Two flatmates in their 20s and their messy friendship. Becca and Charlie live together, enjoy pranking each other and don't much like their jobs; to escape their present relationships, both ... Read allTwo flatmates in their 20s and their messy friendship. Becca and Charlie live together, enjoy pranking each other and don't much like their jobs; to escape their present relationships, both girls start dating men in their seventiesTwo flatmates in their 20s and their messy friendship. Becca and Charlie live together, enjoy pranking each other and don't much like their jobs; to escape their present relationships, both girls start dating men in their seventies
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I found this show funny and genuinely heartfelt at times, with two funny leads, Sure, it was a little cringe from time to time, such as the incesty plot points, but so was Friday Night Dinner, and most leading comedy shows at the worst of times. It was easy to get into and watch, and I was sad when I reached the end of series 1. I liked that the in-jokes between the friends were explained naturally to the audience, as if you were meeting very close friends for the first time in real life. Got some real laughs out of me. Definitely needs more time to find its footing, but I can see a lot of potential in it.
When going into this show, I already knew that it had an uphill battle due to its association to other very well-known comedies and the fact that the two main characters are women. A lot of the reviews I have seen for the show are extremely misogynistic and uncharitable. Many of the common critiques can also be thrown at the Inbetweeners or Friday Night dinner. Protagonists with questionable decision making? Fine when it's a man, but apparently completely irredeemable if it's a woman. I think some of these reviewers are having trouble realising that the characters are fictional people, and their actions have no real bearing on the world.
So what would I say to someone looking to watch this show? Go into it with an open mind, there is some genuine fun to be found in this series, and try not to take everything so seriously!
When going into this show, I already knew that it had an uphill battle due to its association to other very well-known comedies and the fact that the two main characters are women. A lot of the reviews I have seen for the show are extremely misogynistic and uncharitable. Many of the common critiques can also be thrown at the Inbetweeners or Friday Night dinner. Protagonists with questionable decision making? Fine when it's a man, but apparently completely irredeemable if it's a woman. I think some of these reviewers are having trouble realising that the characters are fictional people, and their actions have no real bearing on the world.
So what would I say to someone looking to watch this show? Go into it with an open mind, there is some genuine fun to be found in this series, and try not to take everything so seriously!
9/10, not because it is close to perfection, but it is far better than the snap-judgement harsh reviews would suggest.
It's a shame that quirky cannot make it past knee-jerk jerks. Michael Hogan in The Telegraph cites one of his irritations in a one-star review as a "Talking horse". Grossly unfair, because he seems to set out to hate the program. The horse is there, but only for two seconds at the end of the opening title sequence.
And I can't really take the opinion of a bearded fuddy-duddy seriously when his recommendations include "The Wheel", and "Saturday Night Takeaway". Pitiful. One of his scathing criticisms is that it is a storyline about two young women, written by - shock horror - a middle-aged man. Of course, J. R. R. Tolkien failed miserably with LOTR because he wasn't a wizard, elf, sentient tree, or hobbit.
But, back to what I see as plusses for "I Hate You". Two excellent leads, snappy lines, curiously amusing situations and niche comedy brilliance (Sustaining an injury after ignoring advice not to try running while listening to Jazz), and the occasional quickly handled running gags (DOG ADOPTIONS).
It's not for everyone. I mentioned the U. S. A. Because I watched the pilot of "Two Broke Girls", and two sentences in, the "audience" are in paroxsyms of laughter.
No such cues for the dim in "I Hate You".
I found Jonny Sweet's Bob Oxygen had a great name, but a stilted delivery, and a slightly irritating character. "A. Plant" was good enough, but it is Tanya Reynolds and Melissa Saint that shine. They perfectly deliver lines such as the response to "Post-punk, but also retro".
I'm not really a fan of Robert Popper's work - I thought "Friday Night Dinner" was a bit of a dud - but I found lots in "I Hate You" to enjoy, and was hoping for at least a second series. Thanks to lazy journalism and reviews seemingly given after viewing 2-3 minutes of one episode, there will be no follow-up.
I was quickly drawn in by the endearingly zany (and well-choreographed) title sequence, and the debate on whether humans have evolved from bears touches on many aspects of relationships, and fake news, without labouring for one moment.
Why oh why does "Mrs. Brown's Boys" never flushes, but something quite subtle gets culled?
I. H. Y., R. I. P. :-(
It's a shame that quirky cannot make it past knee-jerk jerks. Michael Hogan in The Telegraph cites one of his irritations in a one-star review as a "Talking horse". Grossly unfair, because he seems to set out to hate the program. The horse is there, but only for two seconds at the end of the opening title sequence.
And I can't really take the opinion of a bearded fuddy-duddy seriously when his recommendations include "The Wheel", and "Saturday Night Takeaway". Pitiful. One of his scathing criticisms is that it is a storyline about two young women, written by - shock horror - a middle-aged man. Of course, J. R. R. Tolkien failed miserably with LOTR because he wasn't a wizard, elf, sentient tree, or hobbit.
But, back to what I see as plusses for "I Hate You". Two excellent leads, snappy lines, curiously amusing situations and niche comedy brilliance (Sustaining an injury after ignoring advice not to try running while listening to Jazz), and the occasional quickly handled running gags (DOG ADOPTIONS).
