The Greatest Show Never Made

I really enjoyed this crazy and bizarre story. If you like really interesting bizarre pop culture stories like I am, you'll love this docu-series.

At its core, this story is about the bringing together of some lovely but vulnerable young souls in the strangest of ways...and a few little lies- where the bad guy isn't always a bad guy. Maybe just a broken kid who was trying to make something of his life and unknowingly and irresponsibly dragged others down and under in his wake.

A side note, I really loved the production of this show, the recreation of the apartment was so clever and was a really fun way to tell the story. Kudos to the production team for that one.

3rd episode is the best, you can honestly skip to that cause that is where it all comes together. The style of documentary might be the best part because it's old footage, and new footage recreated in the flat all the original footage took place in.

As an American, I don't know how much this made news when it occurred but it's interesting the levels of fame it illustrates.

If you're looking for a different type of documentary that is kinda cult mentality/ what people will do for a piece of fame / somewhat of a redemption story - This show will itch that scratch quite well.

TLDR: just watch the final episode.

I am almost 20 minutes into the first episode. And I think that is as far as I am going to get.

It is so long drawn, and mindnumbingly boring, that it´s impressive. I think they are trying to set the scene, for what is about to come. But get to the point, FFS!

I have watched shows on Netflix mostly, before. And some of them suffer from the clear fault, that they are reminescent of when someone has to write a X letters essay for school, but can´t really come up with enough content for it. So it just becomes a matter of being as long winded as possible, without having any actual meat on the bone.

And it seems to be the same for this show.

The current trend of docuseries, covering a single topic over several episodes, has caused series like this one. While the topic is intriguing it appears that the producers felt compelled to stretch this topic, painfully over 2 hour long episodes. In truth, the subject could have been edited down to a tight 60 or loose 90 and, in turn, have been a more successful production.

Unfortunately, the direction taken was to repeat footage, interviews, etc. Again and again to fill an unnecessary void in order to achieve 3 episodes. If that was not the case, then perhaps the producers should reconsider there choice in career path.

STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful

In 2002, the 'reality TV' craze was riding high, after Jade Goody's victory in Big Brother, but for those who didn't get through to that, an ad was placed in a personal column for a reality show to rival that. A group of distinctive, quirky personalities were asked to give up their homes, lives and jobs for a year to appear on a new show to rival BB, only for the show to never materialise, leaving each of the individuals without their dream moment. Twenty years later, the group are reunited, while the failed producer, who now goes by the name of N Quentin Woolf, looks on.

With the recent resurrection of Big Brother, the original 'reality TV' production, on ITV (I think), it's timely that this intriguing little production from Amazon Prime has risen up, documenting a production that wasn't so lucky. It caught my eye to begin with given the dark edge it seemed to possess, given this was a group of people who were asked to give up everything about their lives, but as it turns out, this is a largely light hearted and fluffy piece that looks back with a sentimental glint.

The group on display are the usual type of exhibitionists and extroverts, who in one way or another have to show off and stand out, but none are particularly unlikeable or overly narcissistic in any way, and even as their dilemma was unfolding, they seem to react to the situation with humour and resignation, which is much the way they appear in the present, without much in the way of bitterness. The man behind it all, Woolf, seems genuinely contrite and regretful over everything that happened, just a situation that spiralled out of control. The apparent naivety of the participants comes off as a reflection of the time, as one of them laments, a column ad like that in the present day would scream alarm bells, but at the time, it's more conceivable that people could get sucked in.

Director Ashley Francis-Roy condenses everything into a neat and succinct three episodes that ensures everything doesn't become overwhelming. It's a fact-is-stranger-than-fiction tale, that is fitting for the modern reality TV obsessed world we live in. ***