A Maple Valley Christmas

7.7 stars.

Peyton List has that face for me. My imaginary soulmate has a visage very similar. I know many would probably disagree saying her face is flawed somehow, who knows, it's just my opinion. She is one of my favorite actresses mainly because she's decent overall, at least in specific roles, this being one. So now this review will be skewed in proportion to the angelic nature of her appearance and presence. Ok, I'll keep it real for the sake of consistency. The movie is not bad, it's laid back, has a nice slow pace. All the actors are good as usual these days for Hallmark. Back in the 2016 and prior movies, sometimes it would be hit and miss, but the last several years I feel the acting in general is of higher quality.

I am pleasantly surprised in her sister's performance, she's a real heart stopper that one, lovely, and beautiful, charismatic, and a good actress. We have the privilege of two leading ladies in this movie.

There are many old wounds that need healing in this story, and everyone is ready and able to mend each others hearts. A son has difficulty measuring up to his father's impossible standards, and a daughter is hard on herself, needs perspective and the ability to cope with failure. Together they help each other improve, and as a bonus they fall madly in love. The anticipation, friction, and tension is palpable, and really adds to the passion. I'd recommend this inspiring tale for anyone who also likes horses, outdoors, farms, and lots of trees and snow.

The end was well crafted with forgiveness, closure, good food and Christmas joy.

I loved the way this movie started. A horse ride through maple trees, sap buckets and candy canes, a warm loving family, a handsome stranger who returns a lost horse and... a very un-Hallmark early kiss between the two leads (and a bold and surprising kiss at that). I loved it. I'm so tired of the "almost kiss" that gets interrupted and isn't attempted again until the end of the movie. Ugh. It's easily one of the most annoying Hallmark tropes. But here, they tried something different. The boldness of that early kiss was very modern and a wonderful change of pace.

The handsome stranger was played by Hallmark all-star Andrew Walker. He's a sure thing. But I didn't recognize Peyton List, who played Erica. Although bold and interesting in the beginning, Erica is revealed to be rather unpleasant. She's quick to unfairly judge Aaron, disrespectful to her own sweet sister, acts like a bully, and is beyond thoughtless with her loving mother.

And it all goes on way too long. She comes across as a spoiled brat and that makes it hard to root for her to find love with Aaron.

There are also a few lines that cut like a knife:

Erica: "You're a rich kid who's lost and thinks he'll find himself by putting on a Stetson hat and playing cowboy." Aaron: "Maybe you don't pick the wrong guys. Maybe you pick the right guys, and just drive them away." Erica: "Maybe so, but like I said, I don't date tourists"

Ouch.

Her mother actually expressed what I was thinking when she told Erica to "pull it together". And the whole plot about turning over the business to her daughters, to the point where one talks about buying out the other? What's mom going to live off of? It's not like she sold the business to a third-party and banked the proceeds. It sounded like she just gave the business to her kids, without taking anything, not even a salary. That's all too typical in Hallmark movies- a complete disregard for financial realities. In real life, mom might leave her kids in charge but they'd have to wait until she passed before taking ownership.

Erica's sister Heidi was played by Ella Cannon. In contrast to her sister, Heidi comes across as sweet and kind. And she's in a healthy marriage to a good guy. And she's even more beautiful than Erica. I wish the movie had starred Ella Cannon as the lead (and as a nicer character than Erica).

Aaron's father was played by Paul Jarrett and he nailed that horrible character.

I did like the running gag about "the hat" (which looked good on Erica, less so on Aaron). And though unearned, the ending was lovely. But I really didn't like the way Erica was written and Peyton List couldn't make her more likable (in fairness to her, it's not within her power to change her lines).

'Maple Valley Christmas' (2022)

Opening thoughts: There is always at least one reason for wanting to see a film etc with me, in 'Maple Valley Christmas' case it was Andrew Walker. He is one of Hallmark's most regularly used actors and very popular, and to me the appeal is more than understandable. As he is one of the better and more consistent regulars, despite his filmography being very up and down. The premise did intrigue, could feel myself relating to the issues that were being explored, and had real potential to work.

'Maple Valley Christmas' however is another one of those films with a premise that sounds good but the execution underwhelms, for reasons that have been summed up already very well. It is not one of the worst 2022 Hallmark films, neither is it quite one of the worst 2022 Miracles of Christmas films (it is certainly better than 'Christmas Bedtime Stories'). It is unfortunately not good and is a waste of potential. Walker comes off quite well, but he really is well above this.

Good things: He is the best thing about 'Maple Valley Christmas', making a conscientious effort in bringing charm and heart as well as nuance. Actually did think that the male cast did well, with Francisco Trujillo bringing some welcome vim.

It is a nice looking film, with beautiful scenery that the photography doesn't waste. The music is also pleasant enough and fits.

