The main reason I started Anna was Suzy. And the main reason I finished it? Also Suzy. Actually, I was so obsessed I ended up watching it twice. Because somehow, even in a show that's slow-burning, tense, and emotionally heavy, she shines so effortlessly that you just can't look away.
Anna isn't your typical K-drama. It's not about romance, comedy, or some grand, flashy revenge plot. Instead, it's an unsettling, psychological character study wrapped in a stylish, haunting atmosphere.
It follows a woman who starts with a tiny lie-just one small, seemingly harmless deception. And before you know it, that lie snowballs into a whole new identity, a whole new life. It's like watching a slow-motion car crash-you know it's going to end badly, but you have to keep watching.
And let's talk about Suzy's performance because she absolutely owns this role. She's played bubbly, strong, and badass characters before, but here? She's something else. The way she subtly shifts from vulnerable to calculating, from terrified to coldly composed-it's brilliant. You believe her, even when you shouldn't. And that's what makes the show so fascinating.
Anna isn't just about one woman's double life-it's a sharp critique of ambition, privilege, and the suffocating pressure to be someone you're not. It's frustrating, it's heartbreaking, and at times, it makes you want to scream at the screen because you know the downfall is coming, and there's no stopping it.
Is it perfect? Not quite. The pacing could have been tighter, and some side characters felt a bit underdeveloped. But honestly, when a show has this much tension, style, and a lead actress delivering a knockout performance, those flaws barely matter.
