This short film is sorely lacking in long shots and natural beauty against which the story of pain, memories and dialogue driven plot unfolds. Cinema is not only dialogues; often all emotions and emotional experiences are expressed by the art of cinema in the background: there are the most beautiful angles and understatement - these are the advantages of cinema. There is a great lack of depth in the style of the Hungarian Béla Tarr and his "The Turin Horse," where all feelings are conveyed not by dialogue, but by camera angles and background, and people and their inner experiences serve as the basis of nature, part of it. It's very good as a start to cinema, but in full-length films frequent close-ups will be unnecessary, the movie will look like a cheap Hollywood series. I always treat cinema as an art that is designed to evoke emotions for many years, and perhaps forever.
