Beyond Paradise

Was really looking forward to this death in paradise spin off, especially as Kris Marshal was one of my favourite DIs from the series, and also because being a West Country boy it's set in my part of the world.

Filmed in Cornwall but bizzatly set in Devon, obviously didn't want to be seen to be mimicking Doc Martin too closely, although actually it's just a police version of doc Martin with a less grumpy lead. Just like Doc Martin & other West Country based series such as the dreadful McDonald and Dodds the actors have been sent to the same school of generic West Country accent coaching, (clearly based in the middle of Bristol) and ridiculously unsubtle, over the top and of course spoken by every single resident.

The locals are depicted as the stereotypical dumb village idiots which is just boringly tedious, plane lazy and unimaginative writing.

You couldn't get away with depicting any other social group in this way these days but here we are yet again!

The police officers in death in paradise weren't written as being imbeciles so why are they in this, especially the incredibly irritating older female secretary character.

It's a shame because this stupidity really ruins what could be an acceptable series, the fact it's different mysteries rather than murders is an interesting touch and of course some lovely scenery and touching moments between Humphrey and Martha. However the tiring carrot crunching yokel routine just ruins it.

You can mix comedy with more serious issues as shown in Death in Paradise and other successful pats series such as Heartbeat, but beyond paradise just come across as being an idiotic farce than amusing light hearted police drama.

I am pleasantly entertained by the comic police investigations by Humphrey and his police team.

However I find myself reaching for my phone every time Martha gets a scene. She is a potentially charming character, but she has somehow been burderned by BBC script writers who scrape the barrel for woeful daytime soap plots.

I cannot guess why the BBC has tried to mix overwrought histrionics with the otherwise comic and light theme of the detective work. This strange conflation of genres rather emphasises that the soap plots are tacked on, and so stand out like a sore thumb.

Perhaps it is BBC social propaganda, or perhaps it is a cast member or film maker who wants to do something more 'worthy' or 'serious'.

Either way it working like a reverse romance where I am rooting for Humphrey to find another girlfriend (or script writer).

Humphrey and Martha's relationship really drags the show down. I don't think they have good chemistry and none of their plot lines make a lot of sense. They are both a bit old for the baby storyline IMO. Humphrey is played by a 50 year old man, Martha is played by a woman in her mid-40s. They look their age, especially in the brutal lighting of this show. Shouldn't there at least be a line about how time is running out to have children at all and that's why they needed medical interventions?

Why is there a love triangle at all? The other man is also well into his forties. Their engagement was decades ago. It seems forced for drama.

Their relationship story just seems like it's written for characters around age 30-early 20s failed relationships are still fresh but they are thinking about settling down, deciding if they want kids but still have a lot of time left for these big decisions. These two don't have that time! Where is the urgency?

Why is her mom so against Humphrey? Wouldn't it be better for her to excited about her daughter getting married and maybe having a baby? Not that anyone has to do either but by your mid-40s having never been married or having children is still unusual in 2023, you'd think someone would remark on it. Finding love when you least expect it, a chance at grandchildren. Something!

The mysteries are cute and the team there is pretty solid. They all seem to get along well and have their own personalities. Why have the dragged out, downer, unrealistic personal life subplot? Why couldn't Humphrey move there and be happy? Do the writers realize their relationship is a bad idea/they don't have chemistry and that's why it gets worse every episode? Could they be writing Martha out? I can only hope.

Until the ex-fiancé was introduced into the mix. She's that naive to think it's okay and it's strictly a business arrangement and it's going to stay that way. And Humphrey is okay with it. Humphrey is enough of a clueless dork who spends money on another useless boat, that we don't need Archie in the story to cause friction. Humphrey does that on his own well enough. Reverse the roles and let's see if she would be okay with an ex coming into the picture... Was interested in this to see if I would enjoy it as I was a fan of Death In Paradise, but it's more of the same predictable writing. Same old predictable tropes that are still prevalent in the year 2023. I'll pass if the writing doesn't improve.

DI Humphrey Goodman takes up his new post in Devon, leaving The Caribbean well and truly in the past.

If you're a fan of Death in Paradise, you should like it, if you were a fan of Kris Marshall's spell in Saint Marie, then I think you're going to love it.

It's different enough from Death in Paradise, to not just be DiP without the weather, but there's also something very familiar and cosy about it.

It's quite light, it's verging on afternoon drama, but it's engaging, intriguing enough, and has a few laughs.

Spinoffs don't always work, and very few seem to last, but there's enough here, providing it does well, for this to run.

I adored Humphrey, and he's as goofy here as he was before, but additionally he's as sharp, clever and observant, he's lost none of his quirkiness, none of his character, he's picked up exactly where he left off.

It's nicely produced, it's an area I know very well, mixing up Devon and Cornwall, that's going to rile a few people, hopefully it'll put both counties on the map.

It's a winner, 8/10.