A Different Man

Kudos to Sebastian Stan for committing 100% to a deeply flawed character living through a very complex situation, and for giving an intensely physical performance.

I wish I could say I liked the movie more than I did. It's a compelling premise and gets even more so once the actor Adam Pearson makes his appearance (Pearson also gives a wonderful performance, by the way). But I felt every minute of this film. It's not long, but it feels like it is. It overstayed its welcome for me by a good fifteen minutes or so.

But I liked the central question the movie asks of its main character -- where's the line between being unfairly held back by societal constructs because of our disadvantages vs. Voluntarily opting in to being a victim? Stan's character does some pretty reprehensible things by the time the movie is over, but your heart can't help but go out to the guy.

Grade: B.

From what I'm reading online, everyone except me seems to find this film a comedy, but for me, this felt like horror. This gave me a similar feeling to what I felt after watching Synecdoche New York even though they're very different. Both had the making of a play as a central plot point and both made me feel like I'm watching a psychological horror film.

The protagonist Edward may be very different from me but his insecurities about life, the way he hides from the past and acts through the present, only to be shown to him he can't really make it because of who he is, just hits close to home.

The way this movie nonchalantly shows how people are perceived due to how each person believes what they are is striking. Be it the person who you expect not to be popular being popular or the person you expect to be kind being not that, maybe even unbeknownst to themselves. It breaks the bubble of how such movies usually show these kinds of situations by making it very unsettling which can be perceived as darkly comical as well I guess.

Sebastian Stan is brilliant with his body language conveying all the insecurities. Adam Pearson being the charming positive force of the movie was such a surprise but it's great to see especially when it's Sebastian Stan on the other side.

One of the best movies of the year and something I won't revisit anytime soon.

What I assume will be a breakout film for Aaron Schimberg, "A Different Man" explores a particular set of emotions that are attached to self-confidence while portraying the short-sided effects of instant gratification. The story provides reason to escape our imperfections until we notice someone living confidently with them. Sebastian Stan is remarkable and transformative in the role of Edward; both physically in the way that he adapts himself to the environment of constant stares and apathetic connection, and also internally with the gradual evolution of his mental complexities. Visually, the film has a 70s noir texture which is complementary to the indie aesthetic of New York City, and with flavors of drama and psychological horror, every sequence is a step in the dark and even more so with the thunderous, and at times, frightening sound design. This is such a unique project that will continue unraveling its mysteries as more people get the chance to see it.

"Edward" (Sebastian Stan) is a facially disfigured man, stuck in a rundown apartment, whose life isn't really going anywhere fast. Then he gets a new neighbour. "Ingrid" (Renato Reinsve) is a writer who befriends him and promises him a part in her play. Meantime, his doctors manage to get him on a radical course of treatment that gradually returns his face to a more normal visage. Returning to his flat, and with some fairly grotesque things emerging from his leaky ceiling, he realises that nobody recognises him anymore so he has to assume a different identity. That's when he discovers that "Ingrid" is, indeed, putting on a play - and that the old "Edward" is the title and the topic. He wants the part. It's his part. How to get it though without giving the game away? Add to his frustrations the arrival of "Oswald" (Adam Pearson) who is an ostensibly decent character but who also wants the role, and he has the aesthetics as opposed to the prosthetics. "Ingrid" has tough choices to make but where might this leave "Edward"? There's something quite circular about the way this story pans out. A sort of be careful what you wish for type scenario that gives and removes hope from "Edward" and almost creates a villain of the piece too! Is that merited or is that justified? The drama shines a light on the more shallow attitudes amidst society, on our intolerances and assumptions but it also swipes at the fickleness of friendships, fame and success - all rather engagingly delivered by both Stan and Pearson. It's the former man who positively exudes exasperation as the denouement (only vaguely) skirts the Chaplinesque. It's on that note that it's worth saying this is quite funny at times, too - the writing doesn't try to impose any morals on us, rather it presents us with some scenarios and lets us enjoy and evaluate as we go. It doesn't hang about, and right from the start we hit the ground running as the characters develop, the personalities emerge - for good or bad, and it's well worth a couple of hours in a cinema. I got more from it second time round as I was able to focus a little more on the nuance than the imagery.

I enjoyed A Different Man, but it fell a little bit short of my expectations because there was so much hype surrounding it. It was good, a very A24 type movie, but not the kind of movie I'll be revisiting very often.

Sebastian Stan is great, but I never admire an actor who has the task of playing a bad actor. He manages to pull it off well, while also doing some solid acting aside from that. Renate Reinsve also had the unfortunate task of playing an unlikeable character, which just seems to be her resume, but again she did well. It's hard to actually rate Adam Pearson as he is such a unique actor and the role was a little bit overbearing, but I certainly enjoyed his performance.

The story felt a little like Adaptation. (2002) at times and even a bit like The Shout (1978). I'm not quite sure how I feel about it on the whole yet, as the ending was somewhat interoperative. It's a movie that will take some digestion so my rating may change later.