When Feluda lands in Darjeeling with Topshe and Lalmohan Babu, a murder makes Feluda don the hat of a private investigator on a quest to unmask the killer.When Feluda lands in Darjeeling with Topshe and Lalmohan Babu, a murder makes Feluda don the hat of a private investigator on a quest to unmask the killer.When Feluda lands in Darjeeling with Topshe and Lalmohan Babu, a murder makes Feluda don the hat of a private investigator on a quest to unmask the killer.
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It's been almost two years since I laid my eyes on a Feluda feature. Earlier it was with Chinnomostar Ovisaap, which by the way I adored despite others criticizing it heavily although this time around, I'm not that convinced, let's just say, I have had mixed reactions to it.
Whilst, I did cherish the chemistry in-between the three main protagonists (or Three Musketeers as Lalmohan Ganguly likes to call themselves); at the same time, I would have preferred if the writing was more productive.
It's a very simple story, a rudimentary narrative, so to speak; hence, and I'm sure all the people who will watch the show, amongst them, a vast majority will be Feluda fanatics and have already read the book. Therefore, at the end of the day, it all boils down to the execution (as we all are pretty much aware of the happenings) and how and in what way the director decides to adapt the original novel into a cinematic contour.
And I feel, that is precisely where Srijit Mukherjee has committed a few blunders. On one hand, he did manage to safeguard as well as maintain the conventional flavors of Feluda (by staying true to the source material) but on the other hand, he did miscalculate and took some erratic steps that just cannot be condoned.
Whilst, I did cherish the chemistry in-between the three main protagonists (or Three Musketeers as Lalmohan Ganguly likes to call themselves); at the same time, I would have preferred if the writing was more productive.
It's a very simple story, a rudimentary narrative, so to speak; hence, and I'm sure all the people who will watch the show, amongst them, a vast majority will be Feluda fanatics and have already read the book. Therefore, at the end of the day, it all boils down to the execution (as we all are pretty much aware of the happenings) and how and in what way the director decides to adapt the original novel into a cinematic contour.
And I feel, that is precisely where Srijit Mukherjee has committed a few blunders. On one hand, he did manage to safeguard as well as maintain the conventional flavors of Feluda (by staying true to the source material) but on the other hand, he did miscalculate and took some erratic steps that just cannot be condoned.
As a bengali literature fan .. I can say this .. Satyajit Ray has made a character.. Feluda Receltly watched both the season .. The story that are choosen for s2 is not at all intense then others .. But srijit sir has made its awesome. In s1 the story is superb .Anirban and tota made both jotauu and feluda best . Overall it is best to watch i would say from other movie and series that are made in feluda. In s2 srijit sir bet change in the story by adding kashmir politics .. which was god at all .Last but not the least the presenting was grand . All the characters played in both season are good ..
'Feluda Pherot' came during the Christmas & it's follow up series 'Feludar Goyendagiri' released on the day of Ganesh Chaturthi. Don't know whether the festive mood was somewhat responsible for this wholesome experience or the show itself stole my mind. This show is based on the storyline of 'Darjeeling Jamjamat'. Tota Roychoudhari was exactly perfect for the role Feluda - the icon of bengali culture. His appearance solely resembled the sketches of Satyajit Ray. Anirvan chakraborty was also quite relatable with jatayu. Better not to say about topshe's acting as he has very little to do in this matter. Veteran actor barun chanda is like a red wine in this series. Within his short screen sharing, he is able to make a memorable impact. Actor Rahul Banerjee also quite fits in the role of pulak ghosal. Unfortunately, there was no reference of any lady character like suchandra & I don't know what was the need for it. Feluda's thought of stabbing birupaksha majumder by different persona - herein the repetition of the same scene is a bit annoying.
But above all, the excellent cinematography serves as the asset of this web series. The beauty of kanchenjunga is well captivated within the camera frame. And lastly, the reference of Byomkesh Bakshi's 'Chitrachor' during the drop-scene is quite appreciable.
But above all, the excellent cinematography serves as the asset of this web series. The beauty of kanchenjunga is well captivated within the camera frame. And lastly, the reference of Byomkesh Bakshi's 'Chitrachor' during the drop-scene is quite appreciable.
How could anyone kill the beauty of Darjeeling with so much sepia tone! Chhinomostar Obhishaap atleast had warm colour palette. Even Hoichoi's Shobdo Jobdo or Murder in the Hills had beautiful cinematography. But this?
Also Shaheb's fake beard was so fake looking. Atrocious. Tota looks good but still doesn't have what it takes to be Feluda. Forced comedy by Jatayu was done too much. Also had pacing issues in middle episodes. Srijit Mukherji couldn't create the ambience needed for this story. This might be one of the weakest work in the Feluda legacy along with Parambrata's Feluda and Bangladesh' take on Feluda.
Also Shaheb's fake beard was so fake looking. Atrocious. Tota looks good but still doesn't have what it takes to be Feluda. Forced comedy by Jatayu was done too much. Also had pacing issues in middle episodes. Srijit Mukherji couldn't create the ambience needed for this story. This might be one of the weakest work in the Feluda legacy along with Parambrata's Feluda and Bangladesh' take on Feluda.
I feel Srijit Mukherjee should take a break after 2 disaster outing in Kakababu and now Feluda. Directors are ruining the legendary stories like this and we are watching with so much of expectations around it.
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