Carter

Editor: How many cuts & transitions do you want?

Director: Yes

Man! My head hurts and my eyes need some rest. Even though I do love these fast-paced action features, this turned out to be too much! I know and I understand that there would be some who have an undying appetite for such kinds of filmmaking, and that's fine, cause to each their own! But if you ask me, I could not enjoy the ride as much as I wished for.

Part of it is due to how turbulent & disorderly it had ultimately become! What was inaugurated as an inventive piece that comprises distinctive one-of-a-kind action, slowly turned itself into one tiring repetition. Add cheesy performances and a suboptimal write-up to that equation and we got ourselves a highly forgettable affair.

The film isn't about the plot the politics or the acting. It's about the action. In and of itself, despite some wonky parts that are just not believable, the action is decent.

But the whole thing is ruined by the attempt at a constant one take attempt constantly jostled about by the shaky camera effect.

If you mixed Kingsman camera movement and spinning and pov changing with Blair witch project handheld shaky cam footage it would be the camera work on this movie.

Absolutely unbearable after a certain point while you're just trying to focus on the action scenes unfolding.

Its worth a try if you think you can withstand that. Otherwise it's hard on the eyes and brain with the constant camera shake.

THhis is like video game cutscenes that turn into a movie .. Great movie for some peoples , bad movie for those cannot accept this type of movie .. I think this movie is okay ..

Director Jung has come to collect - in an exhausting, unwavering maelstrom of ambitious yet somehow derivative fist fights, shoot-outs, car chases and plane crashes, all shot with nauseating, nitrous-fuelled drones that appear caught in a perpetual tailspin. As a result, much of the action feels weightless and simulated, even when propped up by Won's insanely physical performance.

Carter is a protagonist for whom the laws of physics are merely a suggestion, and whose dramatic motivation is spoon-fed to him by inconsequential bit players between punch-ups, like cutscenes in a video game.

One time watch for the respect of Byung-gil Jung, who made The Villainess (2017).

The entire film is shot and made in a way that makes it look like a one-shot long take. But you can notice that there were lots of cuts because there are like 85% of the actions that were pretty insane, so that would be extremely impossible to shoot one long take lol.

It was Hardcore Henry type movie that had more actions, only the editing was kinda poorly done. Lots of cheap green screens and CGI, but doesn't bother me anyway. The actions sequences were actually pretty insane and impressive, IMO. The camerawork is kinda cool, but some people might find it annoying.

Would have been one of the best action films if it was shot in 4-6 long takes without green screens, for sure. Overall, I liked it, it's quite unique. Except Hardcore Henry, I've never seen any movies like this one.