Cold War

An explosion in the heart of Hong Kong city and the mystery disappearance of an EU van with five armed policemen onboard kick start a series of events that not only threaten the innocent citizens of Hong Kong but also the cohesion of the police force.

Heavenly King Aaron Kwok plays Lau, the Deputy Commissioner of administrative services of the HK police force while Tony Leung Ka Fai plays Lee, the Deputy Commissioner of operations. With the Commissioner (Michael Wong) away on a conference in Copenhagen, Lee assumed the position of officer-in-charge and authorized an immediate rescue operation (codenamed Cold War) of the kidnapped officers. However, Lau has doubts over Lee's authority and a fight over the commanding position ensues. With the clock ticking including the safety of Lee's son, Joe (Taiwanese idol Eddie Peng) being one of the kidnapped police officers, operation Cold War is still a go despite the differences.

Co-helmed by first time directors Sunny Luk (who serves as one of the writers and second assistant director on movies such as "Full Alert" and "On the Edge") and art director Longman Leung, "Cold War" is an intense crime thriller that collectively packed a lot of stuff into a compact 100 odd minutes. Taking into account the countless familiar faces that the duo has assembled, this factor probably already worth the admission ticket alone. The summary above only accounts for the first half of the movie, yes you heard that right. You got an electrifying scene between Lau and Lee's character. Two Heavenly Kings, one by the name of Andy sharing a scene together after their last collaboration in "Lee Rock II" almost two decades ago and a nail-biting scene involving Lau bringing a whole bag of cash to meet the kidnappers and ends with a gunfight on a busy road.

Another gentle reminder, all these happened in the first half of "Cold War" and we have yet reached the end.

Luk and Leung take a fresh spin on the usual crime genre and gave it a new life during the process thus instead of a straight out actioner liked Benny Chan's "EU Strike Force", we have a layered cop drama in the league of "Infernal Affairs". The story is also the duo's love song to their beloved homeland, a country that is run on a respected common law jurisdiction and enjoyed freedom of speech and accountability which is a stark contrast to the People's Republic of China. The two filmmakers refuse to rest on their laurels that they have to introduce a young ICAC rookie, Cheung (Aarif Rahman from "Bruce Lee, My Brother") in the next half of the movie to investigate Lau's alleged involvement in the missing ransom which in turn question the existence of a mole in the force. This is not to say the scripting of "Cold War" is perfect. In fact, in an enthusiastic move to generate more twists and turns, a couple of missteps including too many false endings and a CG filled finale actually hamper the overall enjoyment a little.

After being lambasted for his cheesy acting in "Murderer" and "City Under Siege", Kwok equipped with a salt-and-pepper hairstyle is surprisingly believable as the calm, confident Lau while the award- winning Leung shines in a role that screams for more. The other supporting cast includes Gordon Lam Ka Tong playing a role that he can virtually portrays in his sleep and action choreographer Chin Ka Lok doubling as Lau's subordinate, the ever pretty Charlie Young pops in as Head of Public Relations with Andy Lau in an extended cameo as the Secretary of Security. I can't say much for Eddie Peng but this young man unquestionably is a shining star to watch out for.

Even without the financial involvement of Mainland investors, "Cold War" is an impressive feat for the two relatively new filmmakers. The lush production values and picturesque aerial shots are examples of that. Although it doesn't feature wall-to-wall action (think "The Viral Factor"), "Cold War" is a recommended title proving the crime genre which the HK movie industry is famous for is still very much alive.

This film is about two Deputy Commissioners of Police dealing with the mysterious disappearance of a police car along with its five police officers.

"Cold War" wastes no time in building up suspense and thrill. Within a minute we already have an explosion in the middle of the most popular hang out place in Hong Kong. After that, the action never stops. The plot is very fast paced, it twists and turns in unexpected directions every few minutes. It is so engaging, the story is so grippingly told, that I was completely transfixed. My mind was blank with no distracted thoughts. I was simply in awe throughout the film. "Cold War" is so brilliant, from the intelligent plot, the star studded ensemble, the intense action, beautiful cinematography and great acting. Everything about "Cold War" is outstanding.

I have heard great things about "Cold War". Not only does it live up to its expectations, it certainly surpasses every single praise I have heard. In fact, "Cold War" is undoubtedly, undeniable the best Hong Kong film I have ever watched. I never even imagined Hong Kong cinema can be this excellent. Words fail to describe how outstanding "Cold War" is. I unreservedly recommend this film to anyone.

"Cold War" ("Hon Zin") is an entertaining movie, but it is far from the finest moment in Hong Kong cinema. And for a crime-thriller, well then it set out to do a lot of things, but it ended up looking as if directors Lok Man Leung and Kim-ching Luk had bitten off a bit too much and weren't able to fully bring it full circle.

The story starts out well enough, and quickly picks up pace, but towards the last third of the movie it started to become forced and somewhat messy, making the movie suffer in overall coherency and enjoyment as a result.

"Cold War" does have some of Hong Kong's top actors in it, and Aaron Kwok does carry the movie quite well. It was a shame that Andy Lau wasn't given more screen time in the movie, but his appearance was great nonetheless.

Personally I am not overly keen on crime movies such as these, and "Cold War" didn't really bring anything overly new or exciting to the genre.

The movie was nicely shot and edited, and it is enjoyable for what it is. But even with my love for Asian cinema, then I doubt that I will be making a second viewing out of this movie. It just didn't have that much to offer.

