Aranybulla

Utter waste of time, the screenpay is mediocre, writing is horrendously bad. It pretends to be a historical story but the plot has not much to do with the real historic events or characters. A sorry attempt to romanticise the non existent Hungarian greatness for a big load of govt. Financial contribution. It dares do compare itself with Game of Thrones, that is the best joke in the series, nevertheless if it is referring to the alternative history than I understand the link. This is the same disgusting agit-prop type story about imaginary and sugarclad history which was flourishing during the imfluzof USSR, but wait in those days Hungarian directors has balls and dared to write things like: the Russians are already in the storage room. Nowdays they truly are...

Even if we disregard the claims of the creators about the historicity of this miniseries (which is clearly false), or that it is an utter waste of taxpayer money (since its entire budget of $4m is state-financed, with a nearly zero box office), it is also badly written, features mediocre acting and is terribly boring!

These kinds of idealistic series or movies were typical in communist Hungary between 1950 and 1980. But those at least had some viewers, as there was only one television channel in the country.

The script is completely braindead. Lacks any character development. The actors were chosen according to their loyalty towards government officials. It doesn't feature any of the famed and generally accepted Hungarian actors, since those are regarded to be too "liberal" who "cannot be trusted". Just look at the fact that one of the main actors Balázs Bölkény attended the same faculty on the same university as half of the current government: The faculty of law on the Pázmány Péter Catholic University. And this is the guaranteed recipe for bad quality products: contraselection!

This is not a work of art. There is no srcipt, no scenery, backgrounds are missing. A dozen horseman crawl on the meadow (episode 4, 5), the king passes laws with three (!) lords on the meadow, too (end of episode 5.), sometimes you can see a wall of a cathedral, a well or a tree. Experts relate what happened instead of showing it on the screen. From time to time drawings, maps, little banners or tin soldiers subtitute the real scenes.

Narration is boring like some kind of a dreary lesson from an old and dusty textbook; dialoges are lifeless, they aim only to illustrate the ideology of the producers: King II. András was a great and wise christian leader, hungarians are christians, they protect Europe against the islam. This message directly refers to the ideology of the recent political power: Orbán Viktor protects the christianity against the rotten liberalism of the western countries.

This was "crowdfunded" from our taxes, at least good actors/actresses were chosen, but the script, cinematography, direction is awful #NERgasm.

Some have certainly benefited from their contribution to the film. It's pathetic that anyone would compare it to the Game of Thrones , but nothing is surprising anymore in this orange haze that is enveloping the country.

Hopefully this will never be broadcasted again on television and will not take up server space anywhere for streaming/VOD purposes.

"We have also decreed that if We or any of our successors should at any time seek to go against this settlement, both the bishops and the retainers and the nobles of the kingdom, in common or in singularly, now and in the future, have by this authority for ever more the freedom to resist and speak against Us and our successors, without the taint of infidelity."

This mini-series is a humiliation not only of an important event in Hungarian history, but also of the art of cinema. The incumbent Fidesz, a far-right party and its Putin's lapdog PM in power ordered a propaganda mouth piece that has become a visual garbage funded by taxpayers' money, and is characterized by utter incompetence and ignorance.

The characters move like puppets without understanding or even inhabiting their roles, and the direction and the visual realization of the series is completely amateurish. What is more, to portray the Hungarian kingdom in the early 13th century as the sole defender of European Christianity is tantamount to falsifying history. There is a succession of "great kings", "wisest rulers", "most successful periods" in Hungarian history, kings who were "no greater warriors", and one need not bother to find out what exactly this means.

Stay away from watching it at any cost.