Heartsong

Actually The story was not so unique. We know well this story from another Turkish Cinema but nomadic contains would be success that film. I have to confess that this film take my a few tears. Yeah.

The movie is A mesmerising, highly imaginative film - a masterpiece then why did i get one point off. Some technical problems about fiction and camera's point of view in some scenes. But It is one of the few movies in a decade that you can call genius work. The plot, the filming, the actors, the rhythm, the music, the melting of tenderness and bluntness all make justice to the words crazy, beauty and art.

In some way, it reminds me of the sheer creativity of Amelie (Poulain). It is art, for the only pleasure of conveying beauty and emotions.

Music has very interesting tones and holds some memories from the BGST by Vedat. Also i look for "baglama" but could not see and only heard.

Movie has full of crazy caricatures of the Eastern Anatolian. It is Soner Caner's success. It features some of the most creative characters and some of the weirdest scenes I've ever seen on a screen. Still, the movie is beautifully balanced, never falling into a complete frenzy or losing its plot.

The scenes are almost nostalgic at times, a throwback to a simpler time where you can just have fun, no restrictions. You'll thank the people who created this gem for managing to take it a little further from Hollywood.

In the beginning, the work is beautiful and has good taste, no matter what the opinions are about it, you should watch it because it has achieved the most important goal in art, which is enjoyment.

As we will notice, the work looks like a classic, but it is not traditional at all. The time line in the film is a little scattered, but you will understand it because there is no specific goal, but rather it is a message directed about love and how you can create love from nothing.

There are some other things that are very beautiful, such as (graphic cinema), the angle of photography is very elaborate and the way of sequencing the scenes of nature that works to revive the atmosphere of the film is amazing, knowing that I did not like the display of bright colors in a village in this way.

(casting)One of the most beautiful things is the great acting staff, you can feel the harmony between the actors, but I can assure that the director may be able to build the characters more beautifully, because *Erkan*did not give his best, unlike *Hazar*, who won the admiration of a person like me who does not know much about Turkish cinema.

But the most important element in the work is (the soundtrack), which achieved this category completely free of errors, and creating music that sticks in the mind of everyone, this is a success in itself, and also the clarity of the sound makes you feel special, especially at the final scene. There is also a good thing, which is the (make-up) And the quiet touches on the shape of the actors, which let you feel the simplicity and true beauty.

The last thing I will mention is the way (Islamic religion) is presented. It is a good thing that the Arabic language is pronounced correctly and the Quranic verses as well, but I think it is better not to take religion in this way and put it with magic and sorcery and make it funny and other such things, this is insulting.

I love this quirky, sweet movie. The setting is cool..... the small village in the mountains. The way they live in their tents/cars.

The story is very original. Good acting and filmmaking.

Soner Caner's latest project, which I have been following since the movie "Rauf" and even took it a step further and reached the level of Stalker.

Soner Caner is a director with the mindset I love, each film is a different color, a different genre, but they all make you feel like they are a Soner Caner movie from the very first frame.

There is a similar viewing pleasure in Tolga Karacelik's movies.

It's hard to believe that "Mukavemet", one of the two movies I watched in 3 months, and this movie came out of the mind of the same person.

Gönül / Heartsong In Caner's mind, it's like taking a stroll in Southeast Anatolia with Emir Kusturica.

Again, Caner was not content with the fact that the names in his staff exist as celebrities, and he made them go to the limit as far as they could go both visually and in terms of performance.

Just like in the films Rauf and Mukavemet, Caner is successful in reminding the actor that he is an actor and a part of the story, which is the subject of the new Turkish cinema's most unsuccessful.

The sound engineering and cinematography of the film are also great.