Le pupille

There is no moral to this Italian Christmas short about orphans asked to make a sacrifice for Jesus. It's got goofy moments galore, some fascinating power dynamics, and some thoughts about morality, but mainly it's just a shaggy dog tale that wanders in an aimless but amusing fashion.

There is no way in the world you would ever see something like this from an American - the director is the person who brought My Brilliant Friend to TV, and she is unbound by the expectations of American TV.

I did, by the way, look up this sort of cake and I don't think it's portrayed accurately - all the recipes are of little single-serving-cup cakes!

Recommended.

Summary

An adorable Christmas story, never sappy or sentimental, where the Dickensian meets the ineffably Italian. A medium-length film in which Alice Rohrwacher admirably combines humor, irony, tenderness, musicals, pictorials, and comics to once again deal with power, religion, and micropolitics.

Review

The story takes place in a Catholic religious boarding school for girls during Christmas Eve and Christmas. We are in Italy, during World War II.

Based on a letter that the Italian writer Elsa Morante wrote to a friend, Le pupille is a wonderful Christmas story. The director Alice Rohrwacher, in less than 40 minutes, offers us a sensitive, humorous and deep story about that boarding school, with a relentless mother superior (Alba Rohrwacher, most just) and the preparations for her living nativity scene so that the convent raises funds in that such a difficult time.

One of the offerings that one of the aristocrats of the place will make (a devastated and funny Valeria Bruni-Tedeschi) will generate an unexpected conflict in the convent. It is in this conflict where Rohrwacher ends up introducing his usual and acute (never obvious or pamphleteering) treatment of power, religion and micropolitics. The economy of resources and the originality with which the filmmaker expresses the conflicts and accumulated tension is remarkable, and she does it purely on film, combining the pictorial, humor, irony, musicals, and comics. As light as intense.

The film is adorable (like its childish cast), but never sappy, combining the Dickensian, the ineffably Italian and that fair tone suitable for all audiences but not childish, in line with the best and most classic exponents of the Disney universe.

"Le Pupille" is a beautifully crafted short film that delves into the cynicism of Catholic Church morals during the era in which it's set. While the general description refers to a Catholic boarding school, it's important to note that the setting is actually a Catholic orphanage, which adds depth to the story. The film's attention to detail, its satirical undertones, and the innocent yet sharp portrayal of the young girls offer a poignant commentary on institutional hypocrisy and the resilience of youthful spirit. A truly delightful and thought-provoking watch indeed.

P. S: Yes it is slow, watch and have the patience to not use your phone.

Le Pupille is a short film by Italian director Alice Rohrwacher (Lazzaro felice). A Christmas tale with a strong connection between reality and imagination, which follows the usual atmospheres of the Bolognese director and this time combines Dickensian with an ineffably Italian magical realism.

The script, as wittily told by the orphanage girls themselves, is a free adaptation of the Christmas letter, which the renowned writer Elsa Morante sent to her friend and literary critic, Goffredo Fofi. The short film builds the story around the anecdote told in the letter, respecting in part, the writer's own words, which in the form of a song, is interpreted by the pupils of the boarding school. Le pupille, a title that in Latin means precisely girls and where the director gives it that imaginative double meaning, with those eyes of the girls, moving freely in any direction, a detail shot that becomes the central message of the short film.

With Le pupille, Rohrwacher gives free rein to all his poetic notes, already present in his feature films, and signs a unique short film that seems to come from another era, with that 16 and 35 mm photography of marked grain, the work of his usual collaborator Hélène Louvart, visually reminiscent at times of Jack Cardiff's Black Narcissus for Powell & Pressburger. She also allows herself to pay tribute to slapstick comedy without complexes, with those accelerations in editing, underlining the fleeting moments of joy. But above all it pays homage to the Italian cinema, references such as the Tavianni brothers, the Vitoriode Sica-Cessare Zabatinni duo, or Pier Paolo Pasolini, maintaining the difficult balance of reality and fantasy, in the genre of Italian neo-magical realism.

Le pupille is a humane and moving story about rebellion, morality and purity at an early age and how our actions have unintended consequences, in the face of the emptiness of some traditions.

*A more detailed review can be found on the youtube channel Kristonkino.

First of all, what a wonderful short!

The cinematography, the actresses (so cute!), the setting and the whole story... I loved it so much!

If you are looking for something short, that will warm your heart and make you and your relatives smile, this is the right one.

It feels so personal and intimate, in those 38 minutes you are part of their world and you'll wish to never leave it. At least I did.

Having already read the letter that inspired this story, I was pleasantly surprised by the film, it was not the way I immagined it, but better!

It was better than I imagined, so vivid and full of emotions.

PURE JOY FOR THE EYES, EARS AND HEART.

Happy Christmas!!