Thunderbolts*

"Thunderbolts" it's some of Marvel's darkest material to date, dealing with the emotional wreckage of broken individuals grappling with their past choices and finding camaraderie amidst the emptiness of their lives. This may be a team-up movie, but it very much belongs to Florence Pugh, who carries much of the dramatic weight of the movie on her back, while Lewis Pullman delivers a complex performance as a sympathetic character at war with himself. The imperfections somehow all feel fitting for this anti-hero team of misfits. Putting emphasis on the character work and practical action makes this feel like the old Marvel that has us for a decade plus. Wish we'd gotten this sooner.

"Thunderbolts*" it's a bold dive into trauma, healing, and redemption. Proof that even the so-called defective losers and disposable delinquents can rise above their past and become the heroes no one expected. It's gritty, emotional and unlike anything Marvel has done before - a must-see story that hits where it hurts and heals where it matters.

I can tell that the movie is one of Marvel's most enjoyable films in a while. It feels different than most of the studio's projects. Its bold, funny, filled with great action and an unexpected emotional punch. It has the rewatchable factor for sure. Has so much spark, charisma, and tells a genuinely emotional story you connect with.

It is truly fantastic, the cast has electric chemistry with each other (Florence Pugh & Lewis Pullman are the standouts) and the action sequences are very strong. But most of all, the movie's story is bold, important & so well-written. Florence Pugh brings the heart, David Harbour is consistently funny, & Lewis Pullman might be the stealth MVP.

This is probably one of he most if not the most humane movie filled with allowing their anti hero being flawed, broken and regretful. Sebastian Stan has an absolute scene stealing moment, yet Florence Pugh shows she is the true lead of the new generation and team. She is the star, that shines the brightest. There's a lot to love in this movie honestly.

A visually daring, emotionally resonant superhero movie that pushes mental health to the forefront. The MCU future is bright. Definitely stick around after the credits, there are 2 scenes and the last one will make you so hyped!

For a long time I've wanted marvel to allow the characters to truly feel the weight of their actions and come to grips with everything they do without some joke undercutting any and every emotional moment becuase they believe we can't handle seeing pain. This movie rectified that. Depression, suicidal ideation, apathy, loneliness and all of it was kept there without trying to make you turn away or think it funny.

They make you sit with the agony on yelenas face seeing how much her past affects her as well as everyone else. This gave me the emotional sincerity that's always been missing in the majority of mcu projects. The most human marvel has felt in a long time. Solid 8/10.

It's no secret that the MCU hasn't had a good movie (excepting Guardians 3) since Endgame, and even Endgame was more of a resolution than a great movie unto itself. The new phase has varied from mediocre to bad to Quantumania (a movie so bad, that I believe it should be it's own adjective). The one exception (G3) is more a remnant of the old era than part of the new.

This is why I think alot of people are overpraising Thunderbolts, which is a nice solid movie...but is hardly amazing. If this had come out during the MCU's glory days, it would have felt like a solidly average movie by MCU standards. It would stand alongside Thor 1 or Cap 1 or Black Panther as "yup, that's another MCU movie". But surround it with the recent Falcon movie, Dr. Strange 2, Eternals, and so on and Thunderbolts stands tall and proud by comparison.

IMHO, the best things about this movie are the actors/characters. Especially Florence Pugh, David Harbour, and Julie Louis-Dreyfus. I'd like to give Sebastian Stan a shoutout, but did Bucky really do anything but flex and look like the adult in a group of bickering children?

But that is what used to make the MCU great. The MCU movies were never elite scripts/plots. They were basic fun action/comedy/spectacle movies with fun, bright characters played by actors with charisma and charm. And despite Ghost and US Agent being pretty bland, the movie mostly delivers. JLD does well as the scenery chewing villainess, Pugh and Harbour are priceless in this, as they were in Black Widow. It's still an absolute crime that Disney sat on it's thumbs and wasted it's shot at a good Black Widow movie, only producing one far too late.

I also want to give the movie credit for doing a very cliche thing with the respect to Sentry, but doing it in a way that felt earned and believable, when it very easily could have been eye-rollingly stupid. If you've seen the movie, I suspect you can guess what I mean, but I don't want to spoil anything.

