Truelove

The big 'but' is what did all those brilliant actors make of their raw material, the script and the screenplay?

Please let me express dismay that this is still such a 'live' (difficult choice of a word) topic in the UK, with the whole Esther Rantzen story on the lips of the nation, a much-loved TV star facing a dismal death from cancer, and unable to choose to die with dignity. Please also let me say that I live elsewhere, in the State of Western Australia, where Voluntary Assisted Dying is on the law book, as it is in all of the other five states of our nation, and has been for so long that nobody even thinks about it any more.

The UK is not so enlightened, and those people who consider that their personal religious affiliations give them a right to insist on how others live their lives, and how they die, still appear to hold sway. We had that battle here about five years ago, not long after I was myself diagnosed with cancer, and this is a matter of considerable comfort to me, knowing that a slow, lingering, agonising death will not be something I will be forced to endure if that time ever comes.

There's the background setting. I wish to avoid spoilers, as such reviews which are thus blanked tend not to get read. I will simply say that those involved do not display in any way the competence we would associate with them from their former professional lives. A top-ranking police officer and an SAS officer in particular would plan things immaculately, and carry them out faultlessly. It is the fact that they don't even get close to either which spreads this out across six episodes, the last of which was all but pointless.

Perhaps they felt they had to do things this way to present a 'balanced' view of Voluntary Assisted Dying, and maybe the religious obstructionists would have otherwise been even more up-in-arms than I am sure they were.

So they did all this to generate drama, and thus lost the plot.

8/10 for the courage to at least open up this dialogue on such a vital topic, and for great acting, but ...........................

I got hooked about 10 minutes in due to the stellar cast. This moves slowly but in a world of fast everything, this isn't a bad thing.

This story is so pertinent with the current demands for assisted dying and the wonderful Esther Rantzen appeals.

I am currently up to the end of episode two and the last scene broke me, the first class actress Sue Johnston played this scene mesmerisingly.

I realise that the rest is going to be a hard watch but the story telling takes you along slowly with it.

I'm age 57 and this is something that interests me greatly.

It will make you think deeply about the subject matter which is covered in a beautiful and highly sensitive manner.

A group of old friends meet up after a funeral and drunkenly promise each other to help end their lives when it becomes too insufferable to continue.

And then this inevitable question crops up when one of them is diagnosed with cancer.

It may sound depressing but it's tackled in a dark humour and down to earth way and I love how it portrays these older people as part of the sixties generation who really were the first to be so free spirited.

There are twists and turns throughout and it highlights the issue and its pitfalls as well as the sympathetic portrayal of those suffering. Bit of a twist too!

A unique well performed drama with excellent casting.

Well worth a watch.

This was a very good little miniseries, except for that one character that you always hate. That is the young female detective Ayesha Kareem, who cannot mind her own business. Her character is annoying from the first time you see her to the end of the series. The minute you see how aggressive she is to try to do things she's not paid to do. It just drives me nuts. You never wanna work in an organization with people like her always minding everyone else's business not doing what she's paid to be doing I don't know why they put character characters like this in series because it's just annoying beyond belief. Every time they show up on the screen, you dislike them. You shut the TV off then you come back. See it again shut it off again.

Truelove starts with a question that nobody wants to answer - could you and should you kill a friend if they asked you to? But it doesn't linger. The story moves forwards at a pace that keeps the weight of its moral quandary off of the shoulders of the viewer. It's comical, nostalgic, heartwarming and fun despite its subject matter.

The story, told through a stellar cast, is well balanced and constantly developing through each episode. It resists the temptation to be carried too far into any specific genre whilst giving the audience enough familiarity on which to hang their reference points. Police procedural, thriller, drama, it has hints of each without compromising on its highly original concept. The show strikes a pleasing balance between entertainment and stimulation whilst opening up discussion with viewers both young and old(er).