Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between as she tries to reconcil... Read allSophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between as she tries to reconcile the father she knew with the man she didn't.Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between as she tries to reconcile the father she knew with the man she didn't.
- Nominated for 1 Oscar
- 96 wins & 182 nominations total
Kayleigh Ann Coleman
- Jane
- (as Kayleigh Coleman)
- Director
- Writer
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I am only writing this review so I can remember later on why I only gave this movie a 6. I understand that this movie has an extremely powerful and intimate presentation of the relationship between a reckless father and his young daughter. I noticed the intricacies and nuance that the film makers tried to convey throughout. I just did not connect with the film at all. I imagine that this film hit some people hard but for me I was quite bored with it by the end. I have to simply be true to my own feelings and opinions from a film and conclude that to me, it is simply ok. Don't take my rating too seriously because I can genuinely imagine somebody else watching this film thinking that it is the best thing they ever saw.
I have two daughters and recently got divorced. I know how it hurts to put on a fake smile while deep inside your heart is bleeding. As a father, a man, you try to look strong and resilient, to keep your children worry-free, but every time the girls are not around you feel like an empty shell. This movie made me cry because I know how it feels to be Callum. I know how hard it is to leave your precious children behind and to be torn away from your family. Leaving behind beautiful memories and slowly drifting apart from your loved ones. It's very hard to move on and I hope to experience better days in the future.
The one thing you can say about the film Aftersun is that it's not afraid of subtlety. It's human realism at its core dealing with themes such as childhood, fatherhood, responsibility, class, and vulnerability. It's the opposite of dramatic yet it keeps you engaged and glued to the screen through out as you care about the characters despite the simplicity of their day to day interactions. Paul Mescal plays Callum, a young father to an 11 year-old somewhat precocious girl named Sophie. The film in my opinion is about a father who tries his best to maintain a rock like mask to convey strength and stability for his daughter while being emotionally vulnerable underneath. Occasionally throughout the film that mask slips a little bit as Callum struggles to bear the responsibility of being a dad at such a young age and while facing his own personal troubles. At the same time his daughter, getting older and wiser, starts to explore the world of adolescence while on holiday where she also begins to notice her father's vulnerabilities. It's a sensitive film and one that leaves you enthralled and attached to the characters on a deeply human level even if that dramatic colonel doesn't pop the way you might except.
Aftersun is a film that I wasn't sure I understood when the credits started rolling. Then, as I sat and thought about everything I had seen, I came to believe more and more that it's kind of genius.
What the movie lacks in overt substantive plot it more than makes up for in authenticity and subtle placement of character-building images and dialogue. In the moment, these often feel like tangents and the overall picture isn't clear.
While it can make for a frustrating first viewing, the clarity that comes with the film's final shot suddenly puts everything into perspective and I felt an overwhelming flood of emotion for the two central characters.
Suffering happen more often than not in silence, and it's the cumulative of this film's many quiet moments that drive home one of the most effective, nuanced messages of compassion that I've seen all year.
This is a masterpiece of subtlety, arguably slightly to a fault, but it's refreshing to see it in the age of "hammer over the head" messaging in movies that we're currently living in.
What the movie lacks in overt substantive plot it more than makes up for in authenticity and subtle placement of character-building images and dialogue. In the moment, these often feel like tangents and the overall picture isn't clear.
While it can make for a frustrating first viewing, the clarity that comes with the film's final shot suddenly puts everything into perspective and I felt an overwhelming flood of emotion for the two central characters.
Suffering happen more often than not in silence, and it's the cumulative of this film's many quiet moments that drive home one of the most effective, nuanced messages of compassion that I've seen all year.
This is a masterpiece of subtlety, arguably slightly to a fault, but it's refreshing to see it in the age of "hammer over the head" messaging in movies that we're currently living in.
You have a video of a holiday in the past, when you were young, before life's burdens had amassed, with a father you adore, likes to take to the dancefloor, though he's generally withdrawn and quite downcast. A reflection of a time when eyes were new, interpretation was a seed, as yet to grow, but when you look back now, it's a different world somehow, revealing spaces not yet entered, or sought to go.
It's a slow meander, beautifully filmed, with two incredible performances, although those two highlights alone don't create a piece that takes your breath away as much as you might like, until you sit down to reflect, and absorb what you've seen through your own eyes.
It's a slow meander, beautifully filmed, with two incredible performances, although those two highlights alone don't create a piece that takes your breath away as much as you might like, until you sit down to reflect, and absorb what you've seen through your own eyes.
Did you know
- TriviaAftersun (2022) is loosely based on Charlotte Wells' own personal experience of a holiday she went on with her father.
- SoundtracksHigh Hopes A
Written and Performed by Gerhard Narholz (as Mac Prindy)
Courtesy of Cavendish Music Co. Ltd. on behalf of Sonoton Music GmbH & Co. KG
- How long is Aftersun?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Після сонця
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,658,790
- Opening weekend US & Canada
- $60,752
- Oct 23, 2022
- Gross worldwide
- $8,600,158
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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