The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.
- Awards
- 1 win & 10 nominations total
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Featured reviews
The performance by Marisa Abela is brilliant, she is Amy Winehouse. However, if you know anything about Amy Winehouse you know that she had an incredibly unique voice, suffered with addictions & was hounded by the press. None of this is shown to its true potential in the film, which to be honest is disappointing. I expected to hear more of her singing and performing. The picture paints her Dad Mitch & husband as 'not bad blokes'. Neither of them were good blokes. Her Dad, should have & could have been far more supportive & intervened at her most desperate. Blake was an out & out addict, the film does not portray the impact that either of them had on Amy. Rocket Man, Bohemian Rhapsody & Elvis nailed their stories, sadly Back to Black doesn't.
Amy Whinehouse was a rather personal celebrity for me since my teen years. I was never much of music fan, or celebrity follower but as everyone there were a couple famous people who had a huge impact on me. I cried when I heard about her death as if she was someone I was close to. Her You know I am no Good to this day makes my blood crawl. I was at her concert in Serbia (I am from Bulgaria so we often went there for such events). It was one of the worst experiences in my life. The crowd was angry and booing at her as if they were robbed or sth, as if some right of theirs have been taken. I don't know when the public decided that singers, actors, athletes owe them sth. I was also angry but at the organizers. I could never forgive them for letting her on stage when she should have been receiving help, I could never forgive them for abusing a human being in such way. I had nightmares for weeks of the image of her in this utterly destructed and vulnerable state. When I read the news about her death I even felt the irrational guilt that I was at fault for her tragedy, I and other fans who were only taking from her.
And I think this is the hugest flaw os the movie, it pulls the break on really going into the depth of a human tragedy. It fails to show why this young woman became so important and loved by so many who listened to her music, what made her stand out.
Instead it shifts focus from music to personal, back and forth, sometimes making the narrative a bit disjointed. Her music was really something. For years she would have just the same repertoire and still it felt more than enough. There was never the need for her to release album after album to stay relevant or influencial in the music industry. Still if the movie used a bit less of the music parts, and developed the others better, the movie would have had a better storytelling.
The actress is doing a great job portraying the rawness and authencity of Whinehouse even if her looks are more polished, her acting isn't. If she had a more developed screenplay it would have been a performance of the ranks of many memorable biopics.
Overall it is a good but maybe forgettable film about someone who in the eyes of many is forever unforgettable.
And I think this is the hugest flaw os the movie, it pulls the break on really going into the depth of a human tragedy. It fails to show why this young woman became so important and loved by so many who listened to her music, what made her stand out.
Instead it shifts focus from music to personal, back and forth, sometimes making the narrative a bit disjointed. Her music was really something. For years she would have just the same repertoire and still it felt more than enough. There was never the need for her to release album after album to stay relevant or influencial in the music industry. Still if the movie used a bit less of the music parts, and developed the others better, the movie would have had a better storytelling.
The actress is doing a great job portraying the rawness and authencity of Whinehouse even if her looks are more polished, her acting isn't. If she had a more developed screenplay it would have been a performance of the ranks of many memorable biopics.
Overall it is a good but maybe forgettable film about someone who in the eyes of many is forever unforgettable.
Amy Winehouse had a tumultuous life, full of success and drama, but this film does no make justice to her legacy.
The story is narrated on a chaotic way, like if parts of the movie was left on the cutting room. One minute she was living with her mum in a flat and the next she was living in a house in Camden with a flatmate that disappeared inexplicably.
One minute she was a young 18 year old and the next she was a successful singer that quit her label. Is like her career and achievements were not interested for the screenplay, if you didn't know Winehouse story and this is the first time you see it, you would think that the girl was just a bit stupid. The only interesting thing that happened to her was Blake, and for those that followed her career we know that Blake was not good for her, and she had more interesting things in her life than being obsessed with that man.
She sang with Tony Bennet! And was like the peak of her career! No mention of that; she lived in the Caribbean trying to get better, and also no mention of it.
Is sad that Hollywood just simplifies someone's life for a movie and then that's it... very very sad to see what her legacy has been turned to.
The story is narrated on a chaotic way, like if parts of the movie was left on the cutting room. One minute she was living with her mum in a flat and the next she was living in a house in Camden with a flatmate that disappeared inexplicably.
One minute she was a young 18 year old and the next she was a successful singer that quit her label. Is like her career and achievements were not interested for the screenplay, if you didn't know Winehouse story and this is the first time you see it, you would think that the girl was just a bit stupid. The only interesting thing that happened to her was Blake, and for those that followed her career we know that Blake was not good for her, and she had more interesting things in her life than being obsessed with that man.
She sang with Tony Bennet! And was like the peak of her career! No mention of that; she lived in the Caribbean trying to get better, and also no mention of it.
Is sad that Hollywood just simplifies someone's life for a movie and then that's it... very very sad to see what her legacy has been turned to.
