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It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

"Desert, culture, counterculture." Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest. Highlights: University radical Mark Frechette flies his stolen aircraft right past the one piloted by Mickey Rooney and Buddy Hackett as they spin out of control. Daria Halprin ignores a hitchhiking Jonathan Winters. Milton Berle leaps right into a cascade of amorous sand-covered bodies. Spencer Tracy and Daria Halprin in a torrid extramarital affair. Beatnik surfer Dick Shawn phone-pranks capitalist pig Rod Taylor. It's all here.

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point (2023)

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It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

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