Metacritic reviews

For the most part, Getaway lacks tension and violence. Strobe cuts rob the stunts of any sense of motion; twisting metal, seen in half-second snippets, becomes abstracted texture. While it’s possible to appreciate this stuff on an individual level, it doesn’t quite add up to an action-movie whole.

What Getaway needed most is enough juice to get to the finish line, narratively speaking. Because while jumping into the car is great, the fun dies fast if there’s nowhere to go.

Maybe they all took a gander at that random, ridiculous scenario and hoped that the car would be cool enough to bail them out. It isn’t.

Easily one of the dopiest major studio releases since Elie Samaha got out of the business.

This is not a remake of Sam Peckinpah's "The Getaway," but a new effort. The film is loaded with action and violence, although not in any logical or accessible way.

It couldn’t be a simpler, more workable premise for a good B-movie, but the amount of effort put into making it fast and edgy is inversely proportional to the scant thrills it yields.

Gomez plays ... well, that’s one of the problems. Her character is so underdeveloped in director Courtney Solomon’s movie that she doesn’t actually have a name.

The film blinks too fast to maintain a coherent vision.

Getaway seems built for non-English speaking territories in which dialogue is as disposable as Bulgarian police cars. If only those audiences were as dumb as the action itself.

It's understandable that larger scale movies will want to spawn sequels, but this is about two degrees away from being a movie that premieres on Cinemax on a Friday night, sandwiched between two soft core porn movies with funny titles. Getaway is stuck in neutral. And that's where it'll stay.