Intriguingly "Back to Black" seems to be a film that is finding little consensus amongst the professional reviewers. I found the central performance excellent, but wonder if it's decision to, perhaps realistically, not portray anyone as the villain of the story, hurts its entertainment value.
A prodigiously talented singer/songwriter Amy Winehouse (Marisa Abela) has a growing reputation and a hit album. Before starting work on the next album, she meets Blake Fielder-Civil (Jack O'Connell) in a Camden bar and the pair begin a relationship. Already struggling with Bulimia and alcoholism, Blake's own hedonistic lifestyle sends the pair into a spiral of violence and addiction. When they break up, Amy's pain forms the basis for the songs on "Back to Black" her second album, which has worldwide success.
I think Marisa Abela is great as Amy. I know her from the BBC series "Industry" and her performance here, which includes her singing impression is maybe reason enough to see the film. In fact, it might be the only reason to see the film. Maybe that's a touch unfair, the performances from O'Connell, Eddie Marsan as her father Mitch and Lesley Manville as her grandmother Cynthia are all decent, even if none of them stretch much beyond what we've seen them do before. (In fact, I'd really like to see O'Connell play something other than a swaggering, self-destructive character).
The consensus narrative that has been told about Winehouse is that Fielder-Civil was the junkie that dragged poor Amy down and that Mitch sacrificed his daughter's health in order to not risk her success. Both ideas are present in the film, though it paints neither as the villain. Perhaps that's realistic, certainly it doesn't rob Amy of agency in her own story, but I did, at times, feel a little bored by what the film chose to present. It's quite long, at two hours, and whilst her talent was prodigious, maybe her life story wasn't full of as many different types of experiences as would justify this films existence.
I don't think the film adds up to enough for me to recommend it, which is a shame for Abela, who is really giving her all.
A prodigiously talented singer/songwriter Amy Winehouse (Marisa Abela) has a growing reputation and a hit album. Before starting work on the next album, she meets Blake Fielder-Civil (Jack O'Connell) in a Camden bar and the pair begin a relationship. Already struggling with Bulimia and alcoholism, Blake's own hedonistic lifestyle sends the pair into a spiral of violence and addiction. When they break up, Amy's pain forms the basis for the songs on "Back to Black" her second album, which has worldwide success.
I think Marisa Abela is great as Amy. I know her from the BBC series "Industry" and her performance here, which includes her singing impression is maybe reason enough to see the film. In fact, it might be the only reason to see the film. Maybe that's a touch unfair, the performances from O'Connell, Eddie Marsan as her father Mitch and Lesley Manville as her grandmother Cynthia are all decent, even if none of them stretch much beyond what we've seen them do before. (In fact, I'd really like to see O'Connell play something other than a swaggering, self-destructive character).
The consensus narrative that has been told about Winehouse is that Fielder-Civil was the junkie that dragged poor Amy down and that Mitch sacrificed his daughter's health in order to not risk her success. Both ideas are present in the film, though it paints neither as the villain. Perhaps that's realistic, certainly it doesn't rob Amy of agency in her own story, but I did, at times, feel a little bored by what the film chose to present. It's quite long, at two hours, and whilst her talent was prodigious, maybe her life story wasn't full of as many different types of experiences as would justify this films existence.
I don't think the film adds up to enough for me to recommend it, which is a shame for Abela, who is really giving her all.
Marisa Abele saves this film, her performance was excellent. She was able to show the fragility of Amy Whinehouse but also her bolshie attitude to those around her.
Her relationships with men were flippant until she met and fell for Blake Fielder-Civil. Some would say he being her downfall.
The biggest influence in her life was her grandmother, a Jazz lover and stylish lady. Her death was a tragedy which I don't think she fully recovered from.
I left the film wondering why she was so self destructive, and wished somebody had intervened to help before it was too late.
At least her music lives on.
Her relationships with men were flippant until she met and fell for Blake Fielder-Civil. Some would say he being her downfall.
The biggest influence in her life was her grandmother, a Jazz lover and stylish lady. Her death was a tragedy which I don't think she fully recovered from.
I left the film wondering why she was so self destructive, and wished somebody had intervened to help before it was too late.
At least her music lives on.
Did you know
- TriviaMarisa Abela had done most of the singing in this film herself. She trained two-and-a-half hours of singing lessons every day for four months in order to mimic Amy Winehouse's vocals.
- GoofsWhen Amy leaves prison after visiting Blake, they drive past an electric taxi, which did not enter production until 2018.
- ConnectionsFeatured in The Project: Episode dated 12 April 2024 (2024)
- SoundtracksTzur Mishelo
Traditional
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Емі Вайнгауз: Back to Black
- Filming locations
- Good Mixer, 30 Inverness Street, London, NW1 7HJ, England, UK(Pub where Amy meets Blake)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $6,178,165
- Opening weekend US & Canada
- $2,835,720
- May 19, 2024
- Gross worldwide
- $51,026,731
- Runtime2 hours 2 minutes
- Color
- Aspect ratio
- 1.85 : 1
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