COLD WAR is a Hong Kong police thriller spearheaded by an all-star cast who go some way in making it surprisingly compelling viewing at times. The story begins choppily as a van full of low-ranking police officers disappears, the cops presumably kidnapped, but gradually we figure out that this is less about action heroics than the internal politics of the Hong Kong police division. Aaron Kwok and Tony Leung lead the way here and both are very good indeed, particularly in one crucial scene that showcases their acting skills. The worst thing is the direction which could be better, but it doesn't detract from a fun little film.

Touted as "the next INFERNAL AFFAIRS", COLD WAR is a bold, if heavily flawed action thriller that gives a fresh perspective rarely seen in a cop genre by showing an internal conflict between a group of high-ranking police officers struggling to solve a case.

The movie opens fast and furious, beginning with a sudden explosion at a crowded movie theater. Following immediately is a separate scene where an arrogant drunk driver speeds through the Hong Kong's freeways and ends up crashing his car pretty badly. An EU (Emergency Unit) van loaded with five cops arrives at the accident scene, which is reportedly being hijacked and vanishes from police radar. Despite all the so-called expensive and sophisticated technology at their disposal, the police can't even track down their own van. Apparently one of the five cops that ended up being kidnapped by masked hijackers is Joe (Eddie Peng), son of Deputy Commissioner of Police from Operation Division, M.B. Lee (Tony Leung Ka-Fai).

While the Commissioner of Police (Michael Wong) is out of the country, Lee has been appointed as acting commissioner and leads the rescue operation code named "Cold War". Lee's strategy is an all-out aggressive attack with "non-negotiable" policy against the kidnappers, but Deputy Commissioner of Police from Management Division, Sean Lau (Aaron Kwok) disagrees with his harsh decision and demands the situation to be evaluated thoroughly before any proper action is taken. Lau also suspects that Lee is overreacted especially since his son is being kidnapped as well. As the internal conflict is mounting up, Lee continues to bark his authority all for the wrong reasons when he harshly refuses to let his Head of Police Public Relations Branch, Phoenix Leung (Charlie Yeung) to release info about the kidnapping news to the public. The particular situation prompted Lau to step in with some top-brass supports from his best friend, Senior Superintendent Vincent Tsui (Chin Kar-Lok), Senior Superintendent Albert Kwong (Gordon Lam) and Secretary of Security for the Hong Kong Security Bureau, Philip Luk (Andy Lau) to overturn Lee's position so he can replace him as the new acting commissioner.

Once Lee is forced to step down, Lau immediately takes charge and proceeds on negotiating with the kidnappers who demands a huge amount of money or else. However, Lau's attempt to deliver the ransom money goes terribly awry and even leaves one of the crucial police officers dead. Now most of the money goes missing.

At this point onward, both Lee and Lau become prime suspects under the investigation of ICAC (Independent Commission Against Corruption), which is lead by a young ICAC investigator Billy Cheung (Aarif Rahman). According to Cheung, he has a reason to believe that Lee or Lau has something to do with the missing money and the overall conspiracy of the kidnapping case. Now the biggest question is: what really happens? If the synopsis above does sounds confusing to you, that's because first-time writers and directors Longman Leung and Sunny Luk stuffed way too many plots in a compact 102 minutes! Not to mention their script is overly convoluted, which is filled with lots of loopholes and questions that might frustrate a lot of impatient viewers throughout the movie. Then there's Kwong Chi-Leung's hyperactive editing which can be annoying at times especially with too many overlapping scenes (particularly during the rapid-fire, dialogue-heavy moments) that seriously demands the viewers to play some catch-ups. The second half, which involves the ICAC investigation between Billy, Lee and Lau as well as the elaborate conspiracy theory, is a serious head-scratcher when viewers tries to connect all the dots together.

Despite all the glaring flaws, COLD WAR remains good enough to watch for. Kudos still goes to Leung and Luk for their ambitious move to present a cop thriller out of the ordinary, even though their executions are somewhat haphazard. As both being a first-timer, their directing efforts are still spotty in places. But it's hard to deny that Leung and Luk does possess some impressive feats in their overall directions.

The movie is benefited from lush production values and spectacular aerial shots (particularly the way how they framed the angle of skyscrapers), while the overall technical credits are equally top-notch. Except of course, some of the CG here are patchy (particularly in the climactic scene involving fireworks on the roof of a tall building). Peter Kam's music score is frequently intense throughout the movie.

Action scenes are adequate enough, particularly for the exciting shootout/car chase scene at the freeway overpass.

The cast, in the meantime, are rock-solid. Aaron Kwok gives a perfectly restrained performance (thank heaven he's not overacting like he used to!) as the calm and confident Lau, while Tony Leung Ka-Fai is especially a standout as the no-nonsense Lee who seriously deserves an acting award nomination (His scene involving him and Aaron Kwok barking at each other in the police headquarters, and another one where he coolly outwitted the two young ICAC investigators in the interrogation room, are downright memorable). The rest of the supporting cast are equally great, including Charlie Yeung, Gordon Lam, Aarif Rahman and even the cameo appearance from Andy Lau.

COLD WAR ends with a cliffhanger finale that screams a sequel. If the sequel is really made sometimes in the future, here's hoping that Longman Leung and Sunny Luk manage to polish their rough-on-the-edges direction and their overstuffed screenplay into a more balanced approach. As for now, COLD WAR stands as one of the best Hong Kong movies of the year.