Jibaro

Out of all the episodes, this affected more than the others. The visuals blew me away and I am on my 3rd watch. The episodes is longer than the others, but takes you on a roller coaster. It is one of those episodes where you slowly work out what is going on, but oh so worth enduring it. OMG...season 3 just keeps giving.

In a word, wow.

In two words, magnificent, fascinating.

The choreography, the faces, the siren, the cinematography are amazingly beautiful. Aguirre meets the Odyssey in a savage dance.

Jibaro is a true work of art. Huge respect.

This is just incredible, I have never seen something like this in mainstream media. A piece of art. Hands down. Disturbing, tense, visionary. Absolutely creepy. Fantastic animation style and camera work. Amazing!!!

Watching it for the animation and the cinematography just by itself is enough, but the story is also intriguing.

Dark and gory, spectacular dancing. A good episode to end season 3.

Love, Death & Robots is one of those rare shows where I wind up raising my score for each new season and, true to the show's MO of giving small creators the floor to push the boundaries of CG (It's more of a variety show than a strict TV series), the latest one contains some of the most genuinely fascinating sequences I've seen in years. While I have a soft spot for the very small zombies, the Scottish man with the peculiar rat problem, and certainly the artful, Valerian et Laureline-esque voyage across the seemingly-sentient dunes of Io, none of the new shorts moved/disturbed/haunted me quite like Alberto Mielgo's Jibaro. Mixing stylization with realism, it's one of the most transporting (yet timely) retellings of folklore I've seen in years and certainly the most memorable -- it's one of those pieces of visual media where I clearly and distinctly still remember sounds and images from it; the shrieks of the golden siren, the helpless knights in their enchanted dance, et cetera.

As someone whose childhood revolved around animated shorts an inordinate amount (what with his dad being a VFX programmer who always downloaded the latest tech demos after a business trip to SIGGRAPH), I'm just really happy that this even exists. And if I must regard it as "a TV show", 'tis fast becoming my favorite one on Netflix.