Inside Out

Please excuse any mistakes as my English is not very good. There are no spoilers in this review.

I had the pleasure of seeing 'Inside Out' at the Cannes Film Festival and I must say it was wonderful and a huge step-up from Pixar's recent efforts. The trailers don't really do it justice. The story may seem complicated for younger viewers, but the way Pixar tells the story fits for both adults and children. The pacing is in the vein of Wall-E, and in that sense it is very much a film for adults as it is for kids (like most Pixar movies). The story here is surprisingly raw and emotional, one that has very deep underlying themes that adults will connect with. Many of the audience members were crying at the end. It has one of the most original stories for an animation in the last few years, and I believe many people (especially adults) will form a connection to it.

Speaking of animation, the film is breathtakingly beautiful. There is a nice contrast of colors that make it look vibrant, like Pixar's 'UP'. The voice cast did a wonderful job and you couldn't ask for better direction from Pete Doctor and co. I cannot wait to see this a second time with family and friends. Highly recommended.

PS: The short that played before the film, 'Lava', was also beautiful. It was sort of a musical, and it was quite funny and clever. The audience even applauded at the end of it, myself included. In that sense, it provides the entire package a nice balance of joy and laughter (Lava) followed by deep storytelling and emotion (Inside Out).

I did exactly what I was supposed to when watching this brilliant movie, I felt all the emotions at some point.

Pixar did it again with Inside Out. For a long time I had stubbornly repeated that Toy Story would always be my favourite from Pixar, but I changed my mind shortly after watching this one.

Like Toy Story you were offered a setup every adult can identify. Growing up learning how to control your feelings and learning the importance of every one of them. It is okay to be angry, sad, happy and afraid as long as we are taught how to manage them.

The idea of having this control panel inside a human body has been done before by Osmosis Jones (2001), but let's say with much less success. Inside out takes it to the highest level of perfection.

I loved the way Pixar made this world inside the main character of Riley, it is very creatively done and was in some ways just how I had imagined it. I must admit that I cried a couple of times during the movie, because it has some really touching moments.

You should be feeling all emotions when watching Inside Out. It is a must watch.

For every child, growing up can be exciting, confusing, and difficult. For Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco, Riley is directed by her emotions, Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) in Headquarters Control Center inside Riley's mind to help her overcome everyday life. However, Riley and her emotions struggle to adjust to Riley's new life in San Francisco and emotional disorder arises. Although Joy, Riley's main and most fundamental emotion, tries to keep things optimistic, the emotions fight on how best to navigate Riley's new world.

After watching "Inside Out" with my wife, we both agreed that "Inside Out" is the perfect Pixar Animation movie for any family on a night out. It was both imaginative and relatable for both children and adults. I never thought "Inside Out" would be this enjoyable, but I was able to experience every emotion of "Joy", "Disgust", "Anger", "Fear", and "Sadness" for each and every moment of this film. At the end of the night, I was pleasantly unsatisfied because I wanted to watch the movie again and again. Parents, if you're looking for a fun filled movie night with your children, this movie will not only please them, but you as well.

A Definite 9!! Well done Pixar!

Inside Out (2015)

*** 1/2 (out of 4)

Eleven-year-old Riley has a wonderfully fun childhood thanks to the emotions working inside of her. Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black) and Disgust (Mindy Kaling) all help keep the young girl moving forward but when her family moves from Minnesota to San Fransisco it throws everyone for a loop and soon Joy and Sadness find themselves lost in her system and trying to find their way back.

INSIDE OUT is certainly another winner from Pixar who are clearly the experts of the family movie. What really amazes me about the studio is that they're actually just making adult movies that kids happen to enjoy because of the pretty characters on the screen. I say this because films like this one, UP and WALL-E really do have adult stories dealing with adult issues yet somehow the studios are able to keep kids entertained while their parents get a lot more of the jokes and the emotions that the story provides. This one here is an incredibly touching story from a parent's point of view simply because of the changes that their kids go through.

