Good Grief

The directing is quite good, image and general aesthetic are qualitative, acting decent, the dialogues bring at time some sort of accuracy; I liked the promise behind the synopsis and what the letter brings.

However it doesn't deliver properly, I have not been fully satisfied with any of the aspects of the development, of the characters. Even though it sometimes felt right, the whole thing was a bit tasteless, seen before and didn't drag me into the story.

It's as shame, as many ingredients were there to make a good movie, but it is just average and a bit cringy at times. I liked that the romance was treated as a normal romance rather than gay stereotypes, but I would have enjoyed a better development. The secondary characters aren't especially likable, and some moments or conversations just didn't felt right.

I don't know if it should have been spiced up a bit or just more focused but the result wasn't pleasant enough to want me to watch it again sometimes. I like movies about grief and overcoming it, but they should also uplift and bring some more feel-good to finish it with satisfaction.

Have you ever experienced the loss of your partner in your life? Have you tried to find fault with others in order to better cope with the situation? How much did your friends help you get through this stage in your life, and how important were they to you during this time? Is there a time frame for how long a person should grieve a loss? These are the questions you will ask yourself while watching Good Grief. Dan Levy's directorial debut, in which he has put a significant part of his story, is an unorthodox romantic drama that touches closely on the themes of love, grief, forgiveness, reconciliation and new beginnings.

A really perfectly balanced film. It would have been so easy to play it safe and make a typical 'bubblegum' movie, with guaranteed well rehearsed tropes and clichés. So I admire Dan Levy's restraint, and that he took a risk with a more subtle approach. It isn't, as I imagined, a romcom, rather, a gentle exploration of grief, friendship and complicated legacies. I found it quite emotive without sentimentality. I loathe feeling manipulated by film makers- when the music, sappiness and script so deliberately and blatantly are working their formulaic chops off in a contrived effort to control every reaction a viewer is having.

While I wasn't 'blown away' by this film, I was impressed and engaged. I suspect/hope that Levy will continue to create as well as act, and be a well regarded director/writer in his own right.

Finally, the performances were great and the chemistry between the 3 friends felt authentic. The script could have been sharper and, as much as I usually love Luke Evans, I thought his performance in this perhaps the weakest of all the cast. But these a minor criticisms. I understand it if isn't what some people drawn to the film were hoping/expecting , and can understand some disappointment. But, for me, it was just right in tone and I think Dan Levy will go from strength to strength.

Good Grief delivers a compelling narrative with Dan Levy's standout performance stealing the spotlight. He knows what he is doing and what he wants to achieve and he does that well, with raw, honest emotions. His portrayal is both captivating and, at times, a tad obnoxious, but if it is part of the storytelling, I accept it.

The storytelling is enriched by a well-curated musical backdrop. I love the music.

However, the subplot involving his female friend feels somewhat disjointed, lacking the depth that could have enhanced the overall experience. It's a little bit too much, for my taste.

While the film offers a love story, it falls short of exploring the characters' personalities and stories in a more profound manner.

For those who cherish Daniel Levy from the humor and escapism Schitt's Creek provides, this is not that... adjust your lens and your expectations. This is a beautiful film that portrays real life in a myriad of ways and the actors do a fantastic job sharing that story. This felt very ready for the stage yet as a film it never gave me the release I tend to crave. No high highs, no drastic lows... just a restrained and even keeled world in which the characters still remain in tact. Not exactly what I hoped it might be, but still has its place and I'm happy it exists, especially to offer greater representation of many underrepresented communities.