Miss Austen

I cannot be the only viewer who loves to suspend disbelief and disappear into a well-told story on tv. This is especially the case with period costume dramas, and especially those that are about Jane Austen and her works. Why then must the producers break the spell by casting black actors in white roles? Why do they do it? The real-life Mr. Lidderdale was a white man. Of course he was. By miscasting the role this show elicits a groan and eye-rolling, not eager anticipation. Can you imagine casting Brad Pitt as MLK? Of course not. It would be a distraction. So is the casting of Mr Lidderdale in Miss Austen.

My wife & I both find it extremely confusing & disorienting, although it redeems itself in the end. This might be a story better read than watched. I found myself constantly wanting to stop & flip back a few pages, "who is she again?" "Which Mr. Fowler is he?" "Mother? Whose mother?"

The most disorienting episode is the first, with two different sets of actors playing the younger & older characters, all with various names for the same characters: proper, given, endearments, & nicknames.

Still, as noted, the series pays off in the end. Wonderful cast, good performances, imaginative story. If only everyone wore a name tag.

This is a really good adaptation of the novel by Gill Hornby, which explores the relationship between Jane and Cassandra Austen, why Cassandra never married and why she burned Jane's letters after her death. Although largely imagined, the characters are real life personages and the story has been carefully researched. I wasn't initially convinced by the novel, but this adaptation actually does it better and makes a very plausible story. The writing, casting and acting is excellent - especially Patsy Ferran as Jane and Synnove Karlsen as the young Cassandra. Keeley Hawes is good too of course, but some of the "present day" scenes (1830s-40s) drag a bit and are not as interesting as the extensive flashbacks. Once we're in Regency times with Jane and Cassandra and their various suitors, it's utterly enthralling. The "present day" romance between Isabella (Rose Leslie) and the doctor falls a bit flat. However, Max Irons shines as Henry Hobday, a fictionalised but possible love interest for Cassandra. As this is a joint production between PBS Masterpiece and the BBC, I can't help but think that this is PBS wishing to apologise to Austen fans all over the world for the debacle that was Sanditon, particularly the second and third seasons, which were an embarrassment. And perhaps also an apology to Max Irons, who was due to star as Sidney Parker in a film version of Sanditon, which was unfortunately shelved due to the PBS / ITV series. If only the BBC had been involved in that, we might have had something of the quality of this excellent series. Well worth watching for Austen fans and history buffs alike.

This was an excellent drama. I have a suspicion that my 8 rating is a little harsh. This is because I think some of the plot nuances were lost on me, and I believe a second viewing of the complete series would push me to score it 9 or even 10.

It would help if you had some familiarity with Jane Austen's life or her novels. I had neither, but the show makes me want to find out more. The acting is outstanding throughout and despite the rather fast moving and complex plot it held my attention very well. The story unfolds on two timelines, with some important parallels, and that contributes to making it a little hard to follow. But I would not want to discourage anyone from watching. Excellent.

Miss Austen delves into the weight of memory and sacrifice, focusing on Cassandra Austen's effort to preserve her sister's legacy. Through complex time shifts and emotional depth, the story depicts a kinship between Jane and Cassandra that goes beyond written words. Cassandra's decision to burn Jane's letters is not only destructive, but also devotional, emphasizing the difficulties endured by those who remain behind. Keeley Hawes gives a restrained yet highly expressive performance as Cassandra, portraying her anguish and strength, while Patsy Ferran's portrayal of Jane Austen is unexpectedly vibrant, reflecting her wit and complexity. Their dynamic serves as the series' emotional center, with each flashback creating a rich tapestry of love, grief, and unspoken understanding.

Beyond its personal story, Miss Austen challenges typical period drama clichés, portraying spinsterhood as both a constraint and a modest act of defiance. With breathtaking cinematography, subdued color palettes, and precise historical detail, the series creates a visually immersive universe while exploring issues of loss, reputation, and female autonomy. Rose Leslie's Isabella represents the challenges of unmarried women, while Jessica Hynes' portrayal of Mary Austen deepens the conflict between ambition and lineage. Miss Austen reexamines Cassandra's notorious blaze as an act of sacrifice rather than destruction, prompting spectators to consider the cost of love, memory, and the weight of untold stories lost to history.