Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between as she tries to reconcil... Read allSophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between as she tries to reconcile the father she knew with the man she didn't.Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between as she tries to reconcile the father she knew with the man she didn't.
- Nominated for 1 Oscar
- 96 wins & 181 nominations total
Kayleigh Ann Coleman
- Jane
- (as Kayleigh Coleman)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
You have a video of a holiday in the past, when you were young, before life's burdens had amassed, with a father you adore, likes to take to the dancefloor, though he's generally withdrawn and quite downcast. A reflection of a time when eyes were new, interpretation was a seed, as yet to grow, but when you look back now, it's a different world somehow, revealing spaces not yet entered, or sought to go.
It's a slow meander, beautifully filmed, with two incredible performances, although those two highlights alone don't create a piece that takes your breath away as much as you might like, until you sit down to reflect, and absorb what you've seen through your own eyes.
It's a slow meander, beautifully filmed, with two incredible performances, although those two highlights alone don't create a piece that takes your breath away as much as you might like, until you sit down to reflect, and absorb what you've seen through your own eyes.
I am only writing this review so I can remember later on why I only gave this movie a 6. I understand that this movie has an extremely powerful and intimate presentation of the relationship between a reckless father and his young daughter. I noticed the intricacies and nuance that the film makers tried to convey throughout. I just did not connect with the film at all. I imagine that this film hit some people hard but for me I was quite bored with it by the end. I have to simply be true to my own feelings and opinions from a film and conclude that to me, it is simply ok. Don't take my rating too seriously because I can genuinely imagine somebody else watching this film thinking that it is the best thing they ever saw.
I have two daughters and recently got divorced. I know how it hurts to put on a fake smile while deep inside your heart is bleeding. As a father, a man, you try to look strong and resilient, to keep your children worry-free, but every time the girls are not around you feel like an empty shell. This movie made me cry because I know how it feels to be Callum. I know how hard it is to leave your precious children behind and to be torn away from your family. Leaving behind beautiful memories and slowly drifting apart from your loved ones. It's very hard to move on and I hope to experience better days in the future.
I almost never watch films twice but 'Aftersun' was a rare case where I absolutely had to. I don't think this film can be fully appreciated on first watch. I saw someone suggest that after you watch it your mind will go back to little moments and re-evaluate their significance, and it will. But watching it again with the full picture gives the entire movie a different perspective. The second watch is almost like watching a different film.
Kids in films, particularly in lead roles, can often be very annoying. That isn't an issue here. Frankie Corio gives one of the most likeable child performances I can ever remember seeing. Her chemistry with Paul Mescal was amazing. I read that she wasn't privy to Mescal's solo scene rehearsals, so that she wasn't fully aware of what his character was going through, much the same as her character Sophie wasn't. That's brilliant.
Something that was very apparent on second viewing was the significance of the music in the movie. The first time through I remember thinking, "there are a lot of good songs in this movie". On second viewing you realise that every song used is telling a story. It's telling you what is going on, but like most people in the real world, we just hear a banging song and nod our head to it. Then later on we reconsider its true meaning.
Finally, this film has one of the beast movie endings I can remember seeing. It's classy, heavy and thoughtful all at once. It's done in a beautiful and somewhat haunting way that will stick with me for a long time. 9.5/10.
Kids in films, particularly in lead roles, can often be very annoying. That isn't an issue here. Frankie Corio gives one of the most likeable child performances I can ever remember seeing. Her chemistry with Paul Mescal was amazing. I read that she wasn't privy to Mescal's solo scene rehearsals, so that she wasn't fully aware of what his character was going through, much the same as her character Sophie wasn't. That's brilliant.
Something that was very apparent on second viewing was the significance of the music in the movie. The first time through I remember thinking, "there are a lot of good songs in this movie". On second viewing you realise that every song used is telling a story. It's telling you what is going on, but like most people in the real world, we just hear a banging song and nod our head to it. Then later on we reconsider its true meaning.
Finally, this film has one of the beast movie endings I can remember seeing. It's classy, heavy and thoughtful all at once. It's done in a beautiful and somewhat haunting way that will stick with me for a long time. 9.5/10.
The one thing you can say about the film Aftersun is that it's not afraid of subtlety. It's human realism at its core dealing with themes such as childhood, fatherhood, responsibility, class, and vulnerability. It's the opposite of dramatic yet it keeps you engaged and glued to the screen through out as you care about the characters despite the simplicity of their day to day interactions. Paul Mescal plays Callum, a young father to an 11 year-old somewhat precocious girl named Sophie. The film in my opinion is about a father who tries his best to maintain a rock like mask to convey strength and stability for his daughter while being emotionally vulnerable underneath. Occasionally throughout the film that mask slips a little bit as Callum struggles to bear the responsibility of being a dad at such a young age and while facing his own personal troubles. At the same time his daughter, getting older and wiser, starts to explore the world of adolescence while on holiday where she also begins to notice her father's vulnerabilities. It's a sensitive film and one that leaves you enthralled and attached to the characters on a deeply human level even if that dramatic colonel doesn't pop the way you might except.
Did you know
- TriviaAftersun (2022) is loosely based on Charlotte Wells' own personal experience of a holiday she went on with her father.
- SoundtracksHigh Hopes A
Written and Performed by Gerhard Narholz (as Mac Prindy)
Courtesy of Cavendish Music Co. Ltd. on behalf of Sonoton Music GmbH & Co. KG
- How long is Aftersun?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Після сонця
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,658,790
- Opening weekend US & Canada
- $60,752
- Oct 23, 2022
- Gross worldwide
- $8,600,158
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content