Joan Is Awful

An evening's telly and a new show has a tile, it looks familiar but on playing there's no smile, as your day is played, relayed, with Salma Hayek being payed, to enact what's taken place, but in her style. It's quite surreal and you're not sure how it's been done, and then your boyfriend realises you've had fun, with a partner of the past, this is bizarre, you feel harassed, but the small print means the past can't be undone; exasperation causes food to be binged on, and washed down with laxative as libation, a line is duly crossed, and the floor needs a good wash, but the nightmare will not cease, will not be quashed.

As imaginative as ever.

"Joan is Awful" is the first episode in the series after a four year hiatus. After three of the weaker episodes of the entire series aired in the previous season, I did not have sky-high hopes for this new season as many die-hard fans did.

But "Joan is Awful" was a welcome addition to the Black Mirror series. And a perfect introduction episode after a long time off as it was one of the more comical episodes of the show. It lets the audience dip their toes back into this universe without jarring us.

You can expect to hear rave reviews for Annie Murphy's performance. She had to run through virtually every emotion and mood in an actor's arsenal, and she did it seamlessly without overacting.

While Annie Murphy carries the episode on her back, there are still good performances all around. It helps that most of the roles were obviously written by Charlie Brooker for certain actors specifically. Salma Hayek does well; and comedy fans will appreciate cameos from Rich Fulcher (Mighty Boosh, Snuff Box) and Michael Cera.

A welcome return from Black Mirror.

Joan is bored with her life, fed up of her boyfriend Krish, and genuinely stuck in a rut, at a meeting with her therapist she is offered the chance to change things up, which she accepts, unaware of what she's signed up to.

It's been a while, over four years to be precise, you always worry that some of the well earned polish may have rubbed off, fortunately no sign of that here, this was a cracking return, it is far from perfect, but a bleak scenario of the future, that's exactly what Black Mirror delivers here.

Be careful what you download and click accept to, because you never quite know what the terms and conditions are.

This was fun and chilling in equal measure, you honestly had no idea what was coming next, I imagine there were lots of in jokes here, there were certainly lots of Easter eggs to look out for.

I was worried that the show might have moved to focusing on names, rather than the winning formula that made this show so great, but Salma Hayek added a little something, I'm not quite sure what.

Annie Murphy was terrific, her timing was perfect, you couldn't help but feel sorry for Joan, Hayek clearly had a lot of fun, a different role for her to play.

8/10.

Review

This is a review of Joan is Awful, the first episode of the new series of Black Mirror, but also, a critique of Black Mirror in general and the state of current technology. Let's see how long this essay stays relevant before it looks quaint and is superceded by whatever the latest tech breakthrough is.

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So, if you've seen the previous 5 seasons, or know the general premise of the show - I feel obliged to point out that we may be becoming desensitised to these kinds of dystopian "near future" storylines. For two reasons - firstly, because of the five previous seasons and knowing partially what to expect! But mainly, because they don't feel futuristic any more.

I don't think there are many episodes that haven't had at least a small part of their premise become less than fictional and actually come to fruition in one way or another. You can Google several articles I'm sure on the subject.

The head Black Mirror writer, Charlie Brooker, has always been involved in some form of tech journalism and part owns an electronics exchange franchise (CEX). Of course, it helps that he is extremely intelligent and clearly aware of society at large and our general destination. We stroll arm in arm with an increasingly growing digital presence in our lives.

Anyway, all that being said should in no way detract from the fact that this is a superbly acted, well written and important statement on the current zeitgeist of modern life

Deepfakes, multiverses (some dramatic license taken in this episode, Quantum computing, digital likenesses of actors, our rights when it comes to privacy and the terms of conditions of any product that we all click 'Agree' to (quite ready... all sans personal Intellectual Property Lawyer that, of course, we all keep on speed dial for whenever we install a new app.)

At this point it's getting increasingly difficult to discern drama from satire - the money grabbing sociopaths at silicon valley are pushing exactly these sort of horror scenarios at us with little concern for the outcome.

The Social Dielemma being a fantastic documentary on Netflix about these addictions to not just put phones, but more worryingly, what other people think of us. The Facebook algorithm and their Dopamine Department that tests the addictive nature of their entire site down to the shape of the "Like" button.

Facebook's Metaverse, companies offering digital copies of dead people based on their posts and messages, chat bots generating entire articles and arguing with both themselves and real people online and perhaps most worrying for even higher paying creative jobs - the ability to generate from a text prompt; articles on any subject, art, music and even code. I honestly can't think of many jobs that can't be replaced by AI. Even something as hands-on as cooking. Precision robotics is evolving too - stick an AI powered arm in a kitchen and provide a recipe, robotic chefs are now a thing - even at the bottom, a million teenage coming-of-age burger flipping summer jobs are in jeopardy.