Bad things: On the other hand, quite a lot doesn't work. The female cast are poor, Peyton List doesn't inject much personality, while also trying too hard. Frances Flanagan and even more so Ella Cannon overact dreadfully, the latter being a whiny spiteful cartoon. Absolutely agree with all regarding the complete absence of characters worth rooting for or liking, exaggerated character flaws with little to no growth has been a major problem in Hallmark films in the past few years and this is one of the worst cases of the 2022 output. List's character's constant rudeness, disrespect and over-bearing-ness became exhausting fast. List and Walker indeed have no chemistry together, very cold, distant and awkward.

Furthermore, the ending is very unrealistic, the pacing is rushed from trying to cram in a lot in too short a space of time and what happens is too convenient and not warranted. The dialogue is not natural and can be too soapy. The pace is erratic, sometimes fine, sometimes draggy from over stretching and then too hasty in the over-stuffed final quarter. Pretty much all the character decisions and motivations are at best vague, and that is whenever effort is made to explain, and wildly improbable, so much making no sense.

Concluding thoughts: Overall, very underwhelming.

4/10.

Any Hallmark movie aficionado who has ever rolled their eyes at the "almost kiss" that is usually a fixture about midway in the course of the romance might want to check this one out. 10 or 15 minutes in and before the sun has set on the day they meet, the girl launches herself at the guy and plants one on him. He was very surprised, but not half as surprised as I was. It was a jawdropper.

Andrew walker, Aaron, is sent by his property developer father, Steve, to Maple valley to buy a piece of land that he has had his eye on for years. The land adjoins the tree farm and maple syrup business of the Holden Family. The mother has recently given equal control of the operation to her two daughters. The older daughter, Erica is determined to buy back this land that once belonged to them. The younger daughter wants to use the money to expand their syrup business and maybe "go retail". Which left me scratching my head. Their syrup business seems to be their source of income and is apparently thriving (shocker!) Yet they only seem to sell it at festival booths.

There is lots of conflict in this one. Aaron and his father are at odds because the father perceives Aaron as lazy and unambitious. Aaron does not like his father's business practices and putting his company over family his whole life. When Aaron gives up the land for Erica, Steve is irate and hot-foots it to Maple Valley himself.

There is conflict between the two sisters. The younger, Heidi, does not want to buy the land and feels Erica is running rough-shod over her when they are supposed to be equal partners. She feels discounted.

The mother is retiring because she is moving to Italy with her boyfriend and wants no part of the sisters' dispute. Erica is upset that her mother is leaving home and putting love and companionship over family and business. She is at odds with her Mom, her boyfriend, and even the Christmas tree and what to have for Christmas dinner. Erica is a piece of work, but somehow I didn't hate her. At least she communicates, which is a nice change in a Hallmark movie. She's also upset with Aaron when the father shows up to buy the land afterall. Aaron quits his father and the company he is heir to in order to start his own company. Erica's sister quits the family business. Erica and Steve, the ultimate antagonists, both seem to be in the same boat.

How all of these people come together in love and understanding bowing their heads in prayer at Christmas dinner makes for a pretty interesting journey. What I don't get is what happened to the Fernandez land? Did the Holden's buy it, or was Mister Fernandez left in the lurch? And did Aaron stay in his father's business or strike out on his own? But one thing's for sure. Andrew Walker looked weird in that Cowboy hat.

I really enjoyed this movie and will 100% watch again. I truly don't get why so many felt there was no chemistry between the leads. Perhaps having a female that is atypical is what turned them off?

The story starts with a successful (a nice change from the usual fare, to be honest) family-run maple syrup business looking to buy the property next door when it finally goes on the market. But lo and behold, a developer from a large city arrives to outbid the heroine. Our heroine and protagonist, almost from the start, works and grows with her love interest to try to keep the deal from happening. There aren't any big misunderstandings or hidden secrets here. It's just honest communication and two people being surprised about their feelings and healing from their past broken hearts. Our female lead is guarded, but I found her relatable and likable.

The meet-cute was finally not a ridiculous over the top trope, but original, without the female lead being unnecessarily rude or snapping to judgment or having that "You" moment when they run into each other later. There weren't any eye-rolling misunderstandings to get past; everyone was fairly honest from the start. There wasn't the overdone scene of an interrupted kiss: it happens spontaneously in the first 10-15 minutes. There wasn't some widower's/divorcée's kid trying to move the plot forward with an overly sweet and far-too-old-to-be-acting-as-babyish-as-they-typically-do act. The scenery was realistic and what wasn't winter or Christmas-y was overall well-hidden. And finally, I didn't find this with any of the usual cheesy professions of love that generally make me cringe with embarrassment for the actors who have to do them. Again, I will 100% watch this in the future.