Thrown straight into a dangerous mission with none of his memories intact, a man must escape death while trying to figure out who he is, how he ended up here, and who is the mysterious voice... Read allThrown straight into a dangerous mission with none of his memories intact, a man must escape death while trying to figure out who he is, how he ended up here, and who is the mysterious voice in his ear calling him "Carter"?Thrown straight into a dangerous mission with none of his memories intact, a man must escape death while trying to figure out who he is, how he ended up here, and who is the mysterious voice in his ear calling him "Carter"?
Michael Fujioka
- Beyong-ho
- (English version)
- (voice)
Maurice Ozane
- CIA Agent
- (as Maurice Turner Jr.)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Director Jung has come to collect - in an exhausting, unwavering maelstrom of ambitious yet somehow derivative fist fights, shoot-outs, car chases and plane crashes, all shot with nauseating, nitrous-fuelled drones that appear caught in a perpetual tailspin. As a result, much of the action feels weightless and simulated, even when propped up by Won's insanely physical performance.
Carter is a protagonist for whom the laws of physics are merely a suggestion, and whose dramatic motivation is spoon-fed to him by inconsequential bit players between punch-ups, like cutscenes in a video game.
One time watch for the respect of Byung-gil Jung, who made The Villainess (2017).
Carter is a protagonist for whom the laws of physics are merely a suggestion, and whose dramatic motivation is spoon-fed to him by inconsequential bit players between punch-ups, like cutscenes in a video game.
One time watch for the respect of Byung-gil Jung, who made The Villainess (2017).
Carter was a style over substance dizzying 132 minutes of utter ridiculousness, ruined by horrible camerawork and a convoluted story. Huge props to lead actor Joo Won, all the skilled stuntmen, insanely choreographed action scenes and the great action set pieces and visuals, but sadly, all that effort was wasted on unwatchable dizzying, seizure-inducing, single-take-looking headache-inducing camera work - and just as bad editing. Had all the great action and fight scenes been shot normally - with tact, intelligence, and aim, this film's action could've topped the Mission Impossible films. But instead, it was like a drunk on meth, with one fancy camera drone trying to keep up with the action. Then add a decent conceptual story, that ended up being incoherent and tried too hard to be smart with convoluted twists, and drag it out with unnecessarily repetitive long action scenes - for over 2 hours. It was frustrating, exhausting, and a huge missed opportunity to be a great action film. If you want to see it done properly - with great action and a great story, watch The Roundup with Don Lee. Writer and director Byung-gil Jung needs to stick to basic camera work and lessen the overbearing dramatics, as well as work towards better story-telling - in under 2 hours.
The film isn't about the plot the politics or the acting. It's about the action. In and of itself, despite some wonky parts that are just not believable, the action is decent.
But the whole thing is ruined by the attempt at a constant one take attempt constantly jostled about by the shaky camera effect.
If you mixed Kingsman camera movement and spinning and pov changing with Blair witch project handheld shaky cam footage it would be the camera work on this movie.
Absolutely unbearable after a certain point while you're just trying to focus on the action scenes unfolding.
Its worth a try if you think you can withstand that. Otherwise it's hard on the eyes and brain with the constant camera shake.
But the whole thing is ruined by the attempt at a constant one take attempt constantly jostled about by the shaky camera effect.
If you mixed Kingsman camera movement and spinning and pov changing with Blair witch project handheld shaky cam footage it would be the camera work on this movie.
Absolutely unbearable after a certain point while you're just trying to focus on the action scenes unfolding.
Its worth a try if you think you can withstand that. Otherwise it's hard on the eyes and brain with the constant camera shake.
THhis is like video game cutscenes that turn into a movie .. Great movie for some peoples , bad movie for those cannot accept this type of movie .. I think this movie is okay ..
An absolute brilliant effort in cinematography and fight choreography, acting is perfectly adequate marriage with a typical action storyline.
High praise for what is visually presented it's wildly entertaining using creative action that plays comedic while never losing visceral impact.
If you love action films, this is your bag!
High praise for what is visually presented it's wildly entertaining using creative action that plays comedic while never losing visceral impact.
If you love action films, this is your bag!
Did you know
- TriviaJoo Won put on a total of seven kilograms (approximately 15.4 pounds) of muscle weight. He also went through three to four months of intensive training on performing stunts and action scenes, including car chases and handling motorcycles.
- ConnectionsReferenced in Film Junk Podcast: Episode 859: Bullet Train (2022)
- How long is Carter?Powered by Alexa
Details
- Runtime2 hours 12 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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