Kamli

So, finally, something's worth watching from Pakistani cinema after a long time.

Sarmad once again proved himself I mean how good he was like those beautiful concepts of Water, Fire & Wind gorgeous, and of course, how can I forget, those beautiful eyes of saba saying a lot about her dedication. Saniya's versatility has all my heart.

Hamza, Nimra & Others did a great job too.

The music was no less than anything all the songs were written & sung beautifully for this concept.

I've very rarely seen this type of artistic/experimental cinema being made in Pakistan. If someone tries to make it either got banned or else it gets flopped. But thanks to Sarmad for his dedication to his work Making Pakistan proud Internationally. Looking forward to Zindagi Tamasha too.

Kamli surpassed all my expectations and the way it ends, uffff! It is intense, bold, haunting, exhilarating and even painful at times yet the most beautiful thing happened to Urdu Cinema.

This movie is one of those films that is very important for Pakistani cinema. Direction is top notch. Music excellent. Each and every song is a chartbuster. Acting amazing. Saba Qamar has outdone herself. This movie proves her acting capability as she is able to convey her feelings to the viewers just through her expressions. Sania Saeed and Nimra Bucha are great as always. I hope this movie is a box office success so that we can have more movies like Kamli in the future.

What an amazing piece of art it was. Hats off to the whole team. From cast, acting, direction, production, location, writing, script, everything was outclass.

Barrage of such intricate and delicate themes so beautifully knit together that it was unbelievable to conceive how the director didn't lose grip and ruin the movie as it usually happens in Pakistani cinema.

The movie didn't let the viewers sight waver even for a second.

A level of suspense that would give fierce competition to international Cinema and would be a clear dominator in most cases. The best part was, you have no idea that the movie contains such an intense suspense till the moment it has already started to unfold. AND the goosebumps this pleasant surprise gives you can't be explained in words.

The artistic nature of the movie and it's amalgamation with the lastest form of Cinema along with all the other factors makes it probably one of the finest movies ever produced not just by Pakistani industry but worldwide.

Watched a couple of other Pakistani movie in past few weeks and was disappointed but this movie has surely revived my confidence in our industry.

If Pakistani industry keeps on making such pieces of art, in no time it will dominate our Cinemas and we won't need Hollywood or Bollywood for our entertainment.

Please watch and support this movie.

Human frailties have many dimensions but when the source of these frailties is a woman who is on verge of mental illness then one can expect anything whether hallucination or encountering a paranormal. With his latest cinematic "mystifier" "Kamli" "Sarmad Sultan" is challenging common denominators with words that I'm not being easy to define my content rather I'm letting you to wonder about it.

Main lead "Saba Qamar" as "Hina" performs her assigned role with challenging requirements from the director in which she had to perform with more demeanor and expression but with lesser dialogues. And she performs with stupendous courage in an environment in which societal values are sensitive though caring of thin lines between societal values and arts is all up to director's awareness but still her portrayal as "Hina" is outstanding.

Debutante "Hamza Khuwaja" does not disappoint. Facing power house of talent like "Saba Qamar" in his first celluloid experience is not easy but he acted skillfully. His character as mysterious "Amaltas" dwindle us. As "Amaltas", is he an actual human being or some sort of paranormal creature like "Chalawa" who is alluring a woman who may be affected by some sort of mental illness because of absence of her long gone husband?

Portrayal of "Sania Saeed" as "Sakina" the blind elder sister of Hina's husband should be applauded massively. Her firm commitment to protect her "Bhabi" becomes tedious and grim even against tenants of Islam she strictly follows. But same time she has the full realizations that "Hina" is only person of her family she has. Her confrontation with "Saba Qamar" in penultimate stage uncovers big secret but again flow of tale leads to other mystery. "Nimra Buccha" plays a fragile character as "Zeenat" who is confronting her own frailty of child-less woman and finds her emancipation in "Hina" but in the end her character becomes as mysterious as "Amaltas".

Cinematography of "Kamili" is excellent but the full brownie points must be given to music directors of "Kamli" "Saad Sultan" and "Izzat Majeed". Their music compliments every frame and makes every shot eye candy and soothing to ears as well.

By and large "Kamli" is the best cinematic offering director like "Sarmad Khoosat" can give to Pakistani film industry.