The Hunt for Raoul Moat

It featured the continuous abuse of a young woman and the ignorance of police in paying scant attention to so-called "domestic situations" a demeanng term if ever there was one.

So very many women. All the time, every day ,are the victims of what I could call "domestic terrorism" by a toxic violent male.

Sam was only 16 years old when she met this monster who was 20 years older than her. A red flag of course. He behaved as if he owned her and their child and bullied her incessantly and went to prison for abusing their child. Even when he was in prison and a guard overheard him and reported it to the police the only response was *crickets*.

The manhunt itself was really well done, full marks for the tension and the pacing as it all unravels into the inevitable ending.

No holds barred on the police behaviour which was very good.

8 out of 10. Excellent for its calibre and only the British have the skill for this type of series.

I remember following this story, as someone who'd moved to north and been to certain areas it was a gripping story, moat himself was a strange mix of endless sad childhood stories mixed with the typical toxic masculinity from the gym/nightclub bouncer and pub scene, someone who doesn't take no for an answer and someone who very much believes in his own morale code which to most us awful.

I watched this and call I could think was what's the point? Other than lacking ideas and cashing in on a Story that ruined real people's lives. This added nothing that wasn't known, or you couldn't find out by easily googling it. The acting was average at best, very cheaply made cringe tv done for the wrong reasons.

There's nothing here remotely gripping, Rathband doesn't get enough focus and truthfully it's not that well done, it's basic paint by numbers stuff, I'd say there was probably a few tiny details that are new but nothing to warrant making this.

All this does is glamourise a monster and only useful thing was shining the light on the ignorant and stupid people who live online in social media land and comments sections who have very strong opinions based on nothing but rubbish they read online.

Why is it that true life crime is far more absorbing and watcheable than the contrived drama being turned out these days.

We have given up on three contemporary cop dramas in recent weeks, but this was far more interesting.

Watching the companion documentary that followed the conclusion of the three episodes, it is clear that the drama was very accurate. No creation of additional scenes or stories like The Gold a few weeks ago.

All those involved in the hunt never got the opportunity to find out what was really behind Moat's paranoia. It was probably embedded in his youth, but this never came out.

It was mentioned at the end that the true victims of this crime have been largely forgotten, and this is true. It should never be forgotten that this was an extremely dangerous man who felt he had nothing to lose. He was a cold blooded killer, you can't get away from that.

My wife and I possibly made the mistake of watching beforehand the repeated original TV news documentary outlining the actual events depicted here in this new three-part mini-series. In so doing, I obviously learned first hand all that the dramatisation portrayed, thus filling in all the blanks about it in my memory and precluding any sense of surprise at the nonetheless horrific sequence of events surrounding the crazed killer Raoul Moat.

What this also did unfortunately was evidence again the obeisance to diversity which today's television programme-makers feel obliged to follow. Under their usual disclaimers in shows like this of inventing composite fictional characters and imagining situations and dialogue for dramatic purposes, it was just too obvious for me that the prominent interpolation of a black female investigating officer or female senior DCI wasn't based on fact but purely to cater to wokism. I'm fine with this to a large extent but I suppose I'm a bit less tolerant when it so obviously alters real events captured on film less than fifteen years ago.

Anyway, mini-moan over, the three episodes nonetheless sharply conveyed the evil acts of Moat, a convicted felon who on his release from prison sought out his ex-partner's new boyfriend and with the help of two equally deluded accomplices, shot the poor guy down in cold blood before also attempting to kill her too. She had told him that her new man was in the police to try to deter him from coming after her but this tragically backfired with Moat turning his mad rage on the police itself to the extent that he went on to callously shoot in the face an innocent policeman sat in his patrol car, who we learn at the end was blinded by this and who tragically took his own life only a year or two later, making him another belated victim of this evil man.

What I didn't pick up in the real-life documentary was the extent to which Moat apparently garnered a following among some deluded individuals on the internet who somehow saw him as an anti-establishment hero whose actions were justified because the ex-girlfriend he'd abused for years had the temerity to try to move on with her life. Much is made of Moat's climactic suicide denying his victims' relatives justice, but you know, I don't think his self-destruction would have been too upsetting for me if I'd been in their place.

Presented relatively straightforwardly without histrionics, well acted by all the main cast members, this was a compelling retelling of a shocking and almost unbelievable story of coercive behaviour and jealous vindictiveness taken to horrific extremes.

A well done compelling true story about one of the many abusive situations leading to deaths that occur everywhere. I would not have watched if it were in documentary format. 3 episodes was perfect - not dragged out into a long series of 6 or 8 episodes like so many shows are now.

As for Moat's idolaters they are of what I'm left to call a 'group' that revel in and honour sensationalism and horrific behaviors much of which is egged on by social media, at least IMHO. There was a definite place for them in showing it's not only the perpetrators that are ill or twisted. It's a larger portion of society than many, if not most, aren't aware exists.