It's not for everyone. I mentioned the U. S. A. Because I watched the pilot of "Two Broke Girls", and two sentences in, the "audience" are in paroxsyms of laughter.
No such cues for the dim in "I Hate You".
I found Jonny Sweet's Bob Oxygen had a great name, but a stilted delivery, and a slightly irritating character. "A. Plant" was good enough, but it is Tanya Reynolds and Melissa Saint that shine. They perfectly deliver lines such as the response to "Post-punk, but also retro".
I'm not really a fan of Robert Popper's work - I thought "Friday Night Dinner" was a bit of a dud - but I found lots in "I Hate You" to enjoy, and was hoping for at least a second series. Thanks to lazy journalism and reviews seemingly given after viewing 2-3 minutes of one episode, there will be no follow-up.
I was quickly drawn in by the endearingly zany (and well-choreographed) title sequence, and the debate on whether humans have evolved from bears touches on many aspects of relationships, and fake news, without labouring for one moment.
Why oh why does "Mrs. Brown's Boys" never flushes, but something quite subtle gets culled?
I. H. Y., R. I. P. :-(
Writer Robert Popper has worked on some real comedy gold like the Inbetweeners and Peep Show but this wasn't one to add to that portfolio. Despite a good cast and production values the premise and script fell short. It had some amusing moments and good one-liners here and there but the storyline was quite improbable and overall it didn't come off.
Would like to think it will get better over time but can't see a second series for this one as I'm not sure who the audience will be. Not traditionally structured and written sharply enough for older viewers and not 'hip' enough to attract a younger audience.
Bottom line neeeded to be a lot funnier. A middling sitcom that will soon be forgotten.
Would like to think it will get better over time but can't see a second series for this one as I'm not sure who the audience will be. Not traditionally structured and written sharply enough for older viewers and not 'hip' enough to attract a younger audience.
Bottom line neeeded to be a lot funnier. A middling sitcom that will soon be forgotten.
So for some reason they decided to start the series with the "edgiest" storyline, where the 20-something flatmates sort-of date a couple of pensioners. It's a ridiculous premise with very few laughs and to be honest I was going to not bother watching any more...
...but I've had a quiet afternoon so I came back to it and watched the rest of the series.
Any you know what - it's not that bad. The two lead actresses pull off the slightly awkward friendship between Charlie and Becca really well, a handful of the jokes are chuckle-worthy, and some of the supporting characters are very good (in particular Becca's boss and her stepbrother).
But there's plenty that doesn't work. Lots of the pre-launch focus was on the creator, Robert Popper, who's been involved in loads of British comedy shows over the years. He's an old man writing a show about two young women. And although some of the script doesn't ring true, the worst characters are the men. Charlie's boss is an unrealistic idiot, a man that has a crush on her is, well, an unrealistic idiot, and Becca's co-worker is, errr, an unrealistic idiot.
Highlights? Spilled coffee, an awkward Chess accident and a curious greeting.
Second series? Needs stronger jokes and better supporting characters to be worth it.
...but I've had a quiet afternoon so I came back to it and watched the rest of the series.
Any you know what - it's not that bad. The two lead actresses pull off the slightly awkward friendship between Charlie and Becca really well, a handful of the jokes are chuckle-worthy, and some of the supporting characters are very good (in particular Becca's boss and her stepbrother).
But there's plenty that doesn't work. Lots of the pre-launch focus was on the creator, Robert Popper, who's been involved in loads of British comedy shows over the years. He's an old man writing a show about two young women. And although some of the script doesn't ring true, the worst characters are the men. Charlie's boss is an unrealistic idiot, a man that has a crush on her is, well, an unrealistic idiot, and Becca's co-worker is, errr, an unrealistic idiot.
Highlights? Spilled coffee, an awkward Chess accident and a curious greeting.
Second series? Needs stronger jokes and better supporting characters to be worth it.
To be honest I read a few reviews and thought about skipping it but I like her from sex education and thought I'd give it a go. It was like a lot of British comedies, a bit all over the place, new age humour isn't particularly funny, trying to tie in the contradiction that Is the social media hypocrites, it's impossible to please everyone.
There were bits that were natural, I thought parts were very funny, but sometimes they tried to force a joke, that was poor. But overall it was a decent comedy, passed the time on a sick day and I'd watch a series two, I thought there's potential, problem we have these days is people rate 1 or 10/10 so stuff gets loved or binned off. I'd give this one more go, women don't have an easy route in comedy.
The one thing I thought was funny was the intro, it felt like someone watched peacemaker and tried to clone it and it was a fail, it immediately made the characters tougher to like and route for so that was a mistake.
There were bits that were natural, I thought parts were very funny, but sometimes they tried to force a joke, that was poor. But overall it was a decent comedy, passed the time on a sick day and I'd watch a series two, I thought there's potential, problem we have these days is people rate 1 or 10/10 so stuff gets loved or binned off. I'd give this one more go, women don't have an easy route in comedy.
The one thing I thought was funny was the intro, it felt like someone watched peacemaker and tried to clone it and it was a fail, it immediately made the characters tougher to like and route for so that was a mistake.
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