Partly why AI is so terrifying is not because it can't be made safe or neutral, but because there is little incentive to do so when the potential profit incentives are so alluring, even at the expense of redundancies - and eventually, people's lives. We are in the middle of an AI arms race. Same exact scenario as the Atomic bomb. Dangerous new science that we all need in order to protect us from whatever the other guy has. Except, instead of a stalemate. These intelligences WILL be used - not all in nefarious ways - but also because we are hitting the limits of our own intelligence - a singular human simply cannot know everything there is to know about even a single subject due to its complexity. The sheer amounts of data being generated within individual experiments requires a supercomputer to sift through and make sense of it. The LHC generates terrabytes of data every second it's running. Simulated physics is a new field of science that couldn't have been explored without the computing power we have now. Mega underground farms of servers all linked together ploughing through data looking for answers. Eventually, it will be automated to the point where the computers are asking the questions, designing the experiment (or simulating it) and deriving new understanding for us

The 6 month "pause to consider the implications" open letter that was put forward by top AI scientists a few months ago, has largely been ignored.

The current thinking is that; if you're the last country to the party with tech, then you could be looking at a failed nation, left far behind as a super intelligence basically invents everything you need to become the next leading global superpower.

What starts off slow, begets a number of significant breakthroughs until it is in full exponential upswing and we move from yearly breakthroughs, to monthly, to even hourly updates as we teach intelligences to self improve. At which point, the evolution of such an intelligence is largely out of our hands - with the exception of the "off switch" which even then, is no guarantee of safety.

With people living their lives increasingly online, both socially and for work - their self esteem directly correlated with the number of "likes" received over their food snaps or heavily filtered selfies. (To the point of teenage suicides - on the increase in huge numbers) these sorts of stories are losing their impact because they are actually happening now in real time. We may have reached the Black Mirror tipping point where truth is stranger than fiction.

It was likely that this episode was written before the latest AI milestone (CHAT-GPT) and way before Apples new leap into VR/AR tech with a headset.

But here we are. Aside from the multiverse macguffin, all of this episode is now entirely possible. Phone records your day and renders in real-time a photo realistic avatar, lip synced and script reviewed and rewritten by Chat-GPT.

Nvidia literally only this week demonstrated AI characters in-game that can respond to your voice, hold a conversation and discuss their backstory which can be written for them.

Unreal Engine 5, the latest 3D game making software just added photoscan and meta-humans. Within a couple of minutes, just using an iPhone camera to scan a person - that data is then imported, turned into a digital copy. Then, add your voice after taking a few language samples and you're done.

The next generation of games will have full unscripted characters that can converse on-the-fly with minimal work, except for adding a few bullet points as back story.

I predict that the next series of Black Mirror won't be released fast enough for it to become prophetic and will rather be labelled as historic.

For most people, I'm sure it seems like a fun sci-fi show. But for those in the know, it really is a black mirror of possibilities.

Excellent. As always.

5/5.

Black Mirror's 'Joan is Awful' isn't just an incredible episode; it's an unnerving prophecy of a potential future where deepfakes could run rampant, and it's frighteningly plausible.

The series has always been admired for its ability to take contemporary technologies and extrapolate their implications into haunting narratives. With 'Joan is Awful,' the show introduces deepfake technology into its chilling anthology. It's a bold and profound commentary on the digital landscape and the rise of deceptive technologies that can effectively blur the line between reality and fabrication.

Joan's character, a complex web of contradictions, becomes a victim and a perpetrator in the world of online cancel culture and public shaming, with deepfakes playing a significant role. The way this episode navigates the implications of this emerging technology is nothing short of brilliant. It's not just a backdrop or a plot device; it's interwoven into the very fabric of the narrative, heightening the suspense and raising the stakes.

The frighteningly realistic portrayal of deepfakes, coupled with the intricate exploration of societal issues, sets a disturbing yet thought-provoking stage. The narrative is clever, the suspense is palpable, and the characters are expertly crafted and brought to life by an excellent cast.

The episode concludes with a powerful punch of dark satire, leaving a lasting impression and provoking introspection about the world we're heading towards. It's one of those rare episodes that resonates on a deeply personal level, echoing within your thoughts long after the screen goes black.

Comparatively, this episode set a high standard that the subsequent 'Loch Henry' episode couldn't quite live up to. But standing on its own, 'Joan is Awful' is a bold exploration of our immediate reality, a thrilling narrative, and a profound critique of our digital society.

In conclusion, 'Joan is Awful' demonstrates the heights Black Mirror can reach when it combines compelling storytelling, societal critique, and the possible implications of emergent technology. It's an unnerving yet engaging piece that deserves a solid 9/10.