There definitely are some moments where characters know things they shouldn't know, or where power levels seem inconsistent. I'm not going to claim it's a 'clean' movie in that respect. Some things occurred that were a bit too 'just so'. But there weren't any that took me out of the movie...except one. I really didn't like how omnipotent Sentry was from a 'super soldier program'. Every other super soldier program produced low tier super-people. Sentry was Superman+. This seems orders of magnitude beyond others, and makes it hard to swallow that there won't be a billion such programs going forward.

I think the humor was okay, but not excellent. The action setpieces were fine...but seldom as impressive as some of the MCU's past offerings.

I think the only person in this that really inspires 'hero' is Yelena...the others kind of all feel like joke characters. Even Bucky, despite being portrayed consistently seriously and competent doesn't really feel like a part of a headliner group...which is part of the point of course. But I feel like that lack of a standout hurts going forward. Heck, Yelena's best showcase really comes in a weak movie alot of people skipped (Black Widow) and a streaming series that even more people skipped (Hawkeye).

So basically, good movie, I enjoyed it, but let's keep the praise reasonable.

There are bad movies, and then there are movies so painfully dull that they feel like a form of passive torture. The kind of film where the plot moves at the speed of drying paint, where characters talk endlessly about nothing, and where any promise of action or excitement is crushed under the weight of meaningless dialogue. This is that movie-a sluggish, monotonous experience that tests the audience's patience at every turn.

From the very first scene, it's clear that nothing of importance is going to happen anytime soon. The camera lingers on empty hallways, slow pans across unremarkable landscapes, and close-ups of characters sighing dramatically before speaking in long, rambling monologues. The dialogue isn't sharp or insightful-it's just *words*, endless streams of them, filling the runtime without adding depth to the story or the characters. Conversations drag on for minutes, circling the same points without resolution, as if the screenwriter was paid by the word and refused to stop typing.

The characters are just as lifeless as the pacing. They stand around in dimly lit rooms, delivering lines with all the energy of someone reading a grocery list. There's no urgency in their voices, no real conflict in their interactions-just a never-ending cycle of half-baked philosophical musings and trivial observations. Even when the plot *should* pick up-when there's finally a hint of danger or a moment that could lead to action-the movie slams on the brakes, cutting away to another tedious conversation or a prolonged silence that adds nothing but runtime.

And then, just when you think something might *finally* happen-when a character picks up a weapon, when a mysterious figure appears in the distance-the movie cuts to another scene of people sitting at a table, talking. And talking. And *still talking*. There's no payoff, no release of tension, just more words piling up like a traffic jam of unnecessary exposition. Even the climax-if it can be called that-is a letdown, resolving in yet another conversation instead of the action the entire film has been teasing.

By the time the credits roll, the only emotion left is relief-relief that it's over, that no more time will be wasted watching characters do nothing and say everything without ever getting to the point. It's the kind of movie that makes you question why you didn't just turn it off halfway through, except that even walking away feels like it would require more energy than the film itself ever expended.

In the end, this isn't just a bad movie-it's an endurance test. A masterclass in how to drain all excitement, energy, and engagement from a story, leaving behind nothing but a hollow, tedious experience. It's the cinematic equivalent of watching grass grow, except grass doesn't talk. And in this case, silence would have been a mercy.

I walked into the theater with rock-bottom expectations. Let's be real, the last few MCU movies haven't exactly been blowing anyone away. I figured this one would be another forgettable installment, and honestly, the only reason I was there was Florence Pugh. If anyone could salvage whatever mess they'd thrown together, it was her.

But to my surprise, I really liked it. Like, really liked it. It even hit me emotionally, which I did NOT see coming. The film tackled mental health in a way I wasn't expecting, reminding us that bottling everything up isn't the answer. Instead, it encouraged facing your struggles, surrounding yourself with people who truly care, and letting them lift you up when you need it most.

Of course, it wasn't all serious. David Harbour brought the humor with his signature one liners, making sure things stayed fun. What I thought would be just another MCU letdown turned into something that actually stuck with me. Maybe, just maybe, the franchise still has some surprises left.