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Jean just quit her coveted job as an investment banker on Wall Street. After a soul-searching journey traveling around the world, she retreats to an empty vacation home owned by a friend's rich family. She unexpectedly finds herself sharing the place with some former occupants - a cynical college professor, his bitter sister married to a devoted husband, a disgruntled cab driver and a washed-up drifter; all of whom are not even supposed to be there, because they're actually dead. As Jean reluctantly confronts these souls as tormented as herself, they inevitably end up in an entangled mass of secrets and lies - This imaginative thriller roams in and out of the lives of lost souls, weaving reality with the other side.

Where I watched this it was advertised as a horror, let&#39;s be clear straight off the bat that it really really isn&#39;t. I guess I&#39;d refer to it as a supernatural thriller. A woman quits her job and takes a holiday living in the luxurious glass house owned by a friends family. Quickly odd things begin to happen around the house and she learns she isn&#39;t alone. Ghosts? Absolutely, but not things that go bump in the night. We instead have 4 ghosts confused about the position they are in and tormented by their own personal issues. So instead of screaming we have talking, and lots of it. Competent cast and very interesting premise makes The House a very memorable and unique film. I was gripped and hugely surprised with what I was watching as I simply didn&#39;t expect it. Interesting, well written and unlike anything I&#39;ve seen before. Sadly it fails to meet its potential due to several unanswered questions and a couple of completely unnecessary plot points. Regardless this little movie is worth the time of anyone seeking something different. The Good: Great cast Highly original The Bad: Few plot holes and/or unneeded plot points Things I Learnt From This Movie: Ming Na Wen has a twin Ghost logistics in some films just confuse the crap out of me All cleaners in America are Mexican People who walk on Wall Street are evil incarnate.

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The House

Desiree Lim&#39;s psychological thriller &quot;The House&quot; is a modern character study that follows an ex-Wall Street investment banker, in a life- changing transitional period, who decides to seclude herself in a friend&#39;s family mansion over the holidays. The film stars Natalie Skye, Zak Santiago, Alex Zahara, Emilie Ullerup, Zahf Paroo, David Richmond- Peck, Olivia Chung, Kyle Cassie, and Patricia Mayen-Salazar. The story told in &quot;The House&quot; is more melodrama than suspense. The film is very cerebral, dialog heavy and filled with philosophically controlled whimsy. By that I mean the subject matter and story arch form a surreal, and somber stream of experiences acting out as flashes of moments instead of complete, relatable quandaries. I found myself pushing back a lot of question mark reactions to while watching the character interactions against the plot&#39;s principle set-up. Plausibility and natural flow of the story&#39;s intent seems shaky. Now the acting and actual writing for &quot;The House&quot; is really smart, intellectual material that bares a strong resemblance to Shakespearean comedies. The film is filled with emotion and strong character development that draws you into the story, but I keep waiting for the elements that qualified this film as thriller. The needed components to create thrills or suspense are non-existent in this film. &quot;The House&quot; is more of a social commentary, art film. Heavy dialog and strong emotional interactions between the player create a quality film-for fans of drama films, philosophical cinema and explorations of human melancholia. The special effects and soundtrack are simple, tasteful elements that are more secondary than instrumental in selling a scene. Most of the effects used are basic tricks that could be considered conservative. At no point in the film does special effects really stand out as major aspects of &quot;The House&quot;. This film is more atmospherically driven, so the instrumental soundtrack and few songs used in the film work well to create the mournful, longing effect that pulls you in emotionally to the story. The biggest effect that stands out in this film is the house itself. It is a wonderful, piece of architecture that expresses an artistic, high concept design. It is both beautiful and cold simultaneously which acts as a companion to the characters in &quot;The House&quot;. Overall &quot;The House&quot; is an emotional, character driven drama that has some strong moments. Mostly in the acting and cinematography. This is in no a thriller, though it has some scenes that pick up with action. However the action is a bit too soft for my taste. This is an intelligent story of personal conflict, transition and discovery that makes a heartfelt connection but it there is no horror, the paranormal is more Shakespeare than Stephen Twardokus. &quot;The House&quot; isn&#39;t a film that I really enjoyed but I do respect the strong, philosophical concept.

When I discovered this film it was categorized as a horror movie, when in fact it&#39;s a character driven story of a young woman who, after giving up her job as an investment banker, stays in a friend&#39;s mother&#39;s exquisite modern mansion intending to write a travelogue. She soon finds that the place is haunted by some people who were involved in an auto accident and somehow have found their immortal spirits dwelling within this house. After initially being frightened by the ghosts, she slowly gets to know them, and their stories merge with hers to create a film work that portrays the sadness and joy of being alive. To say much else would spoil this rather unique film.

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The House

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