Our Kind of Traitor

I enjoy John Le Carre, but none of the adaptations of his books have really blown me away. I am happy to say that I was pleasantly surprised by this movie. I came into this movie without many expectations, as I have not read the book and I hadn't heard anything about the movie.

Ewan McGregor and Stellan Skarsgård star as a British professor and a Russian mobster respectively, and both give great performances, especially Skarsgård, who plays a man who you know is a bad person, but you can't help but like. Naomie Harris and Damian Lewis also feature, and while both are good in their roles, I felt like Harris, who plays McGregor's wife, wasn't given much to do.

I really enjoyed the cinematography, and you could tell that Anthony Dod Mantle worked hard to make sure every shot was interesting even when what was going on in the shot was pretty basic.

The story is nothing you haven't seen before, but I found myself really captured by the great acting and interesting dialogue.

B+

This is a proper screen adaptation of a John le Carre novel. If you're looking for a film to watch or rent, this is a good one. It tells the story of an ordinary British couple who, while on holiday, get caught up in a drama involving a member of the Russian mafia. This follows them after the holiday, and it turns into a terrifying adventure.

I thought the movie was gripping. There were many scenes that had me at the edge of my seat. The scenes were set in various locations around Europe and the rest of the world. I disagree with those who say the plot developments were not credible.

I think this movie is a little under-rated with it's current IMDb score. It's worth about 7.5.

John le Carré does not exist. "John the Square" (as understood in French) is the pen name of British author David Cornwell. For those who don't know who he is, Cornwell is a former member of Great Britain's Security Service and, later, his country's Secret Intelligence Service (perhaps better known as MI5 and MI6, respectively). He left the spy game in 1964 to pursue his burgeoning career as a writer of espionage novels. Now, if none of this sounds familiar, maybe these titles will: "The Tailor of Panama", "The Constant Gardener", "Tinker Tailor Soldier Spy", "A Most Wanted Man". These are his novels which made it to the big screen just since the beginning of this century and have attracted the participation of actors Philip Seymour Hoffman, Gary Oldman, Pierce Brosnan, Geoffrey Rush, Ralph Fiennes and Rachel Weisz (who won an Oscar for her efforts). Writing as le Carré, one of Cornwell's more recent novels to become a feature film is "Our Kind of Traitor" (R, 1:48), a story which continues the author's tradition of setting his roller-coaster-like plots against a backdrop of big ideas, but this one is set in a greater variety of international locations than usual and has narrative that's been described as somewhat Hitchcockian.

Peregrine "Perry" Makepiece (Ewan McGregor) is a college professor whose marriage to successful attorney (barrister, to be specific), Gail Perkins (Naomie Harris) is going through a rough patch. He had recently slept with one of his students and he feels that his professional accomplishments are inferior to those of his wife. The couple takes a short vacation to Marrakesh, Morocco in an effort to put a spark back into their marriage. Instead, Perry ends up hanging out with a larger-than-life Russian man named Dima (Stellan Skarsgård) whom he meets in a local bar. In the space of just a couple days, Perry accepts Dima's generous but forceful invitations to drink together, to play tennis and to attend a couple parties. Gail joins Perry at the second party, but is unhappy about how it cuts into their alone time, and when Perry disappears for a while, Gail wonders what he's up to. Fortunately (and unfortunately) Perry is just talking privately with Dima, who reveals himself to be more than just a friendly Russian businessman.

Dima tells Perry that he launders money for the Russian mob and is concerned that he is about to be asked to "resign" (which would mean that Dima's family would end up "resigning" with him). Before any of that can happen, Dima wants to defect to the UK. He asks Perry to deliver to MI6 a memory stick with the names of British officials being bribed by the Russians to grease the skids for a major banking deal. Dima hopes this information will be enough for MI6 to grant asylum to Dima and his family in exchange for further intel. Dima says that Perry is the only one he can trust, and Perry is just kind and honorable enough to want to help save Dima and his family. Perry is also pretty naïve, thinking that he can "just" give the files to MI6 and be done. Perry soon finds out differently, as does Gail who also gets roped in.

An MI6 agent known as Hector (Damian Lewis) is keen to follow up on this lead, but it won't be easy. Hector's boss doesn't think there's enough to go on and thinks that Hector is motivated by revenge against a former supervisor (Jeremy Northam) who may be involved in the bribery scandal. So, Hector lies to his crew (and everyone else) about having permission to proceed and goes forward with his unauthorized operation – which involves civilians, no less. Hector establishes contact with Dima, but Dima refuses to deal with anyone but Perry. Thus, Perry and Gail head to Paris where they "accidentally" run into Dima, who is on his way to Switzerland to sign over to his new bosses the accounts that he manages. Then, as things get more dangerous, Perry and Gail get involved more and more deeply.

"Our Kind of Traitor" is a satisfying, but unremarkable thriller. Some of the plot points seem highly implausible and others feel underwritten. The story is well-constructed, but the acting (except for Skarsgård's) is listless and the entire film suffers from a lack of tension. Cornwell / le Carré novels often suffer somewhat in the process of adapting them to the big screen, but this one is still worth a look. "B"

As a Le Carre fan, it is fair to say that the film made a reasonable attempt of faithfully representing the book, although there were a few changes to the story. The problem with the film is that the book wasn't that brilliant to start off with and with the exception of Stellan Skarsgård (who played Dima)the other actors did not seem to have much belief in the characters they played. Saying that, it is possible for a film to be an improvement on the book and maybe misplaced deference to the author got in the way of the director and actors attempting to make the story more credible and interesting.

Perry was too 'nice' so when he played a 'knight in shining armour' on a couple of occasions, it was slightly confusing. Damian Lewis's performance (who played Hector of MI6) verged on the embarrassing as he portrayed him as a bumbling upper class twit which I am sure is not the character trait of MI6 operatives.

Overall, the film was watchable, but disappointing, especially after viewing the 'Night Manager' recently on television.

On any other day, a British espionage thriller would make for a good change of pace from the summer blockbuster season. Based off a John le Carré novel, and it makes it even more intriguing, seeing that the master of spy fiction that brought us "Tinker Tailor Soldier Spy" and "The Spy that Came In from the Cold" is still up and sprightly, churning out novel after novel like it was nothing. I guess the secret to longevity is indeed to keep on working on your passion.

Now comes another film adaptation of his work – this time with actors of caliber (Ewan McGregor and Stellan Skarsgard, among others) and double the predictability. I have not read Le Carré's original source material, but my guess is it will be far more intriguing than what was presented here.

The film, telling the tale of how two ordinary British citizens (McGregor and Naomie Harris) naively help out a turncoat Russian mob enforcer (Skarsgard) and getting in the crosshairs of a ruthless MI6 agent (Damien Lewis) in the process, ticks the right boxes, and nothing more. It becomes an engrossing watch throughout, where characters scheme and plot while other innocents are naively caught in the crossfire.

Everything is fine and dandy – technically well-made and paced, the performances are spot-on and the story is a good tried-and-tested formula, though post-Brexit it seems unfortunately dated already, and the dialogue relies too much on the four-letter word, a jarring contrast a from Le Carré's usual classiness. The key word here is 'perfunctory'. It functions, and nothing more. Might be good with a cup of hot afternoon tea.