Back to Black

Amy Whinehouse was a rather personal celebrity for me since my teen years. I was never much of music fan, or celebrity follower but as everyone there were a couple famous people who had a huge impact on me. I cried when I heard about her death as if she was someone I was close to. Her You know I am no Good to this day makes my blood crawl. I was at her concert in Serbia (I am from Bulgaria so we often went there for such events). It was one of the worst experiences in my life. The crowd was angry and booing at her as if they were robbed or sth, as if some right of theirs have been taken. I don't know when the public decided that singers, actors, athletes owe them sth. I was also angry but at the organizers. I could never forgive them for letting her on stage when she should have been receiving help, I could never forgive them for abusing a human being in such way. I had nightmares for weeks of the image of her in this utterly destructed and vulnerable state. When I read the news about her death I even felt the irrational guilt that I was at fault for her tragedy, I and other fans who were only taking from her.

And I think this is the hugest flaw os the movie, it pulls the break on really going into the depth of a human tragedy. It fails to show why this young woman became so important and loved by so many who listened to her music, what made her stand out.

Instead it shifts focus from music to personal, back and forth, sometimes making the narrative a bit disjointed. Her music was really something. For years she would have just the same repertoire and still it felt more than enough. There was never the need for her to release album after album to stay relevant or influencial in the music industry. Still if the movie used a bit less of the music parts, and developed the others better, the movie would have had a better storytelling.

The actress is doing a great job portraying the rawness and authencity of Whinehouse even if her looks are more polished, her acting isn't. If she had a more developed screenplay it would have been a performance of the ranks of many memorable biopics.

Overall it is a good but maybe forgettable film about someone who in the eyes of many is forever unforgettable.

Like a lot of recent biopics Back to Black does a perfectly fine job but fails to really provide great depth or insight into its subject.

Considering her short career and life, this biopic took the not unreasonable approach of trying to cover all of Amy's career, but I think is where is perhaps becomes a bit unstuck. It covers all of these events well but at times it is simply replaying the events rather than exploring the people behind them.

That is where this film failed to really capture me. I felt like it explored Amy's career and her impact on the music scene on a bit of a surface level. It explored her relationship with Blake on too much of a surface level. Likewise some of her family relationships and addiction issues were a bit too surface level. I think this film needed to really find a focus and provide more of an insight into Amy. I left the film not really knowing more or understanding Amy on a deeper level than I already did.

That being said, there is still plenty to enjoy about this film. The performances are all really good, particularly Marisa Abela as Amy. Her singing is also incredible. It isn't of course as good as Amy's but is never a distraction. Then there is Jack O'Connell as Blake who again is really strong. The chemistry between them is spot on.

So overall it is a pretty strong biopic, but it perhaps keeps a little too much distance from Amy without diving in as deep as it could have done. The strong performance from Abela, the great music, and the decent command of the events of Amy's life make it a well worth watch though.

Truth, if it were needed, that Lesley Manville can turn her hand to anything, but otherwise this is a rather unremarkable biopic of a woman whose character, I must confess, I didn't actually like very much. She is the nan of Amy (Marisa Abela) and the two have a special bond. Amy lives with her mum who is divorced from her dad Mitch (Eddie Marsan). He fancies himself as a bit of a crooner and she is steeped in jazz, determined to write her own songs and make a success of herself - on her own terms. Enter Nick (Sam Buchanan) who works for music mogul Simon Fuller and she is, after an initial bit of hostility, signed up and on her way. The remainder of the chronology is all pretty straightforward as Sam Taylor-Johnson decides to focus on an entirely speculative look at how her personal life developed. Amy's increasingly strained relationship with her friends and her father, her grandmother's terminal illness and her "toxic co-dependent" relationship with the charismatic Blake (Jack O'Connell). There's no doubting that many of her songs are great - even if the role of Mark Ronson in any of that is largely ignored, and hats off to Abela for putting her own slant on them. She does her own singing and though she does rather over-egg it, she does imbue a sense of the sheer force of personality this woman had. O'Connell, too, does well enough - especially with his Shangri-La dance in the pub when they meet, but somehow the whole narrative is just too bitty and episodic. The presentation of her character is way too shallow and frankly she is portrayed as a bit of an obnoxious brat. Her increasing exposure to the hounding paparazzi is well illustrated and that growing sense of exasperation obvious, but again we jump around too much as we seem to be rushing to a conclusion we know all about. At two hours it is too long in many ways and too short in others. The dialogue offers us little insight into just who she was and by the end, I felt sad for her but can't say I really cared about any of them. The aggression of the photographers seems to receive a disproportionate share of the blame for her predicament whilst rather discounting her own series of bad choices fuelled by her own immaturity and by the public's obsessions with watching what it builds up come crashing down. They couldn't sell their photos if we didn't want to buy them. A memorable musical legacy left behind by one who, along with so many other ground-breaking but flawed musical geniuses, might just have been better left for our ears.

"Back to Black" delivers a heartfelt tribute to Amy Winehouse, brilliantly capturing the essence of an icon whose talent and personal struggles left an indelible mark on the music world. This film doesn't merely navigate through the vibrant life Amy led amidst Camden's gritty charm; it delves deep, portraying not just her artistic brilliance but also her profound vulnerabilities. It masterfully showcases the overwhelming pressures of fame and scrutinizes the relentless nature of the celebrity machine, presenting a narrative that's as compelling as it is heart-wrenching. This isn't just a recount of a music legend's life; it's an invitation to see beyond the performer to the person, offering a richly nuanced appreciation of her life, her sharp wit, and her brutal honesty.

Marisa Abela's portrayal of Amy is captivating, embodying the singer's raw and fragile essence in a performance that's incredibly authentic. She brings to life Amy's desperate longing for love and acceptance, along with her profound sense of loneliness, making her portrayal deeply resonate. Abela's Amy is not just a public figure but a person seeking connection in a world that often feels cold and unforgiving. While the film does dwell on the more tragic aspects of Amy's story, including her struggles with a toxic relationship, it's this exploration of her search for love and the stark loneliness she faced that adds a profound layer of depth to the narrative. The movie, despite its flaws and sometimes narrow focus, manages to strike a chord, particularly for those moved by Amy's music or touched by her life story. "Back to Black" might not capture every nuance of Amy's life with perfect clarity, but it's a deeply moving portrayal that echoes the bittersweet reality of her extraordinary yet tragically short journey.

The film captures the self destructive and addictive demons that surrounded Amy Winehouse and I think doesn't truly depict the character portrayal of her husband and father as they are shown as better characters than they were.

Strong performances but I thought disappointing ending .

The singing of Marisa Abela is excellent and acting all around very strong . Just not enough depth and oomph in the overall result.

The addictive 'love' story if that's what it was is captured well and illustrates that period in London quite well for anyone who is a younger viewer.

I'm always amazed that showing drug use and alcohol addiction with the strong language is still rated at 15 but maybe I'm just getting old.

Make your own mind up Slight mistake in the film when she leaves prison and an electric LEVC TXE taxi is in the shot which wasn't actually made at that point.