Directed by
Scott Michell |
Writing Credits (in alphabetical order)
Scott Michell |
Cast (in credits order)
Produced by
Tim Dennison | ... | co-producer |
Michael Riley | ... | producer |
Music by
Mark Ayres |
Cinematography by
Alan Dunlop |
Editing by
Tony Palmer |
Casting By
Manuel Puro |
Production Design by
John-Paul Frazer |
Art Direction by
Luis San Martin |
Set Decoration by
Celina Norris |
Costume Design by
Raquel Azevedo |
Makeup Department
Sara Austin | ... | makeup artist |
Jane Dowers | ... | makeup designer (as Jane Stiefel) |
Paul Hyett | ... | special makeup effects designer |
Bex Palmer | ... | daily makeup artist |
Production Management
Claire Otway | ... | production manager |
Eduardo Rodrigalvarez | ... | unit manager |
Second Unit Director or Assistant Director
James Adkin | ... | assistant director |
Christiaan Faberij de Jonge | ... | first assistant director |
Prashant Roy | ... | third assistant director |
Jan Zalar | ... | second assistant director |
Art Department
Guilherme Estrella | ... | set dresser |
Mark Harriott | ... | set dresser |
Jim Harris | ... | property master |
Matt Mead | ... | props (as Matthew Mead) |
Lucie Red | ... | props |
Lee Whiteman | ... | graphic designer |
Sound Department
Ben Baird | ... | re-recording mixer |
Naomi Dandridge | ... | adr mixer |
Peter Gaudino | ... | sound mixer |
Milos Momcilovic | ... | sound maintenance engineer |
Rob Price | ... | foley mixer |
Nick Roberts | ... | adr mixer |
David Sohanpal | ... | sound mixer: dailies |
David Nigel Thomas | ... | sound effects editor |
Dominic Weaver | ... | dialogue editor |
Special Effects by
John-Paul Frazer | ... | special effects |
Clive Shaw | ... | armourer |
Matthew Strange | ... | special effects supervisor |
Visual Effects by
Jason de Vyea | ... | visual effects supervisor |
Eliot Gurrin | ... | visual effects artist |
Stunts
Rachel Bown-Williams | ... | action coordinator |
Ruth Cooper-Brown | ... | action coordinator |
Rc-Annie | ... | action coordinator |
Camera and Electrical Department
Kingsley Barker | ... | gaffer |
Tom Campbell | ... | best boy |
Owen Charnley | ... | grip |
Stephen Cornacchia | ... | first assistant camera |
Laura Fiorio | ... | electrician |
Kevin Foy | ... | grip |
Neil Irwin | ... | jib assistant |
James Layton | ... | camera operator: "a" camera / steadicam operator |
John Malaney | ... | electrician: dailies |
Jonathan McLaughlin | ... | electrician |
Louis Spanswick O'Brien | ... | second assistant camera (as Luis Spanswick O'Brien) |
Darryl O'Donovan | ... | camera trainee |
Casting Department
Lennie Varvarides | ... | extras casting |
Costume and Wardrobe Department
Florence Chow | ... | costume supervisor |
Rosie Lack | ... | costume assistant (as Rosemary Lack) |
Editorial Department
Erline O'Donovan-Clarke | ... | assembly editor (as Erline O'Donovan) |
Alexis Odiowei | ... | colorist |
Location Management
Eduardo Rodrigalvarez | ... | location manager |
Music Department
James Fitzpatrick | ... | contractor |
Jan Holzner | ... | orchestra recording engineer |
Adam Klemens | ... | conductor |
Script and Continuity Department
Lola Dauda | ... | script supervisor |
Additional Crew
Heather J Allen | ... | chaperone (as Heather Allen) |
Emily Cecil | ... | production assistant |
Philippa Cooper | ... | unit doctor |
Rebecca Fraser | ... | production assistant |
Paul Hillier | ... | insurance |
Alicia Jones | ... | production assistant |
Jack Cornelius Knott | ... | production coordinator (as Jack Knott) |
Natalie Niland | ... | assistant to location manager |
Karen Rodrigues | ... | assistant production co-ordinator |
Mark Rowan | ... | health & safety advisor |