The Taste of Things

During a time where food is rarely explored due to the demand for convenience and lack of energy that we're willing to provide, "The Taste of Things" invites audiences to transcend into a space that most of us have never known. Not only a space of pure romance in 1889, but one that is tied together with an equal adoration for the artistic and emotional nature of food, and the endless beauty that stems from the smallest details. Whether it's because Juliette Binoche and Benoît Magimel were married for 5 years in real life or simply because they're incredible actors, the chemistry and understanding for one another are potently sincere and encourage viewers to seek nothing less than what they're experiencing. Discover passion, meticulous care embedded under a foundation of years-long expertise, and a chase toward love that never ends even when most relationships do. The framework of a slow rotating camera, necessary silence, patient observation, and organic expression creates a tone that you can nearly taste. A delightful masterpiece by Anh Hung and one that I'm craving to see again.

"Dodin" (Benoît Magimel) and "Eugénie" (Juliette Binoche) have a synergy in the kitchen that creates mouthwatering and innovative culinary treats for their friends. She does the cooking, he more the design; she shuns the limelight, he is more gregarious - but it's a professional relationship that has worked well for the last two decades. It's probably fair to say that they are both a bit slow off the mark, but gradually now their relationship begins to become one of a more personal, intimate, nature but she is still uncertain. How to win her round? Well he starts to prepare delicacies to tempt both her palate and her heart. The path of truth love never runs smooth, though, and soon their dynamic is facing a testing time that will likely see unwelcome change for all concerned. What I actually liked about this film is that there's not a great deal of dialogue. It looks great and the two actors genuinely convince as they prepare their gourmet dishes using ingredients and techniques that are way more fascinating than the unfolding drama between their characters. You can almost smell the food! It also doesn't shy away from some of the culinary curiosities of rustic French cuisine, so be prepared for a few dishes that might not do for your appetite what they do for those on screen, but by two hours in I found myself genuinely invested in what I was watching - and very glad I'd eaten first. Cooking is an art form; so is good cinema - we get both here in abundance.

Why dont they make movies like this anymore? The beauty of the food, people and surroundings take you away on a sensory trip. I also miss this idealized depiction of love. Everything is so delikate and Beautiful. I recommend you to what this if you respect and appreciate the art of food preparations and the beauty of a life Long romance. The asthetic is so pleasing, everthing from birds chirping in an early morning vegetable garden, the Sound of the food simmering, all the fine pressed linen clothing, the coiffed hair, the reflection of warm sunlight on the Walls and copper pots, the wind in the flowers on the forest floor. Exquisite!

I am, I admit, a Crocodile Dundee cook - you can live on it, but it tastes like s*** Nevertheless, I revere those who are masters in the gastronomic arts.

Set in the 1870's, this film is a hymn to the pleasures of the table. The camera lingers lovingly over every pot and pan, every ingredient, every procedure, to the extent that it would have been wrong for the film to have been in any language but French. Anyone who can watch this film without salivating has no soul.

The plot is secondary to the food. Dodin (Benoit Magimel) is an expert, though amateur cook, whose hobby is hosting dinner-parties for a group of friends. For twenty years, Dodin has employed Eugenie (Juliette Binoche) as his cook, though she's far more than that. They sleep together, though she repeatedly declines his offers of marriage. Both performances are nigh-on perfect. There's also a young girl, the daughter of a neighbour, who has superlative taste-buds, and who wants to be taken on as an apprentice.

There's a bit more plot than that, including a comic dig at those who equate excess with excellence, but everything is subordinate to cooking and eating - and the actors do actually eat the food. One thing that grates with me is films where people don't actually eat the food in front of them.

I left the cinema hungry, and wishing that I had the patience and the dedication (and the time) to cook like that.

Oh, and though I grudgingly accept that, with the possible exception of the Chinese, the French are the finest cooks on Earth, I draw the line at ortolan.

This is an exceptionally slow burn ( only in the allegorical sense , as they don't actually burn any of the food )

The aesthetics are mesmerizing and the presentation of the food was enough to make me hungry, even never having eaten French food in my life and being extremely picky . It was a love letter to food , to cooking , to art , to patience and to a lifestyle that no longer exists .

The natural feeling was amazing as well , these were good people , trustworthy people , people you want happiness for and want to win and that was all developed in the first scene , with no dialogue which is amazing filmmaking .

Another major shout out goes to the sound editing / track . The sound of the garden and the kitchen felt so real and added to your closeness so the characters , their lives and the food itself .

It's very very slow , it's very foreign , it's an art film and it's meant to develop at a snails pace . Appreciate that . Be ready for that and you'll love it. .