with the 21st century India, the metamorphosis of our youth, the blurring lines that divide morality (as we knew it) from immorality, even amorality, cynicism from romanticism and so on.
The movie from start to finish is tightly held together. The cast is well chosen and so are the locales. Nothing jars in the movie. People look as much at home in a five star hotel as they do in the clogged by lanes and streets of Old Delhi. The screenplay is tautly held together by an equally taut editing. I loved Vijay Raaz who is able to depict the malevolence of a sleepy looking but deadly reptile with such finesse, the two young men who share Imran's filthy apartment and the young woman who tempts Imran to break his engagement. The contrast between the old Maruti and the red new (Santro?) car that can zip through the flyovers of Delhi is as meaningful as the black eye that Imran sports through most of the film.
I am sure some reviewers and certain sections of the audience will slam the movie for various reasons. But that is because the movie is ahead of its time and will make people uncomfortable because of its iconoclastic nature. I salute Amir and his team for this and wish them many many years of great film making.
Language is the MAIN character of this movie. The plot, the actors, the music, the songs, the chases-- all lean heavily on language and that's the most unique feature of this film. The language of the by now infamous lyrics, the "heroes" and the "villains" alike reflects the grim, gritty, sometimes squalid reality of urban India and translates it into images that are at once shocking, disgusting, entertaining and creatively ingenious.
Once the director has decided that he is going to use this language (both literally as well as metaphorically) he has complete freedom to depict urban realities-- sexual, emotional, physical, financial, marital, professional et al. The film is funny because beneath all the crudities and cuss words lies the recognition of ourselves in our day to day life, its frustrations, the curve balls that it throws us from time to time and our desperate attempts to keep our sanity in a completely insane world.
In a recent interview, Abhinav Deo thanked Amir Khan for his vision. This vision is possible only in a man who has the creative genius to shed the hypocrisy and double entrendres of Bollywood cinema and move on to a cinematic form that is so completely in tune with the 21st century India, the metamorphosis of our youth, the blurring lines that divide morality (as we knew it) from immorality, even amorality, cynicism from romanticism and so on.
The movie from start to finish is tightly held together. The cast is well chosen and so are the locales. Nothing jars in the movie. People look as much at home in a five star hotel as they do in the clogged by lanes and streets of Old Delhi. The screenplay is tautly held together by an equally taut editing. I loved Vijay Raaz who is able to depict the malevolence of a sleepy looking but deadly reptile with such finesse, the two young men who share Imran's filthy apartment and the young woman who tempts Imran to break his engagement. The contrast between the old Maruti and the red new (Santro?) car that can zip through the flyovers of Delhi is as meaningful as the black eye that Imran sports through most of the film.
I am sure some reviewers and certain sections of the audience will slam the movie for various reasons. But that is because the movie is ahead of its time and will make people uncomfortable because of its iconoclastic nature. I salute Amir and his team for this and wish them many many years of great film making.
Its BOLD Bollywood. Gone are the days of double meaning David Dhavan's dialogs. There is only one meaning and that's always of other side of boundary. Its straight A movie with no gimmick to fool Censor board. That's kind of openness I always admire. Delhi Belly is roller coaster ride of one and half hours where you get exactly the kind of entertainment, what movie promises to deliver. It seems Abhinay Deo has very clear picture of targeted viewers and he didn't compromise a bit to deliver them. If the trend continues we can hope to see desi version of Pulp Fiction some day (is it still too much to wish for?).
Delhi Belly is Imran's best performance till date. Having Aamir as mamu is best thing happened to him, and he is also making sure not to squander this fact. He imbibed his character till throat. You just don't see a bollywood hero Imran Khan, its always Tashi with lots of s*** around him engross you. One good thing that stood out about movie is to making sure that each character has enough camera space. And to encouraging surprise, every one of them: Kunal, Vir, Vijay gave top notch performance. For sure, these guys are going to stay in bollywood for long time.
8/10.
Delhi Belly is Imran's best performance till date. Having Aamir as mamu is best thing happened to him, and he is also making sure not to squander this fact. He imbibed his character till throat. You just don't see a bollywood hero Imran Khan, its always Tashi with lots of s*** around him engross you. One good thing that stood out about movie is to making sure that each character has enough camera space. And to encouraging surprise, every one of them: Kunal, Vir, Vijay gave top notch performance. For sure, these guys are going to stay in bollywood for long time.
8/10.
Did you know
- TriviaThe film initially received extremely negative reviews from both audiences and critics due to the heavy language, sexual content, and drug use along with many other things that were perceived as "inappropriate". However, the film became successful and has become known as a cult film by many young adults and teenagers.
- GoofsIn the scene where Nitin Kunaal Roy Kapur is taking pictures of the dead man, the dead man is breathing.
- ConnectionsFeatured in 57th Idea Filmfare Awards (2012)
- SoundtracksBhaag D.K. Bose
Performed by Ram Sampath & Nala
Lyrics by Amitabh Bhattacharya
Music Composed by Ram Sampath
- How long is Delhi Belly?Powered by Alexa
Details
Box office
- Gross US & Canada
- $1,532,594
- Opening weekend US & Canada
- $581,943
- Jul 3, 2011
- Gross worldwide
- $16,706,074
- Runtime
- 1h 43m(103 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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