There's no doubt that the animation is the star of this picture and we're really treated to some wonderful images. I especially loved the use of colors in the picture and how various colors had a certain emotion attached to it. This is certainly excellent once our adventure begins as there's a "long term memory" section where these wonderful color marble like things are collection. Just the site of this are a true treat for the eyes. All of the "emotion" characters are perfectly brought to life with both Joy and Anger really standing out. The human characters are also quite entertaining and there's no doubt that the Bing Bong character will go down as a favorite decades from now.

As I said, this film is going to work a lot better for older kids and adults as I'm sure the majority of young children aren't fully going to grasp the idea of emotions and how they effect our lives. The story itself is quite charming throughout and I was surprised at how many adult issues they were able to work on throughout the running time. Fans of Pixar are certainly going to love this as it's another winner that manages to work no matter what your age is. Still, I think the older you are the more you'll enjoy it.

For some reason, I couldn't quite catch this movie in theaters and I managed to watch it on an international flight. And boy, am I glad I did!

As far as concepts go, I was astonished at the amount of detail and coherence in execution. The visuals are absolutely stunning, the colors rich and vibrant, the characters utterly memorable and some of the most poignantly heart-breaking lines of dialogue ever spoken/sung in any movie, let alone feature animation. It is every bit a Disney-Pixar classic and as emphatic a return to form as it can get.

The story revolves around a young girl child who is happy in her world and has to suddenly acclimatize to another environment when her family has to move. Growing pains and social issues affect her while she grapples with increasingly complex situations, both at home and school. Meanwhile, the interplay between the five primary emotions inside her mind is both dynamic and fraught with compromises, much like how we deal with others everyday. As things come to a head and young Riley is about to make a life-changing decision, the events that follow leave a lasting impression, with an increased appreciation of the phrase "emotions are what makes us human"!

I recognized some dichotomies - for instance, Minnesota, usually perceived cold, is regarded as warm and comforting by Riley while San Francisco, renowned for its sunny weather, is seen as foreign and unwelcome. The other contrast I noticed was all five emotional figures (Joy, Sadness, Anger, Fear, and Disgust) do not always stay true to form, with Joy especially exhibiting nuances far beyond what her name implies - case in point, her touching admission preceding the last act (that entire sequence was too much for my eyes to take, by the way). All this might be considered a tad too much for young children to appreciate, but with time, they may probably realize how beautifully honest this movie was in trying to portray their growth and the underlying issues.

Certainly, it is not without flaws: the plot meandered a bit 2/3rds into the length; Joy's "A-ha" moment seems strangely contrived, despite the impact it had; the music was adequate but not truly captivating as in the case of other Pixar offerings. But the beauty of this medium is that it offers filmmakers opportunities to steer audiences to more engaging experiences; Pete Docter and Co accomplish this with aplomb.

In terms of cast and crew, the voice actors are superb selections - Lewis Black aces the Angry persona with generous dollops of sarcasm; Mindy Kaling is just perfect voicing Disgust; Richard Kind's performance as the imaginary Bing Bong is an absolute tear-jerker, while Kaitlyn Dias shows remarkable poise playing Riley. But it is Amy Poehler who steals the show in a coruscating blend of vivacity, vibrancy, and vicariousness. Her Joy is not an infallible leader, but one who accepts others in the face of challenging situations and plows ahead with inspiring positive energy. The animation left me spell-bound, especially the sequence where thoughts are shown to be abstracted, and are endowed with a lot of heart. The movie is fairly short, but a running time of 94 minutes is appropriate justice to a slightly heavy subject matter. The humor compensates with trademark Pixar staple of jokes, albeit intended for slightly more mature viewers. Pete Docter gave us the outstanding Up six years ago and ably accompanied by Ronnie del Carmen, has categorically demonstrated that he is a fabulous storyteller and a master entertainer.

Inside Out is every bit a Pixar fan's well-deserved reward for patience. Do yourself a favor and watch this magnificent gem.